El pensamiento museológico latinoamericano PDF Download

Author: International Council of Museums. International Committee for Museology
Publisher: Editorial Brujas
ISBN: 9789872091354
Category : Travel
Languages : es
Pages : 192

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Author: ICOM
Publisher: Routledge
ISBN: 1317197410
Category : Social Science
Languages : en
Pages : 433

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This volume provides an unparalleled exploration of ethics and museum practice, considering the controversies and debates which surround key issues such as provenance, ownership, cultural identity, environmental sustainability and social engagement. Using a variety of case studies which reflect the internal realities and daily activities of museums as they address these issues, from exhibition content and museum research to education, accountability and new technologies, Museums, Ethics and Cultural Heritage enables a greater understanding of the role of museums as complex and multifaceted institutions of cultural production, identity-formation and heritage preservation. Benefitting from ICOM’s unique position in the museum world, this collection brings a global range of academics and professionals together to examine museums ethics from multiple perspectives. Providing a more complete picture of the diverse activities now carried out by museums, Museums, Ethics and Cultural Heritage will appeal to practitioners, academics and students alike.

Author: Giuliana Borea
Publisher: Routledge
ISBN: 1000182711
Category : Social Science
Languages : en
Pages : 196

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This book examines the contemporary art world in Latin America from an anthropological perspective and recognises the recent reconfiguration of Lima's art scene. Giuliana Borea traces the practices of artists, curators, collectors, art dealers and museums, identifying three key moments in this reconfiguration of contemporary art in Lima: artistic explorations and new curatorial narratives; museum reinforcement and the strengthening of Latin American art networks; and of the rise of the art market. In so doing, Borea highlights the different actors that come into play in activating and de-activating directions and imaginations. The book exposes the practices of the local, the global, indigeneity and politics in the arts, and reveals that the strengthening of the Lima art scene has fostered the expansion of dominant art views and formats mobilised by transnational elite actors. Featuring analytical chapters interspersed with personal stories, Borea's book presents an in-depth analysis of a specific art scene to open up a new way of understanding contemporary art practices in relation to globalisation, neoliberalism and the city.

Author:
Publisher:
ISBN: 9789290124559
Category :
Languages : en
Pages : 229

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Author: Andrea Witcomb
Publisher: John Wiley & Sons
ISBN: 1119796555
Category : Business & Economics
Languages : en
Pages : 648

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MUSEUM THEORY EDITED BY ANDREA WITCOMB AND KYLIE MESSAGE Museum Theory offers critical perspectives drawn from a broad range of disciplinary and intellectual traditions. This volume describes and challenges previous ways of understanding museums and their relationship to society. Essays written by scholars from museology and other disciplines address theoretical reflexivity in the museum, exploring the contextual, theoretical, and pragmatic ways museums work, are understood, and are experienced. Organized around three themes—Thinking about Museums, Disciplines and Politics, and Theory from Practice/Practicing Theory—the text includes discussion and analysis of different kinds of museums from various, primarily contemporary, national and local contexts. Essays consider subjects including the nature of museums as institutions and their role in the public sphere, cutting-edge museum practice and their connections with current global concerns, and the links between museum studies and disciplines such as cultural studies, anthropology, and history.

Author: Sagrario Berti
Publisher:
ISBN: 9789807780568
Category : Illustration of books
Languages : en
Pages : 560

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Printed Photography in Venezuela provides a comprehensive inventory of photographically illustrated books published in Venezuela from 1945 to 2017. The research attempts to trace the history of the illustrated book with photographs examining the relationship between photography, literature, graphic design and editing; that is the coexistence of these disciplines in books. The book is structured according to thematic continuities, temporal synchronicities and similar editorial purposes, and has been organized in two sections. In the first one it examines books financed by the State and by oil companies. The threads of the printed works published since the 1950s, clearly reflect the government of the president in office and represent an idea of a "prosperous" nation, as happens with El Farol magazine, sponsored by Creole Petroleum Corporation. Those publications in the democratic period (1958) represent "social welfare" and describe the contradictions of progress and modernity in Caracas; while those printed during the last three five-year periods disseminate and extol national identities related to the Socialist Revolution. In this section the main thematic axes of the editorial production format the proposals adjusted to the model of the coffee table book. From the coffee table book, it traces the social life of illustrated books with photography, their cultural trajectory and resocialization in different contexts. To outline this itinerary, we have described its morphology, uses and functions, considering the institution or editors that printed them and for what purpose. When dealing with corporate gifts (non-venal editions), we examine in its value regime as a symbolic object, as well as in the re-stylization of contents through shapes or graphic elements. Coffee table books are transportable cultural objects, which not only cross territories as souvenirs, but also occupy domestic spaces and are intended for second-hand trade or for collecting. Also, in this first section, the book explores the local-national documentary photographic tendency present in books about nature, fauna, indigenous communities or the lives of inhabitants of rural areas. In the second part of the book are interpreted the authorial discourses whose contents and formulations are associated with Luis Camnitzer's ideas on Latin American conceptualism, in the sense that they are illustrated books whose "aesthetic expresses a concern for reality, rather than for abstraction". Prints, pamphlets or books where politics is used as a theme to create artistic forms. Thus, for example, it can be seen that some of these printed devices -those edited by the El Techo de la Ballena (1961-1969) collective, for instance- are conceptualist resources used by some authors to agitate and occasionally denounce the socio-political and cultural contradictions of the country in the 60's. On the other hand, it analyzes the discursive continuities authors-photographers who register or explore reality in an analytical way, ordering it by means of sequences or systematizing it in autonomous art forms, in catalogs, for instance. In the selected books, the photography dialogues with other narrative resources: graphic design and literature configuring pre-existing texts, usually poetic and, in some cases, representing political issues or social themes. Occasionally, photography is used to certify statistics for their indicial quality, to evoke past or restilize realities through graphic design medium: different types of paper, typographic fonts or printing techniques. In summary: this publication seeks to clarify the directionality of meaning proposed in illustrated books with photography, coffee table books, magazines, brochures, catalogues, posters and photobooks. With this purpose, the book explores subjects through of political, social, artistic ideologies, and also ideas of nation embodied in the corporate or authorial initiatives that shaped them. Printed Photography in Venezuela presents in short, a transversal and multiple reading that points to the assessment of the work as a whole and to make visible and make the book tangible.

Author: Ivan Karp
Publisher: Smithsonian Institution
ISBN: 1588343456
Category : Art
Languages : en
Pages : 625

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Contributors to this volume examine and illustrate struggles and collaborations among museums, festivals, tourism, and historic preservation projects and the communities they represent and serve. Essays include the role of museums in civil society, the history of African-American collections, and experiments with museum-community dialogue about the design of a multicultural society.

Author: Eduardo Fayos-Solà
Publisher: Springer
ISBN: 3319899414
Category : Business & Economics
Languages : en
Pages : 343

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This book presents the foundations for the future of tourism in a structured and detailed format. The who-is-who of tourism intelligence has collaborated to present a definitive blueprint for tourism reflecting the role of science, market institutions, and governance in its innovation and sustainability. The book adopts a comprehensive approach, exploring recent research and the latest developments in practice to inform the reader about instruments and actions that can shape a successful future for tourism. Broad in scope, the book incorporates the perspectives of leading tourism academics, as well as the views of tourism entrepreneurs, destination managers, government officials, and civil leaders. The book is divided into three parts, the first of which addresses the scientific facets of innovation, analyzing the challenges and opportunities that technology provides for organic and disruptive developments in tourism, which will shape its future. In turn, the second part examines socio-cultural paradigms – with a view to dismantling traditional barriers to innovation. It also explores the role of heritage and the ethics of inclusiveness as drivers for sustainable tourism. The third part investigates new ways and means in governance and policy making for tourism. It introduces advances such as strategic positioning, symbiotic partnerships, and innovative management, and closes by presenting governance frameworks for an inclusive and sustainable future of tourism.

Author: E. D. Edwards
Publisher: CSIRO PUBLISHING
ISBN: 9780643067004
Category : Science
Languages : en
Pages : 630

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Certificate of Commendation Winner at the 2001 Whitley Awards - Best Zoological Reference Section This very detailed compendium of data on taxonomy and nomenclature of Australian butterflies is another in the Catalogue series produced by the Australian Biological Resources Study, a sub-program of Environment Australia. Expanding on the butterfly section of the earlier Checklist of the Lepidoptera of Australia by Nielsen, Edwards & Rangsi (1996) This Catalogue contains the fine details of naming and status of types of Australian butterflies, and information critical for fixing the scientific names of the species. This volume is the 'Who's Who' for the Australian butterfly fauna, the very basic information we all need, but find so difficult to access and evaluate for ourselves. It is introduced by a comprehensive historical and explanatory account of work on Australian butterflies. Details are given of all genus and species synonymies applicable to the Australian fauna. There are details of the type designations of all 507 available generic names, of type data for the 1,004 available species group names and of nomenclatural changes and changes in taxonomic status for most of the 136 valid genera, 400 species, and 371 subspecies. The butterflies have an enormous literature and this catalogue provides a guide to the significant literature of each taxon. An extensive list of larval food plants is also included, as well as succinct information on ecology and distribution and a comprehensive bibliography. Features

Author: Nicholas Thomas
Publisher: Reaktion Books
ISBN: 1780237030
Category : Art
Languages : en
Pages : 175

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The Spy Museum, the Vacuum Cleaner Museum, the National Mustard Museum—not to mention the Art Institute, the Museum of Modern Art, and the Getty Center: museums have never been more robust, curating just about everything there is and assuming a new prominence in public life. The Return of Curiosity explores museums in the modern age, offering a fresh perspective on some of our most important cultural institutions and the vital function they serve as stewards of human and natural history. Reflecting on art galleries, science and history institutions, and collections all around the world, Nicholas Thomas argues that, in times marked by incredible insecurity and turbulence, museums help us sustain and enrich society. Moreover, they stimulate us to think in new ways about our world, compelling our curiosity and showing us the importance of understanding one another. Thomas looks at museums not simply as storehouses of old things but as the products of meaningful relationships between curators, the public, history, and culture. These relationships, he shows, don’t always go smoothly, but they do always offer new insights into the many ways we value—and try to preserve—the world we live in. The result is a refreshing and hopeful look at museums as a cultural force, one that, by gathering together paintings, tropical birds, antiques, or even our own bodies, offers an illuminating reflection of who we are.