El Salvador : Work of Thirty Photographers PDF Download

Author: Harry Mattison
Publisher:
ISBN:
Category : El Salvador
Languages : en
Pages : 0

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Book Description

Author: Carolyn Forché
Publisher: Writers and Readers Pub. Cooperative Society
ISBN:
Category : History
Languages : en
Pages : 128

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Book Description
The history of the political turmoil in El Salvador from the coup d'etat in 1979 to the present is traced in photographs and accompanying text.

Author: Melissa Miles
Publisher: Routledge
ISBN: 1000213331
Category : Art
Languages : en
Pages : 247

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Book Description
Photography is a ubiquitous part of the public sphere. Yet we rarely stop to think about the important role that photography plays in helping to define what and who constitute the public. Photography and Its Publics brings together leading experts and emerging thinkers to consider the special role of photography in shaping how the public is addressed, seen and represented.This book responds to a growing body of recent scholarship and flourishing interest in photography's connections to the law, society, culture, politics, social change, the media and visual ethics.Photography and Its Publics presents the public sphere as a vibrant setting where these realms are produced, contested and entwined. Public spheres involve yet exceed the limits of families, interest groups, identities and communities. They are dynamic realms of visibility, discussion, reflection and possible conflict among strangers of different race, age, gender, social and economic status. Through studies of photography in South America, North America, Europe and Australasia, the contributors consider how photography has changed the way we understand and locate the public sphere. As they address key themes including the referential and imaginative qualities of photography, the transnational circulation of photographs, online publics, social change, violence, conflict and the ethics of spectatorship, the authors provide new insight into photography's vital role in defining public life.

Author: Liam Kennedy
Publisher: University of Chicago Press
ISBN: 022633743X
Category : History
Languages : en
Pages : 233

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Book Description
In 2005, photographer Chris Hondros captured a striking image of a young Iraqi girl in the aftermath of the killing of her parents by American soldiers. The shot stunned the world and has since become iconic—comparable to the infamous photo by Nick Ut of a Vietnamese girl running from a napalm attack. Both images serve as microcosms for their respective conflicts. Afterimages looks at the work of war photographers like Hondros and Ut to understand how photojournalism interacts with the American worldview. Liam Kennedy here maps the evolving relations between the American way of war and photographic coverage of it. Organized in its first section around key US military actions over the last fifty years, the book then moves on to examine how photographers engaged with these conflicts on wider ethical and political grounds, and finally on to the genre of photojournalism itself. Illustrated throughout with examples of the photographs being considered, Afterimages argues that photographs are important means for critical reflection on war, violence, and human rights. It goes on to analyze the high ethical, sociopolitical, and legalistic value we place on the still image’s ability to bear witness and stimulate action.

Author: David duChemin
Publisher: New Riders
ISBN: 0321702875
Category : Photography
Languages : en
Pages : 273

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Book Description
For those who want to make the transition into the world of vocational photography—staying true to your craft and vision, while fusing that craft with commerce VisionMongers is a great place to begin your journey. With a voice equally realistic and encouraging, photographer David duChemin discusses the experiences he’s had, the lessons he’s learned, and the practices he’s adopted in his own winding journey to becoming a successful working photographer. When it comes to this personal, honest combination of craft and commerce, there is no single path to success. Everyone’s goals are different, as is everyone’s definition of success. As such, VisionMongers does not prescribe a one size-fits-all program. Instead, duChemin candidly shares ideas, wisdom, and inspiration to introduce you to, and help you navigate, the many aspects of transforming your passion into your vocation. He addresses everything from the anxiety-riddled question “Am I good enough?” to the basics—and beyond—of marketing, business, and finance, as well as the core assumption that your product is great and your craft is always improving. Along the way, duChemin features the stories of nine other photographers—including Chase Jarvis, Gavin Gough, and Zack Arias—whose paths, while unique, have all shared a commitment and passion for bringing their own vision to market. With VisionMongers, you’ll learn what paths have been taken—what has worked for these photographers—and you’ll be equipped to begin the process of forging your own.

Author: Janet Sternburg
Publisher: W. W. Norton & Company
ISBN: 9780393308679
Category : American literature
Languages : en
Pages : 240

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Book Description
"With its many voices, images and aphorisms--from those of Maxine Kumin to Luisa Valenzuela, from Rita Dove to Elizabeth Jolley--the book is a pleasure and a faithful companion".--Publishers Weekly. "Twenty terrific women writers reveal a little something about their work, and about themselves. . . . A gift in every possible way".--Los Angeles Times.

Author: George Thurlow
Publisher: Stansbury Publishing
ISBN: 1935807765
Category : History
Languages : en
Pages : 194

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Book Description
On April 29, 1981 American journalist George Thurlow was shot by members of the El Salvador Treasury Police on a jungle road in San Salvador. His 29-year-old driver, Gilberto Moran, was killed and Associated Press photographer Joaquin Zuniga was seriously injured in the shooting. Thurlow left El Salvador two days later to receive medical treatment in the U.S. In 2000 he began a more than two-decade search to find Gilberto Moran’s grave and some form of personal redemption. El Salvador: Blood On All Our Hands details that search and introduces us to those who fought in the civil war, U.S. aid workers helping to rebuild the tiny country, as well as every day Salvadorans who suffered through a war that killed 70,000 of their fellow citizens. Many Salvadorans have decided it is time to move on from focusing on the war as their country enters a new era. The U.S. officials who supplied weapons and encouragement to the Salvadoran government, its security forces and the murderous death squads have never been held accountable. In El Salvador a Truth Commission has identified those most responsible for the assassinations and murder of priests, journalists and opposition leaders. This book is intended to document a moment in Salvadoran history when the United States government was responsible for a cruel carnage and to illustrate how American citizens are attempting to repair the damage.

Author: Susan Meiselas
Publisher: Steidl Dap
ISBN: 9783882439540
Category : Photography
Languages : en
Pages : 163

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Book Description
From 1972 to 1975, Susan Meiselas spent her summers photographing and interviewing women who performed striptease for smalltown carnivals in New England, Pennsylvania and South Carolina. As she followed the girl shows from town to town, she portrayed the dancers on stage and off, photographing their public performances as well as their private lives. She also taped interviews with the dancers, their boyfriends, the show managers and paying customers. Meiselas' frank description of the lives of these women brought a hidden world to public attention. Produced during the early years of the women's movement, "Carnival Strippers" reflects the struggle for identity and self-esteem that characterized a complex era of change. This revised edition contains a new selection of Meiselas' black-and-white photographs together with the original interview excerpts. Additionally, an audio CD featuring a collage of participants' voices and a 1977 interview with the photographer are included. Essays by Sylvia Wolf and Deirdre English reflect on the importance of this body of work within the history of photography and the history of feminism.

Author: David duChemin
Publisher: New Riders
ISBN: 0132733234
Category : Photography
Languages : en
Pages : 537

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Book Description
When looking at a photograph, too often a conversation starts–and, unfortunately, ends–with a statement such as, “I like it.” The logical next question, “Why?”, often goes unasked and unanswered. As photographers, we frequently have difficulty speaking about images because, frankly, we don’t know how to think about them. And if we don’t know how to think about a photograph and its “visual language”– how an image is constructed, how it works, and why it works–then, when we’re behind the camera, are we really making images that best communicate our vision, our original intent? Vision–crucial as it is–is not the ultimate goal of photography; expression is the goal. And to best express ourselves, it is necessary to learn and use the grammar and vocabulary of the visual language. Photographically Speaking is about learning photography’s visual language to better speak to why and how a photograph succeeds, and in turn to consciously use that visual language in the creation of our own photographs, making us stronger photographers who are able to fully express and communicate our vision. By breaking up the visual language into two main components–“elements” make up its vocabulary, and “decisions” are its grammar–David duChemin transforms what has traditionally been esoteric and difficult subject matter into an accessible and practical discussion that photographers can immediately use to improve their craft. Elements are the “words” of the image, what we place within the frame–lines, curves, light, color, contrast. Decisions are the choices we make in assembling those elements to best express and communicate our vision–the use of framing, perspective, point of view, balance, focus, exposure. All content within the frame has meaning, and duChemin establishes that photographers must consciously and deliberately choose the elements that go within their frame and make the decisions about how that frame is constructed and presented. In the second half of the book, duChemin applies this methodology to his own craft, as he explores the visual language in 20 of his own images, discussing how the intentional choices of elements and decisions that went into their creation contribute to their success.

Author: Lauren Walsh
Publisher: Routledge
ISBN: 1000211657
Category : Photography
Languages : en
Pages : 376

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Book Description
In today’s image-saturated culture, the visual documentation of suffering around the world is more prevalent than ever. Yet instead of always deepening the knowledge or compassion of viewers, conflict photography can result in fatigue or even inspire apathy. Given this tension between the genre’s ostensible goals and its effects, what is the purpose behind taking and showing images of war and crisis? Conversations on Conflict Photography invites readers to think through these issues via conversations with award-winning photographers, as well as leading photo editors and key representatives of the major human rights and humanitarian organizations. Framed by critical-historical essays, these dialogues explore the complexities and ethical dilemmas of this line of work. The practitioners relate the struggles of their craft, from brushes with death on the frontlines to the battles for space, resources, and attention in our media-driven culture. Despite these obstacles, they remain true to a purpose, one that is palpable as they celebrate remarkable success stories: from changing the life of a single individual to raising broad awareness about human rights issues. Opening with an insightful foreword by the renowned Sebastian Junger and richly illustrated with challenging, painful, and sometimes beautiful images, Conversations offers a uniquely rounded examination of the value of conflict photography in today’s world.