El Cine Del Pueblo PDF Download

Author: Carlos Canales
Publisher:
ISBN:
Category : One-act plays, Spanish
Languages : en
Pages : 124

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Author: Pietsie Feenstra
Publisher: Rodopi
ISBN: 9042024739
Category : Literary Criticism
Languages : en
Pages : 295

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Book Description
El cine español contemporáneo (1990-2005) dedica mucha atención a la rememoración del pasado (Segunda República, la Guerra Civil, el período franquista,¿) y la realidad social (el paro, la violencia doméstica, inmigración, eutanasia,¿). Directores renombrados como Pedro Almodóvar, Alejandro Amenábar, Fernando León de Aranoa, Icíar Bollaín, o Isabel Coixet, muestran este interés dentro de sus miradas cinematográficas. La gran popularidad de este cine ha estimulado su migración en pantallas ajenas y dentro de contextos universitarios nacionales e internacionales. Este libro reúne unos veinte artículos, de investigadores americanos y europeos, que ilustran las múltiples tradiciones culturales en vigor dentro de los estudios cinematográficos, y que se enfocan al mismo tiempo en el tema central del libro: ¿Cómo se puede leer, la mirada de los autores españoles, sobre el pasado y el presente, dentro del contexto de su cine nacional?

Author: Carl J. Mora
Publisher: Univ of California Press
ISBN: 9780520043046
Category : Performing Arts
Languages : en
Pages : 284

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The author's main reason for writing this book, however, is simply to provide an introduction to the Mexican commercial cinema for American and other English-speaking readers. Although the United States has been, and continues to be, a major foreign market for Mexican movies, the overwhelming majority of Americans are unaware of them. Mexican films are restricted to the Hispanic theater circuits and shown without English subtitles; therefore anyone wishing to see a Mexican movie would have to be fairly fluent in Spanish. Such a requisite effectively eliminates almost the entire general audience in the United States from exposure to Mexican cinema.

Author: Tabernero Holgado, Carlos
Publisher: Editorial UOC
ISBN: 8491163468
Category : Performing Arts
Languages : en
Pages : 237

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La medicina y el cine son parte de nuestro día a día. Acudimos a la consulta o a la sala en busca de algún tipo de alivio y de puertas a otros mundos. Y la consulta y la sala, la medicina y el cine, se miran de reojo. La medicina quiere al cine para mirar, explorar y estudiar, diagnosticar y operar; también como herramienta publicitaria y de propaganda, para construir su autoridad. Y el cine cuenta muy a menudo con la medicina porque trabaja con experiencias rutinarias de salud y enfermedad, sus miedos y sus osadías, sus servidumbres y sus rebeldías. La medicina y el cine caminan de la mano con la experiencia cotidiana de la muerte y de la vida. Y la medicina es cine porque es soñar, cuestionar y luchar, como lo es sufrir, morir y amar. Y es por esto mismo que también, en nuestro día a día, el cine es medicina.

Author: Javier Gomez
Publisher: Xlibris Corporation
ISBN: 1514421828
Category : Biography & Autobiography
Languages : en
Pages : 180

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This manuscript was written from the heart to allow me to dream, free of memories mixed with my fantasies, which confused me in understanding what was real or a dream. I am now at peace knowing I am more confused because I am dreaming excessively more.

Author: Lara Anderson
Publisher: Cambridge Scholars Publishing
ISBN: 1443820938
Category : Performing Arts
Languages : en
Pages : 345

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Book Description
Literary naturalism, within the Hispanic context, has traditionally been read as a graphic realist school or movement linked predominantly to late nineteenth century literary production. The essays in Au Naturel: (Re)Reading Hispanic Naturalism—written by scholars from different generations, nationalities and ideological backgrounds—propose a major revisionist contribution to the study of Hispanic naturalism. Based on a theoretical proposal that re-semanticizes naturalismo as a diachronic counter-metanarrative phenomenon that transcends the chronological and geographic limitations imposed by traditional criticism on naturalism, the collection provides new readings of traditional naturalist fare as well as re-readings of works that have not been read, within the bounds of conventional criticism, as naturalist. Re-read within the proposed theoretical framework, its essays demonstrate the countless ways in which Hispanic naturalist texts–literary and more recently, filmic—continue to frankly engage the societal problematics that has impeded true social, political, economic and cultural progress from taking place in the Hispanic world from the turbulent fin-de-siècle period of the nineteenth century through the present day, globalized context. Au Naturel: (Re)Reading Hispanic Naturalism is thus also an open invitation to the scholarly community to re-consider other socio-critical works within the Hispanic naturalist context that observe and reflection upon social issues that continue to plague Hispanic society today.

Author: Santiago Fouz-Hernández
Publisher: Bloomsbury Publishing
ISBN: 0857714430
Category : Art
Languages : en
Pages : 289

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Book Description
In post-Franco Spain, a re-shaping of notions of the masculine has been under way for some time. The authors of "Live Flesh" demonstrate how contemporary Spanish films, during this modern period, have contributed to this process. They do so by visualizing the ways in which Spanish men have been abandoning old self images and adopting new ones, and they explain and explore the complexity and diversity of these fresh cinematic creations of masculine identities. The book's point of focus is Spanish films of the democratic period, both popular and auteur, made by directors of national and international prominence, such as Pedro Almodovar, Alejandro Amenabar, Bigas Luna or Julio Medem, as well as films featuring acclaimed actors who have contributed to the construction of contemporary ideas of the masculine in their country, including Antonio Banderas and Javier Bardem. Using a fresh theoretical framework, embracing queer and feminist theory and concepts of nation, race and class, each chapter examines key films that represent the male body, highlighting notable elements - young, muscular, homosexual, (dis)abled, foreign and so on - and goes on to focus on recent case studies from the early 1990s to the present. An increasingly transnational Spanish cinema is a most promising field in which to explore questions of how male bodies are represented - and mediated - in film. "Live Flesh" more than fulfils this promise and goes further, to reveal how these representations have intervened in the Spanish cultural imagination.

Author: Claudia Sandberg
Publisher: Berghahn Books
ISBN: 1800730926
Category : Performing Arts
Languages : en
Pages : 222

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Best known for his 1979 film David, Peter Lilienthal was an unusual figure within postwar filmmaking circles. A child refugee from Nazi Germany who grew up in Uruguay, he was uniquely situated at the crossroads of German, Jewish, and Latin American cultures: while his work emerged from West German auteur filmmaking, his films bore the unmistakable imprints of Jewish thought and the militant character of New Latin American cinema. Peter Lilienthal is the first comprehensive study of Lilienthal’s life and career, highlighting the distinctively cross-cultural and transnational dimensions of his oeuvre, and exploring his role as an early exemplar of a more vibrant, inclusive European film culture.

Author: José Luis Fecé
Publisher: Editorial UOC
ISBN: 8490647305
Category : Photography
Languages : en
Pages : 211

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Book Description
En los últimos años la expresión “cine transnacional” se viene utilizando como sinónimo de “cine contemporáneo” puesto que las actuales condiciones de producción, distribución y consumo cinematográficos conducen a unas transformaciones, también estéticas, que difícilmente pueden explicarse desde las culturas y políticas nacionales. La imposibilidad o, como mínimo, la dificultad de asignar una nacionalidad única o mayoritaria constituye una de las principales características del cine, y de la producción audiovisual, contemporáneos. Los textos incluidos en esta edición se ocupan de estas transformaciones a través de ejemplos relacionados con espacios geopolíticos (los países que componen Mercosur); la recepción y el consumo de producciones audiovisuales latinas en Estados Unidos o con el análisis de espacios ficcionales transnacionales: la ciudad global, la frontera y otros no lugares contemporáneos. Estos trabajos coinciden en una idea más general: el carácter transnacional del cine contemporáneo no es un asunto estrictamente cinematográfico, sino también político, pues tanto su realidad como su imaginario geopolítico afectan también al propio concepto de ciudadanía.

Author: Carolina Rocha
Publisher: Liverpool University Press
ISBN: 1786948265
Category : Art
Languages : en
Pages : 264

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Book Description
Argentine Cinema and National Identity covers the development of Argentine cinema since the late 1950s to the mid-1970s, concentrating on the historical film genre and the gauchesque. This cultural history investigates the way Argentine cinema positioned itself when facing the competition of American films.