Author: Sergei Eisenstein
Publisher:
ISBN:
Category : Disney, Walt
Languages : en
Pages : 128
Book Description
Eisenstein on Disney
Author: Sergei Eisenstein
Publisher:
ISBN:
Category : Disney, Walt
Languages : en
Pages : 128
Book Description
Publisher:
ISBN:
Category : Disney, Walt
Languages : en
Pages : 128
Book Description
Eisenstein on Disney
Author: Sergei Eisenstein
Publisher: Drama
ISBN: 9780413196408
Category : Criticism & Analysis
Languages : en
Pages : 101
Book Description
Publisher: Drama
ISBN: 9780413196408
Category : Criticism & Analysis
Languages : en
Pages : 101
Book Description
Eisenstein on Disney
Eisenstein on Disney
Author: Sergei Ėjzenštejn
Publisher:
ISBN: 9780856471957
Category :
Languages : en
Pages : 101
Book Description
Publisher:
ISBN: 9780856471957
Category :
Languages : en
Pages : 101
Book Description
On Disney
Author: Sergei Eisenstein
Publisher:
ISBN: 9780857424914
Category : Animated films
Languages : en
Pages : 0
Book Description
Few figures in cinema history are as towering as Russian filmmaker and theorist Sergei Mikhailovitch Eisenstein (1898-1948). Not only did Eisenstein direct some of the most important and lasting works of the silent era, including Strike, October, and Battleship Potemkin, as well as, in the sound era, the historical epics Alexander Nevsky and Ivan the Terrible--he also was a theorist whose insights into the workings of film were so powerful that they remain influential for both filmmakers and scholars today. Seagull Books is embarking on a series of translations of key works by Eisenstein into English. On Disney, which was begun in 1940 but was never finished, was part of a series of essays Eistenstein wrote on masters of cinema; for Eisenstein, Walt Disney offered a way to think about how such impulses and animism and totemism survived in modern consciousness and art. This edition presents the original, unfinished essay along with material on Disney that Eisenstein worked on in subsequent years but never succeeded in integrating with the original.
Publisher:
ISBN: 9780857424914
Category : Animated films
Languages : en
Pages : 0
Book Description
Few figures in cinema history are as towering as Russian filmmaker and theorist Sergei Mikhailovitch Eisenstein (1898-1948). Not only did Eisenstein direct some of the most important and lasting works of the silent era, including Strike, October, and Battleship Potemkin, as well as, in the sound era, the historical epics Alexander Nevsky and Ivan the Terrible--he also was a theorist whose insights into the workings of film were so powerful that they remain influential for both filmmakers and scholars today. Seagull Books is embarking on a series of translations of key works by Eisenstein into English. On Disney, which was begun in 1940 but was never finished, was part of a series of essays Eistenstein wrote on masters of cinema; for Eisenstein, Walt Disney offered a way to think about how such impulses and animism and totemism survived in modern consciousness and art. This edition presents the original, unfinished essay along with material on Disney that Eisenstein worked on in subsequent years but never succeeded in integrating with the original.
Sergei Eisenstein on Disney
The Film Sense
Author: Sergei Eisenstein
Publisher: Houghton Mifflin Harcourt
ISBN: 9780156309356
Category : Biography & Autobiography
Languages : en
Pages : 316
Book Description
A renowned Soviet director discusses his theory of film as an artistic medium which must appeal to all senses and applies it to an analysis of sequences from his major movies.
Publisher: Houghton Mifflin Harcourt
ISBN: 9780156309356
Category : Biography & Autobiography
Languages : en
Pages : 316
Book Description
A renowned Soviet director discusses his theory of film as an artistic medium which must appeal to all senses and applies it to an analysis of sequences from his major movies.
Disney
Author: Sergej M. Ėjzenštejn
Publisher:
ISBN: 9783943190007
Category :
Languages : en
Pages : 195
Book Description
Publisher:
ISBN: 9783943190007
Category :
Languages : en
Pages : 195
Book Description
Eisenstein On Disney:
Author: S M EISENSTEIN
Publisher:
ISBN: 9788170460312
Category :
Languages : en
Pages : 101
Book Description
For Eisenstein, the apos is 'Paradise Regained. Created only by a drawing'. There he discovers the theme of his own drawing: the coming into being of the human form from plasma. Mickey Mouse has this plasmation par excellence!
Publisher:
ISBN: 9788170460312
Category :
Languages : en
Pages : 101
Book Description
For Eisenstein, the apos is 'Paradise Regained. Created only by a drawing'. There he discovers the theme of his own drawing: the coming into being of the human form from plasma. Mickey Mouse has this plasmation par excellence!
Hollywood Flatlands
Author: Esther Leslie
Publisher: Verso Books
ISBN: 1789609534
Category : Performing Arts
Languages : en
Pages : 465
Book Description
With ruminations on drawing, colour and caricature, on the political meaning of fairy-tales, talking animals and human beings as machines, Hollywood Flatlands brings to light the links between animation, avant-garde art and modernist criticism. Focusing on the work of aesthetic and political revolutionaries of the inter-war period, Esther Leslie reveals how the animation of commodities can be studied as a journey into modernity in cinema. She looks afresh at the links between the Soviet Constructivists and the Bauhaus, for instance, and those between Walter Benjamin and cinematic abstraction. She also provides new interpretations of the writings of Siegfried Kracauer on animation, shows how Theodor Adorno's and Max Horkheimer's film viewing affected their intellectual development, and reconsiders Sergei Eisenstein's famous handshake with Mickey Mouse at Disney's Hyperion Studios in 1930.
Publisher: Verso Books
ISBN: 1789609534
Category : Performing Arts
Languages : en
Pages : 465
Book Description
With ruminations on drawing, colour and caricature, on the political meaning of fairy-tales, talking animals and human beings as machines, Hollywood Flatlands brings to light the links between animation, avant-garde art and modernist criticism. Focusing on the work of aesthetic and political revolutionaries of the inter-war period, Esther Leslie reveals how the animation of commodities can be studied as a journey into modernity in cinema. She looks afresh at the links between the Soviet Constructivists and the Bauhaus, for instance, and those between Walter Benjamin and cinematic abstraction. She also provides new interpretations of the writings of Siegfried Kracauer on animation, shows how Theodor Adorno's and Max Horkheimer's film viewing affected their intellectual development, and reconsiders Sergei Eisenstein's famous handshake with Mickey Mouse at Disney's Hyperion Studios in 1930.