Author:
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 148
Book Description
Israeli Books in Print
Holy Week in Tomé
Author:
Publisher: Sunstone Press
ISBN: 0913270636
Category : Tomé Passion Play
Languages : en
Pages : 210
Book Description
Like so many folk customs the Tom (New Mexico) Passion Play was passed along orally from generation to generation for nearly two hundred years. The same drama that Fray Francisco Domingues mentioned in 1776 was still being performed in 1947 when it was filmed by a local resident. It was at this time that Fred Landavazo, Edwin Berry and Juan Estevan Zamora realized that the drama, already threatened by a modern, disinterested world, should be preserved in a more permanent form. Through their efforts a script was produced before the final performance of the play in 1955. For the first time, this important religious and historical folk document is available in its original from with translations and annotation by Fr. Thomas Steele. Thomas J. Steele, S.J., a Jesuit priest, is a teacher and authority on the religious folk art of New Mexico.
Publisher: Sunstone Press
ISBN: 0913270636
Category : Tomé Passion Play
Languages : en
Pages : 210
Book Description
Like so many folk customs the Tom (New Mexico) Passion Play was passed along orally from generation to generation for nearly two hundred years. The same drama that Fray Francisco Domingues mentioned in 1776 was still being performed in 1947 when it was filmed by a local resident. It was at this time that Fred Landavazo, Edwin Berry and Juan Estevan Zamora realized that the drama, already threatened by a modern, disinterested world, should be preserved in a more permanent form. Through their efforts a script was produced before the final performance of the play in 1955. For the first time, this important religious and historical folk document is available in its original from with translations and annotation by Fr. Thomas Steele. Thomas J. Steele, S.J., a Jesuit priest, is a teacher and authority on the religious folk art of New Mexico.
La antropología como pasión y como práctica
Author: Honorio M. Velasco
Publisher: Editorial CSIC - CSIC Press
ISBN: 9788400082994
Category : Anthropologists
Languages : es
Pages : 424
Book Description
Publisher: Editorial CSIC - CSIC Press
ISBN: 9788400082994
Category : Anthropologists
Languages : es
Pages : 424
Book Description
El Maestro de la Vida
Author: Augusto Cury
Publisher: Thomas Nelson Inc
ISBN: 1602551324
Category : Religion
Languages : en
Pages : 189
Book Description
Del Maestro de la vida, aprenda a ser libre. El Maestro de la vida, el tercer volumen de la colección Análisis de la inteligencia de Cristo.
Publisher: Thomas Nelson Inc
ISBN: 1602551324
Category : Religion
Languages : en
Pages : 189
Book Description
Del Maestro de la vida, aprenda a ser libre. El Maestro de la vida, el tercer volumen de la colección Análisis de la inteligencia de Cristo.
The Spanish Dependencies in South America
Author: Bernard Moses
Publisher:
ISBN:
Category : South America
Languages : en
Pages : 462
Book Description
Publisher:
ISBN:
Category : South America
Languages : en
Pages : 462
Book Description
Behind Spanish American Footlights
Author: Willis Knapp Jones
Publisher: University of Texas Press
ISBN: 1477300163
Category : Performing Arts
Languages : en
Pages : 626
Book Description
Across a five-hundred-year sweep of history, Willis Knapp Jones surveys the native drama and the Spanish influence upon it in nineteen South American countries, and traces the development of their national theatres to the 1960s. This volume, filled with a fascinating array of information, sparkles with wit while giving the reader a fact-filled course in the history of Spanish American drama that he can get nowhere else. This is the first book in English ever to consider the theatre of all the Spanish American countries. Even in Spanish, the pioneer study that covers the whole field was also written by Jones. Jones sees the history of a nation in the history of its drama. Pre-Columbian Indians, conquistadores, missionary priests, viceroys, dictators, and national heroes form a background of true drama for the main characters here—those who wrote and produced and acted in the make-believe drama of the times. The theatre mirrors the whole life of the community, Jones believes, and thus he offers information about geography, military events, and economics, and follows the politics of state and church through dramatists’ offerings. Examining the plays of a people down the centuries, he shows how the many cultural elements of both Old and New Worlds have been blended into the distinct national characteristics of each of the Spanish American countries. He does full justice to the subject he loves. A lively storyteller, he adds tidbits of spice and laughter, long-buried vignettes of history, tales of politics and drama, stories of high and low life, plots of plays, bits of verse, accounts of dalliance and of hard work, and sad and happy endings of rulers and peons, dramatists, actors, and clowns. A valuable appendix is a selected reading guide, listing the outstanding works of important Spanish American dramatists. A generous bibliography is a useful addition for scholars.
Publisher: University of Texas Press
ISBN: 1477300163
Category : Performing Arts
Languages : en
Pages : 626
Book Description
Across a five-hundred-year sweep of history, Willis Knapp Jones surveys the native drama and the Spanish influence upon it in nineteen South American countries, and traces the development of their national theatres to the 1960s. This volume, filled with a fascinating array of information, sparkles with wit while giving the reader a fact-filled course in the history of Spanish American drama that he can get nowhere else. This is the first book in English ever to consider the theatre of all the Spanish American countries. Even in Spanish, the pioneer study that covers the whole field was also written by Jones. Jones sees the history of a nation in the history of its drama. Pre-Columbian Indians, conquistadores, missionary priests, viceroys, dictators, and national heroes form a background of true drama for the main characters here—those who wrote and produced and acted in the make-believe drama of the times. The theatre mirrors the whole life of the community, Jones believes, and thus he offers information about geography, military events, and economics, and follows the politics of state and church through dramatists’ offerings. Examining the plays of a people down the centuries, he shows how the many cultural elements of both Old and New Worlds have been blended into the distinct national characteristics of each of the Spanish American countries. He does full justice to the subject he loves. A lively storyteller, he adds tidbits of spice and laughter, long-buried vignettes of history, tales of politics and drama, stories of high and low life, plots of plays, bits of verse, accounts of dalliance and of hard work, and sad and happy endings of rulers and peons, dramatists, actors, and clowns. A valuable appendix is a selected reading guide, listing the outstanding works of important Spanish American dramatists. A generous bibliography is a useful addition for scholars.
Folklore de Nicaragua
Author: Enrique Peña Hernández
Publisher:
ISBN:
Category : Folklore
Languages : en
Pages : 442
Book Description
Publisher:
ISBN:
Category : Folklore
Languages : en
Pages : 442
Book Description
Indigenous Writings from the Convent
Author: Mónica Díaz
Publisher: University of Arizona Press
ISBN: 0816538492
Category : History
Languages : en
Pages : 248
Book Description
Sometime in the 1740s, Sor María Magdalena, an indigenous noblewoman living in one of only three convents in New Spain that allowed Indians to profess as nuns, sent a letter to Father Juan de Altamirano to ask for his help in getting church prelates to exclude Creole and Spanish women from convents intended for indigenous nuns only. Drawing on this and other such letters—as well as biographies, sermons, and other texts—Mónica Díaz argues that the survival of indigenous ethnic identity was effectively served by this class of noble indigenous nuns. While colonial sources that refer to indigenous women are not scant, documents in which women emerge as agents who actively participate in shaping their own identity are rare. Looking at this minority agency—or subaltern voice—in various religious discourses exposes some central themes. It shows that an indigenous identity recast in Catholic terms was able to be effectively recorded and that the religious participation of these women at a time when indigenous parishes were increasingly secularized lent cohesion to that identity. Indigenous Writings from the Convent examines ways in which indigenous women participated in one of the most prominent institutions in colonial times—the Catholic Church—and what they made of their experience with convent life. This book will appeal to scholars of literary criticism, women’s studies, and colonial history, and to anyone interested in the ways that class, race, and gender intersected in the colonial world.
Publisher: University of Arizona Press
ISBN: 0816538492
Category : History
Languages : en
Pages : 248
Book Description
Sometime in the 1740s, Sor María Magdalena, an indigenous noblewoman living in one of only three convents in New Spain that allowed Indians to profess as nuns, sent a letter to Father Juan de Altamirano to ask for his help in getting church prelates to exclude Creole and Spanish women from convents intended for indigenous nuns only. Drawing on this and other such letters—as well as biographies, sermons, and other texts—Mónica Díaz argues that the survival of indigenous ethnic identity was effectively served by this class of noble indigenous nuns. While colonial sources that refer to indigenous women are not scant, documents in which women emerge as agents who actively participate in shaping their own identity are rare. Looking at this minority agency—or subaltern voice—in various religious discourses exposes some central themes. It shows that an indigenous identity recast in Catholic terms was able to be effectively recorded and that the religious participation of these women at a time when indigenous parishes were increasingly secularized lent cohesion to that identity. Indigenous Writings from the Convent examines ways in which indigenous women participated in one of the most prominent institutions in colonial times—the Catholic Church—and what they made of their experience with convent life. This book will appeal to scholars of literary criticism, women’s studies, and colonial history, and to anyone interested in the ways that class, race, and gender intersected in the colonial world.
Myth and Emotions
Author: Antonella Lipscomb
Publisher: Cambridge Scholars Publishing
ISBN: 152750509X
Category : Literary Criticism
Languages : en
Pages : 363
Book Description
The emotive nature of myth lays the foundation of the research proposed for this trilingual volume. The book provides a thorough and multifaceted study that offers guidelines and models capable of interpreting mythical-emotional phenomena. It represents a major contribution to a more informed understanding of an important part of the writing and art of modernity and post-modernity, as well as cultures and thought of contemporary society.
Publisher: Cambridge Scholars Publishing
ISBN: 152750509X
Category : Literary Criticism
Languages : en
Pages : 363
Book Description
The emotive nature of myth lays the foundation of the research proposed for this trilingual volume. The book provides a thorough and multifaceted study that offers guidelines and models capable of interpreting mythical-emotional phenomena. It represents a major contribution to a more informed understanding of an important part of the writing and art of modernity and post-modernity, as well as cultures and thought of contemporary society.
The History of the Future in Colonial Mexico
Author: Matthew D. O'Hara
Publisher: Yale University Press
ISBN: 0300240996
Category : History
Languages : en
Pages : 266
Book Description
A prominent scholar of Mexican and Latin American history challenges the field’s focus on historical memory to instead examine colonial-era conceptions of the future Going against the grain of most existing scholarship, Matthew D. O’Hara explores the archives of colonial Mexico to uncover a history of "futuremaking." While historians and historical anthropologists of Latin America have long focused on historical memory, O’Hara—a Rockefeller Foundation grantee and the award-winning author of A Flock Divided: Race, Religion, and Politics in Mexico—rejects this approach and its assumptions about time experience. Ranging widely across economic, political, and cultural practices, O’Hara demonstrates how colonial subjects used the resources of tradition and Catholicism to craft new futures. An intriguing, innovative work, this volume will be widely read by scholars of Latin American history, religious studies, and historical methodology.
Publisher: Yale University Press
ISBN: 0300240996
Category : History
Languages : en
Pages : 266
Book Description
A prominent scholar of Mexican and Latin American history challenges the field’s focus on historical memory to instead examine colonial-era conceptions of the future Going against the grain of most existing scholarship, Matthew D. O’Hara explores the archives of colonial Mexico to uncover a history of "futuremaking." While historians and historical anthropologists of Latin America have long focused on historical memory, O’Hara—a Rockefeller Foundation grantee and the award-winning author of A Flock Divided: Race, Religion, and Politics in Mexico—rejects this approach and its assumptions about time experience. Ranging widely across economic, political, and cultural practices, O’Hara demonstrates how colonial subjects used the resources of tradition and Catholicism to craft new futures. An intriguing, innovative work, this volume will be widely read by scholars of Latin American history, religious studies, and historical methodology.