Author: Gonzalo M. Borrás Gualis
Publisher: Universidad de Zaragoza
ISBN: 8415538472
Category : Art
Languages : es
Pages : 130
Book Description
ÍNDICE 1. La Historia del Arte, hoy: La historia crítica del arte. La crítica española sobre la Historia del Arte como disciplina. La escuela universitaria española de Historia del Arte (1901-1972). Indicadores de cambio en torno a 1972: los aragoneses Julián Gállego y Santiago Sebastián. La Universidad de Zaragoza en 1972: de Francisco Abbad a Federico Torralba, un cambio tranquilo hoy. La Historia del Arte en España en la actualidad (desde 1972 hasta hoy). 2. Historia del Arte y gestión del patrimonio cultural: Los historiadores del arte españoles ante la problemática del patrimonio cultural. De una débil profesionalización a las tentaciones del bienismo cultural. Interrelación entre los procesos de la investigación y los procesos de la tutela del patrimonio cultural. El informe histórico-artístico en los proyectos de restauración. Del posgrado en Gestión del Patrimonio Cultural de la Universidad de Zaragoza al actual máster. 3. Crítica de la gestión actual del patrimonio cultural de Aragón: luces y sombras: De la crítica de autenticidad de las obras de arte a la crítica de la gestión del patrimonio cultural. Los parques culturales de la comunidad autónoma de Aragón. La recuperación del patrimonio por el Servicio de Restauración de la Diputación de Zaragoza (1981-2011). Los convenios de colaboración institucional para la restauración, de la Caja de Ahorros de la Inmaculada de Aragón. El programa de difusión y de visitas culturales «Mudéjar abierto» en la Comarca Comunidad de Calatayud. La recuperación de la casa mudéjar de Benedicto XIII de Daroca por la Fundación Campo de Daroca. El nonato Instituto del Patrimonio Cultural de Aragón (IPCA). El informe profesional del historiador del arte en los proyectos de intervención en el patrimonio cultural. Sobre el cumplimiento de los deberes de visita pública por parte de los propietarios y titulares del patrimonio cultural. 4. Apéndice documental: Informe sobre la propuesta de restauración interior de la cabecera de La Seo. Asesoramiento sobre la decoración de la cúpula «Reina de la Paz» en el templo del Pilar de Zaragoza. 5. Publicaciones del Dr. Borrás sobre el tema.
Historia del arte y patrimonio cultural: una revisión crítica
Author: Gonzalo M. Borrás Gualis
Publisher: Universidad de Zaragoza
ISBN: 8415538472
Category : Art
Languages : es
Pages : 130
Book Description
ÍNDICE 1. La Historia del Arte, hoy: La historia crítica del arte. La crítica española sobre la Historia del Arte como disciplina. La escuela universitaria española de Historia del Arte (1901-1972). Indicadores de cambio en torno a 1972: los aragoneses Julián Gállego y Santiago Sebastián. La Universidad de Zaragoza en 1972: de Francisco Abbad a Federico Torralba, un cambio tranquilo hoy. La Historia del Arte en España en la actualidad (desde 1972 hasta hoy). 2. Historia del Arte y gestión del patrimonio cultural: Los historiadores del arte españoles ante la problemática del patrimonio cultural. De una débil profesionalización a las tentaciones del bienismo cultural. Interrelación entre los procesos de la investigación y los procesos de la tutela del patrimonio cultural. El informe histórico-artístico en los proyectos de restauración. Del posgrado en Gestión del Patrimonio Cultural de la Universidad de Zaragoza al actual máster. 3. Crítica de la gestión actual del patrimonio cultural de Aragón: luces y sombras: De la crítica de autenticidad de las obras de arte a la crítica de la gestión del patrimonio cultural. Los parques culturales de la comunidad autónoma de Aragón. La recuperación del patrimonio por el Servicio de Restauración de la Diputación de Zaragoza (1981-2011). Los convenios de colaboración institucional para la restauración, de la Caja de Ahorros de la Inmaculada de Aragón. El programa de difusión y de visitas culturales «Mudéjar abierto» en la Comarca Comunidad de Calatayud. La recuperación de la casa mudéjar de Benedicto XIII de Daroca por la Fundación Campo de Daroca. El nonato Instituto del Patrimonio Cultural de Aragón (IPCA). El informe profesional del historiador del arte en los proyectos de intervención en el patrimonio cultural. Sobre el cumplimiento de los deberes de visita pública por parte de los propietarios y titulares del patrimonio cultural. 4. Apéndice documental: Informe sobre la propuesta de restauración interior de la cabecera de La Seo. Asesoramiento sobre la decoración de la cúpula «Reina de la Paz» en el templo del Pilar de Zaragoza. 5. Publicaciones del Dr. Borrás sobre el tema.
Publisher: Universidad de Zaragoza
ISBN: 8415538472
Category : Art
Languages : es
Pages : 130
Book Description
ÍNDICE 1. La Historia del Arte, hoy: La historia crítica del arte. La crítica española sobre la Historia del Arte como disciplina. La escuela universitaria española de Historia del Arte (1901-1972). Indicadores de cambio en torno a 1972: los aragoneses Julián Gállego y Santiago Sebastián. La Universidad de Zaragoza en 1972: de Francisco Abbad a Federico Torralba, un cambio tranquilo hoy. La Historia del Arte en España en la actualidad (desde 1972 hasta hoy). 2. Historia del Arte y gestión del patrimonio cultural: Los historiadores del arte españoles ante la problemática del patrimonio cultural. De una débil profesionalización a las tentaciones del bienismo cultural. Interrelación entre los procesos de la investigación y los procesos de la tutela del patrimonio cultural. El informe histórico-artístico en los proyectos de restauración. Del posgrado en Gestión del Patrimonio Cultural de la Universidad de Zaragoza al actual máster. 3. Crítica de la gestión actual del patrimonio cultural de Aragón: luces y sombras: De la crítica de autenticidad de las obras de arte a la crítica de la gestión del patrimonio cultural. Los parques culturales de la comunidad autónoma de Aragón. La recuperación del patrimonio por el Servicio de Restauración de la Diputación de Zaragoza (1981-2011). Los convenios de colaboración institucional para la restauración, de la Caja de Ahorros de la Inmaculada de Aragón. El programa de difusión y de visitas culturales «Mudéjar abierto» en la Comarca Comunidad de Calatayud. La recuperación de la casa mudéjar de Benedicto XIII de Daroca por la Fundación Campo de Daroca. El nonato Instituto del Patrimonio Cultural de Aragón (IPCA). El informe profesional del historiador del arte en los proyectos de intervención en el patrimonio cultural. Sobre el cumplimiento de los deberes de visita pública por parte de los propietarios y titulares del patrimonio cultural. 4. Apéndice documental: Informe sobre la propuesta de restauración interior de la cabecera de La Seo. Asesoramiento sobre la decoración de la cúpula «Reina de la Paz» en el templo del Pilar de Zaragoza. 5. Publicaciones del Dr. Borrás sobre el tema.
Archaeological Heritage Management
Author: Henry Cleere
Publisher: Routledge
ISBN: 1000117340
Category : Nature
Languages : en
Pages : 345
Book Description
This book results from discussions at the 1982 World Archaeological Congress on 'Public Archaeology and Cultural Resource Management'. It brings to everyone's notice the common need of a coherent, well-planned response to the potentially destructive threats of development and tourism to archaeology.
Publisher: Routledge
ISBN: 1000117340
Category : Nature
Languages : en
Pages : 345
Book Description
This book results from discussions at the 1982 World Archaeological Congress on 'Public Archaeology and Cultural Resource Management'. It brings to everyone's notice the common need of a coherent, well-planned response to the potentially destructive threats of development and tourism to archaeology.
Sculpture Collections in Early Modern Spain
Author: Kelley Helmstutler Di Dio
Publisher: Routledge
ISBN: 1317058607
Category : Art
Languages : en
Pages : 481
Book Description
In the past decade, there has been a surge of Anglophone scholarship regarding Spain in the sixteenth and seventeenth centuries, which has led to a reframing of the discourses around Spanish culture of this period. Despite this new interest-in which painting, in particular, has been singled out for treatment-a comprehensive study of sculpture collections and the status of sculpture in Spain has yet to be produced. Sculpture Collections in Early Modern Spain is the first book to assess the phenomenon of sculpture collecting and in doing so, it alters the previously held notion that Spanish society placed little value in this art form. Di Dio and Coppel reveal that, due to the problems and expense of their transport from Italy, sculptures were in fact status symbols in the culture. Thus they were an important component of the collections formed by the royal family, cultivated noble collectors, humanists, and artists who had pretensions of high status. This book is especially useful to specialists for its discussion of the typologies of collections and objects, and of the mechanics of state gifts, transport, and collection display in this period. An appendix presents extensive archival documentation, most of which has never before been published. The authors have uncovered hundreds of new documents about sculpture in Spain; and new documentary evidence allows them to propose several new identifications and attributions. Firmly grounded in extensive archival research, Sculpture Collections in Early Modern Spain redefines the socio-political and art historical importance of sculpture in early modern Spain. Most importantly, it entirely transforms our knowledge regarding the presence of sculpture in a wide range of Spanish collections of the period, which until now has been erroneously characterized as close to non-existent.
Publisher: Routledge
ISBN: 1317058607
Category : Art
Languages : en
Pages : 481
Book Description
In the past decade, there has been a surge of Anglophone scholarship regarding Spain in the sixteenth and seventeenth centuries, which has led to a reframing of the discourses around Spanish culture of this period. Despite this new interest-in which painting, in particular, has been singled out for treatment-a comprehensive study of sculpture collections and the status of sculpture in Spain has yet to be produced. Sculpture Collections in Early Modern Spain is the first book to assess the phenomenon of sculpture collecting and in doing so, it alters the previously held notion that Spanish society placed little value in this art form. Di Dio and Coppel reveal that, due to the problems and expense of their transport from Italy, sculptures were in fact status symbols in the culture. Thus they were an important component of the collections formed by the royal family, cultivated noble collectors, humanists, and artists who had pretensions of high status. This book is especially useful to specialists for its discussion of the typologies of collections and objects, and of the mechanics of state gifts, transport, and collection display in this period. An appendix presents extensive archival documentation, most of which has never before been published. The authors have uncovered hundreds of new documents about sculpture in Spain; and new documentary evidence allows them to propose several new identifications and attributions. Firmly grounded in extensive archival research, Sculpture Collections in Early Modern Spain redefines the socio-political and art historical importance of sculpture in early modern Spain. Most importantly, it entirely transforms our knowledge regarding the presence of sculpture in a wide range of Spanish collections of the period, which until now has been erroneously characterized as close to non-existent.
The Spanish Element in Our Nationality”
Author: M. Elizabeth Boone
Publisher: Penn State Press
ISBN: 0271085266
Category : Art
Languages : en
Pages : 273
Book Description
“The Spanish Element in Our Nationality” delves beneath the traditional “English-only” narrative of U.S. history, using Spain’s participation in a series of international exhibitions to illuminate more fully the close and contested relationship between these two countries. Written histories invariably record the Spanish financing of Columbus’s historic voyage of 1492, but few consider Spain’s continuing influence on the development of U.S. national identity. In this book, M. Elizabeth Boone investigates the reasons for this problematic memory gap by chronicling a series of Spanish displays at international fairs. Studying the exhibition of paintings, the construction of ephemeral architectural space, and other manifestations of visual culture, Boone examines how Spain sought to position itself as a contributor to U.S. national identity, and how the United States—in comparison to other nations in North and South America—subverted and ignored Spain’s messages, making it possible to marginalize and ultimately obscure Spain’s relevance to the history of the United States. Bringing attention to the rich and understudied history of Spanish artistic production in the United States, “The Spanish Element in Our Nationality” recovers the “Spanishness” of U.S. national identity and explores the means by which Americans from Santiago to San Diego used exhibitions of Spanish art and history to mold their own modern self-image.
Publisher: Penn State Press
ISBN: 0271085266
Category : Art
Languages : en
Pages : 273
Book Description
“The Spanish Element in Our Nationality” delves beneath the traditional “English-only” narrative of U.S. history, using Spain’s participation in a series of international exhibitions to illuminate more fully the close and contested relationship between these two countries. Written histories invariably record the Spanish financing of Columbus’s historic voyage of 1492, but few consider Spain’s continuing influence on the development of U.S. national identity. In this book, M. Elizabeth Boone investigates the reasons for this problematic memory gap by chronicling a series of Spanish displays at international fairs. Studying the exhibition of paintings, the construction of ephemeral architectural space, and other manifestations of visual culture, Boone examines how Spain sought to position itself as a contributor to U.S. national identity, and how the United States—in comparison to other nations in North and South America—subverted and ignored Spain’s messages, making it possible to marginalize and ultimately obscure Spain’s relevance to the history of the United States. Bringing attention to the rich and understudied history of Spanish artistic production in the United States, “The Spanish Element in Our Nationality” recovers the “Spanishness” of U.S. national identity and explores the means by which Americans from Santiago to San Diego used exhibitions of Spanish art and history to mold their own modern self-image.
Author:
Publisher: Univ Santiago de Compostela
ISBN:
Category :
Languages : en
Pages : 248
Book Description
Publisher: Univ Santiago de Compostela
ISBN:
Category :
Languages : en
Pages : 248
Book Description
The Protection of Historic Properties
Author: Consuelo Olimpia Sanz Salla
Publisher: WIT Press
ISBN: 1845644042
Category : Architecture
Languages : en
Pages : 242
Book Description
The book will focus on international and national regulation of industrial heritage sites, from an eminently practical viewpoint it will include studies of the Unesco rules, European Union regulation and Spanish law. It will then centre on a practical application of the law to the preservation of the industrial heritage of the Valencia region, with special emphasis on two major sites: The Sagunto Cement Factory and the Traditional Methods of Production for the Production of Ceramic Tiles.
Publisher: WIT Press
ISBN: 1845644042
Category : Architecture
Languages : en
Pages : 242
Book Description
The book will focus on international and national regulation of industrial heritage sites, from an eminently practical viewpoint it will include studies of the Unesco rules, European Union regulation and Spanish law. It will then centre on a practical application of the law to the preservation of the industrial heritage of the Valencia region, with special emphasis on two major sites: The Sagunto Cement Factory and the Traditional Methods of Production for the Production of Ceramic Tiles.
Law and Religious Cultural Heritage in Europe
Author: Theodosios Tsivolas
Publisher: Springer
ISBN: 3319079328
Category : Law
Languages : en
Pages : 192
Book Description
This book examines in detail both historical and current legal concepts of ‘religious cultural heritage’ within the context of the European continent. The latter group is primarily based on the variety of sacred cultural elements emanating from the different religious traditions of the peoples of Europe, which are deemed worthy of protection and preservation due to their outstanding value, in terms of their social, cultural and religious significance. In view of this, the study provides evidence of the European States’ active involvement with their sacred/cultural treasures, on the basis of the political and legal foundations of neutrality and pluralism. Furthermore, the book analyzes all relevant international legislative instruments (i.e. the plethora of EU, EC and UNESCO norms), as well as all major European legislative patterns, in light of their significance for the aforementioned aspects of pluralism and neutrality. The interdisciplinary references listed at the end of each chapter provide an additional incentive for further reading on the subject matter. The most important finding to emerge from the study is that there is a shared legal ethos in Europe that imposes a duty of appropriate care concerning the vast variety of sacred cultural goods and the religious cultural heritage in general, as an invaluable repository of European cultural capital. It also considers the sui generis nature of this capital: like any other type of asset, it may deteriorate or fade over time, necessitating investment in its preservation or refurbishment; nevertheless, like no other, this particular capital maintains a distinct cultural value, as it contains an additional characteristic of ‘sacredness’ expressed in the form of its ‘religious character,’ the latter being analyzed as a triptych of religious memory, religious aesthetics and religious beliefs.
Publisher: Springer
ISBN: 3319079328
Category : Law
Languages : en
Pages : 192
Book Description
This book examines in detail both historical and current legal concepts of ‘religious cultural heritage’ within the context of the European continent. The latter group is primarily based on the variety of sacred cultural elements emanating from the different religious traditions of the peoples of Europe, which are deemed worthy of protection and preservation due to their outstanding value, in terms of their social, cultural and religious significance. In view of this, the study provides evidence of the European States’ active involvement with their sacred/cultural treasures, on the basis of the political and legal foundations of neutrality and pluralism. Furthermore, the book analyzes all relevant international legislative instruments (i.e. the plethora of EU, EC and UNESCO norms), as well as all major European legislative patterns, in light of their significance for the aforementioned aspects of pluralism and neutrality. The interdisciplinary references listed at the end of each chapter provide an additional incentive for further reading on the subject matter. The most important finding to emerge from the study is that there is a shared legal ethos in Europe that imposes a duty of appropriate care concerning the vast variety of sacred cultural goods and the religious cultural heritage in general, as an invaluable repository of European cultural capital. It also considers the sui generis nature of this capital: like any other type of asset, it may deteriorate or fade over time, necessitating investment in its preservation or refurbishment; nevertheless, like no other, this particular capital maintains a distinct cultural value, as it contains an additional characteristic of ‘sacredness’ expressed in the form of its ‘religious character,’ the latter being analyzed as a triptych of religious memory, religious aesthetics and religious beliefs.
Encyclopedic Dictionary of Landscape and Urban Planning
Author: Klaus-Jürgen Evert
Publisher: Springer Science & Business Media
ISBN: 3540764550
Category : Architecture
Languages : en
Pages : 1548
Book Description
This unique, multilingual, encyclopedic dictionary in two volumes covers terms regularly used in landscape and urban planning, as well as environmental protection. The languages are American and British English, Spanish (with many Latin-American equivalents), French, and German. The encyclopedia also provides various interpretations of the terms at the planning, legal or technical level, which make its meaning more precise and its usage clearer.
Publisher: Springer Science & Business Media
ISBN: 3540764550
Category : Architecture
Languages : en
Pages : 1548
Book Description
This unique, multilingual, encyclopedic dictionary in two volumes covers terms regularly used in landscape and urban planning, as well as environmental protection. The languages are American and British English, Spanish (with many Latin-American equivalents), French, and German. The encyclopedia also provides various interpretations of the terms at the planning, legal or technical level, which make its meaning more precise and its usage clearer.
Information Market Guide (I'M Guide): Commission of the European Communities
Author: DIANE Publishing Company
Publisher: DIANE Publishing
ISBN: 0788119095
Category :
Languages : en
Pages : 589
Book Description
An inventory of information products and services available on the European Information Services Market. Points out the differences/advantages of the online database compared to the printed version which is in front of you.
Publisher: DIANE Publishing
ISBN: 0788119095
Category :
Languages : en
Pages : 589
Book Description
An inventory of information products and services available on the European Information Services Market. Points out the differences/advantages of the online database compared to the printed version which is in front of you.