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Author: Javier Álvarez-Mon Publisher: Penn State Press ISBN: 1575066122 Category : History Languages : en Pages : 512
Book Description
The late 7th and 6th centuries B.C. were a period of tremendous upheaval and change in ancient western Asia, marked by the destruction of the Assyrian Empire, the rise and collapse of the Neo-Babylonian state, and the stunning ascent of what was to become the Achaemenid Persian Empire, the largest polity the world had yet seen. Of the major cultural entities involved in these far-reaching events, Elam has long remained the least understood. The essays contained in this book are part of a continuing reassessment of the nature and significance of Elam in the early 1st millennium B.C., with a focus on the relationship between “Elamite” culture of the Neo-Elamite period and the emerging “Persian” culture in southwestern Iran in the 7th and 6th centuries B.C. The conception of this volume goes back to the 2003 meeting of the American Schools of Oriental Research that took place in Philadelphia, Pennsylvania, where two sessions were dedicated to the rich cultural heritage of ancient Iran. It was also the first time that Iranian archaeology was represented at ASOR since the Iranian Revolution. This volume contains 14 contributions by leading scholars in the discipline, organized into 3 sections: archaeology, texts, and images (art history). The volume is richly illustrated with more than 200 drawings and photographs.
Author: Javier Álvarez-Mon Publisher: Penn State Press ISBN: 1575066122 Category : History Languages : en Pages : 512
Book Description
The late 7th and 6th centuries B.C. were a period of tremendous upheaval and change in ancient western Asia, marked by the destruction of the Assyrian Empire, the rise and collapse of the Neo-Babylonian state, and the stunning ascent of what was to become the Achaemenid Persian Empire, the largest polity the world had yet seen. Of the major cultural entities involved in these far-reaching events, Elam has long remained the least understood. The essays contained in this book are part of a continuing reassessment of the nature and significance of Elam in the early 1st millennium B.C., with a focus on the relationship between “Elamite” culture of the Neo-Elamite period and the emerging “Persian” culture in southwestern Iran in the 7th and 6th centuries B.C. The conception of this volume goes back to the 2003 meeting of the American Schools of Oriental Research that took place in Philadelphia, Pennsylvania, where two sessions were dedicated to the rich cultural heritage of ancient Iran. It was also the first time that Iranian archaeology was represented at ASOR since the Iranian Revolution. This volume contains 14 contributions by leading scholars in the discipline, organized into 3 sections: archaeology, texts, and images (art history). The volume is richly illustrated with more than 200 drawings and photographs.
Author: J. Daniel Elam Publisher: Fordham University Press ISBN: 0823289826 Category : Literary Criticism Languages : en Pages : 208
Book Description
World Literature for the Wretched of the Earth recovers a genealogy of anticolonial thought that advocated collective inexpertise, unknowing, and unrecognizability. Early-twentieth-century anticolonial thinkers endeavored to imagine a world emancipated from colonial rule, but it was a world they knew they would likely not live to see. Written in exile, in abjection, or in the face of death, anticolonial thought could not afford to base its politics on the hope of eventual success, mastery, or national sovereignty. J. Daniel Elam shows how anticolonial thinkers theorized inconsequential practices of egalitarianism in the service of an impossibility: a world without colonialism. Framed by a suggestive reading of the surprising affinities between Frantz Fanon’s political writings and Erich Auerbach’s philological project, World Literature for the Wretched of the Earth foregrounds anticolonial theories of reading and critique in the writing of Lala Har Dayal, B. R. Ambedkar, M. K. Gandhi, and Bhagat Singh. These anticolonial activists theorized reading not as a way to cultivate mastery and expertise but as a way, rather, to disavow mastery altogether. To become or remain an inexpert reader, divesting oneself of authorial claims, was to fundamentally challenge the logic of the British Empire and European fascism, which prized self-mastery, authority, and national sovereignty. Bringing together the histories of comparative literature and anticolonial thought, Elam demonstrates how these early-twentieth-century theories of reading force us to reconsider the commitments of humanistic critique and egalitarian politics in the still-colonial present.
Author: D. T. Potts Publisher: Cambridge University Press ISBN: 9780521564960 Category : History Languages : en Pages : 528
Book Description
From the middle of the 3rd millennium BC until the coming of Cyrus the Great, southwestern Iran was referred to in Mesopotamian sources as the land of Elam. A heterogeneous collection of regions, Elam was home to a variety of groups, alternately the object of Mesopotamian aggression, and aggressors themselves; an ethnic group seemingly swallowed up by the vast Achaemenid Persian empire, yet a force strong enough to attack Babylonia in the last centuries BC. The Elamite language is attested as late as the Medieval era, and the name Elam as late as 1300 in the records of the Nestorian church. This book examines the formation and transformation of Elam's many identities through both archaeological and written evidence, and brings to life one of the most important regions of Western Asia, re-evaluates its significance, and places it in the context of the most recent archaeological and historical scholarship.
Author: Michele Elam Publisher: Stanford University Press ISBN: 0804777306 Category : Literary Criticism Languages : en Pages : 306
Book Description
The Souls of Mixed Folk examines representations of mixed race in literature and the arts that redefine new millennial aesthetics and politics. Focusing on black-white mixes, Elam analyzes expressive works—novels, drama, graphic narrative, late-night television, art installations—as artistic rejoinders to the perception that post-Civil Rights politics are bereft and post-Black art is apolitical. Reorienting attention to the cultural invention of mixed race from the social sciences to the humanities, Elam considers the creative work of Lezley Saar, Aaron McGruder, Nate Creekmore, Danzy Senna, Colson Whitehead, Emily Raboteau, Carl Hancock Rux, and Dave Chappelle. All these writers and artists address mixed race as both an aesthetic challenge and a social concern, and together, they gesture toward a poetics of social justice for the "mulatto millennium." The Souls of Mixed Folk seeks a middle way between competing hagiographic and apocalyptic impulses in mixed race scholarship, between those who proselytize mixed race as the great hallelujah to the "race problem" and those who can only hear the alarmist bells of civil rights destruction. Both approaches can obscure some of the more critically astute engagements with new millennial iterations of mixed race by the multi-generic cohort of contemporary writers, artists, and performers discussed in this book. The Souls of Mixed Folk offers case studies of their creative work in an effort to expand the contemporary idiom about mixed race in the so-called post-race moment, asking how might new millennial expressive forms suggest an aesthetics of mixed race? And how might such an aesthetics productively reimagine the relations between race, art, and social equity in the twenty-first century?
Author: Javier Álvarez-Mon Publisher: Routledge ISBN: 1000034852 Category : Education Languages : en Pages : 711
Book Description
The Art of Elam ca. 4200-525 BC offers a view of, and a critical reflection on, the art history of one of the world’s first and least-known civilizations, illuminating a significant chapter of our human past. Not unlike a gallery of historical paintings, this comprehensive treatment of the rich heritage of ancient Iran showcases a visual trail of the evolution of human society, with all its leaps and turns, from its origins in the earliest villages of southwest Iran at around 4200 BC to the rise of the Achaemenid Persian empire in ca. 525 BC. Richly illustrated in full colour with 1450 photographs, 190 line drawings, and digital reconstructions of hundreds of artefacts—some of which have never before been published—The Art of Elam goes beyond formal and thematic boundaries to emphasize the religious, political, and social contexts in which art was created and functioned. Such a magisterial study of Elamite art has never been written making The Art of Elam ca. 4200-525 BC a ground-breaking publication essential to all students of ancient art and to our current understanding of the civilizations of the ancient Near East.
Author: Kimberly Elam Publisher: Chronicle Books ISBN: 1616893478 Category : Design Languages : en Pages : 122
Book Description
Although grid systems are the foundation for almost all typographic design, they are often associated with rigid, formulaic solutions. However, the belief that all great design is nonetheless based on grid systems (even if only subverted ones) suggests that few designers truly understand the complexities and potential riches of grid composition.
Author: Tricia Elam Walker Publisher: Anne Schwartz Books ISBN: 0525581138 Category : Juvenile Fiction Languages : en Pages : 41
Book Description
Winner of the 2021 Ezra Jack Keats New Writer Award! In this moving story that celebrates cultural diversity, a shy girl brings her West African grandmother--whose face bears traditional tribal markings--to meet her classmates. This is a perfect read for back to school! It is Grandparents Day at Zura's elementary school, and the students are excited to introduce their grandparents and share what makes them special. Aleja's grandfather is a fisherman. Bisou's grandmother is a dentist. But Zura's Nana, who is her favorite person in the world, looks a little different from other grandmas. Nana Akua was raised in Ghana, and, following an old West African tradition, has tribal markings on her face. Worried that her classmates will be scared of Nana--or worse, make fun of her--Zura is hesitant to bring her to school. Nana Akua knows what to do, though. With a quilt of traditional African symbols and a bit of face paint, Nana Akua is able to explain what makes her special, and to make all of Zura's classmates feel special, too.
Author: Javier Álvarez-Mon
Author: Javier Álvarez-Mon
Author: J. Daniel Elam
Author: D. T. Potts
Author: Michele Elam
Author: Javier Álvarez-Mon
Author: Kimberly Elam
Author: Elizabeth Carter
Author: Tricia Elam Walker
Author: Harry Castlemon
Author: