Classical Tragedy, Greek and Roman PDF Download

Author: Robert Willoughby Corrigan
Publisher: Hal Leonard Corporation
ISBN: 9781557830463
Category : Drama
Languages : en
Pages : 580

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Book Description
(Applause Books). A collection of eight plays along with accompanying critical essays. Includes: "The Oresteia" Aeschylus; "Prometheus Bound" Aeschylus; "Oedipus the King" Sophocles; "Antigone" Sophocles; "Medea" Euripides; "The Bakkhai" Euripides; "Oedipus" Seneca; "Medea" Seneca.

Author: Dover Publications Inc Dover
Publisher: Courier Dover Publications
ISBN: 9780486402031
Category : Drama
Languages : en
Pages :

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Book Description
The works of three of the ancient world's most celebrated playwrights appear in this collection of masterpieces of ancient drama: Aeschylus' Prometheus Bound and the Oresteia trilogy (Agamemnon, The Libation-Bearers, and The Furies); Euripides' Medea; and Sophocles' Oedipus Rex, Antigone, and Electra. An excellent compilation for students of drama, literature, and the classics.

Author: Sophocles
Publisher: Courier Corporation
ISBN: 0486113884
Category : Drama
Languages : en
Pages : 291

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Book Description
Features Oedipus Rex and Electra by Sophocles (translated by George Young), Medea and Bacchae by Euripides (translated by Henry Hart Milman), and Prometheus Bound by Aeschylus (translated by George Thomson).

Author: Sylvan Barnet
Publisher: Penguin
ISBN: 0452011728
Category : Drama
Languages : en
Pages : 465

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Book Description
Presenting the complete texts of eight of the world’s greatest plays, this important volume illuminates the changing concept of tragedy from Sophocles to O’Neill. Some of the world’s greatest dramas unfold on these pages. In the powerful and famous plays of Sophocles, Aeschylus, and Euripedes, Oedipus makes his disastrous marriage, Prometheus struggles against Zeus to break his painful chains, and the Love Goddess, Aphrodite, takes her revenge on the Theban prince who slighted her. Shakespeare’s King Lear suffers at the hands of his two evil daughters. The great Scandinavian dramatists Ibsen and Strindberg fearlessly present stories of infidelity and social disease, while Desire under the Elms, Eugene O’Neill’s savage picture of primitive desires in modern New England, rounds out this excellent anthology. Including important essays by noteworthy critics and philosophers, this book is an ideal companion to the editors’ Eight Great Comedies. Featured Plays: Prometheus Unbound (Aeschylus) Oedipus the King (Sophocles) Hippolytus (Euripedes) King Lear (William Shakespeare) Ghosts (Henrik Ibsen) Miss Julie (August Strindberg) On Baile’s Strand (William Butler Yeats) Desire under the Elms (Eugene O’Neill) Also includes essays by Aristotle, Hume, Emerson, Tillyard, Richards, and Krutch.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 452

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Book Description

Author: Ian C. Storey
Publisher: John Wiley & Sons
ISBN: 1405137630
Category : Drama
Languages : en
Pages : 330

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Book Description
This Blackwell Guide introduces ancient Greek drama, which flourished principally in Athens from the sixth century BC to the third century BC. A broad-ranging and systematically organised introduction to ancient Greek drama. Discusses all three genres of Greek drama - tragedy, comedy, and satyr play. Provides overviews of the five surviving playwrights - Aeschylus, Sophokles, Euripides, Aristophanes, and Menander, and brief entries on lost playwrights. Covers contextual issues such as: the origins of dramatic art forms; the conventions of the festivals and the theatre; the relationship between drama and the worship of Dionysos; the political dimension; and how to read and watch Greek drama. Includes 46 one-page synopses of each of the surviving plays.

Author: Sophocles
Publisher: Modern Library
ISBN: 0812983092
Category : Drama
Languages : en
Pages : 866

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Book Description
A landmark anthology of the masterpieces of Greek drama, featuring all-new, highly accessible translations of some of the world’s most beloved plays, including Agamemnon, Prometheus Bound, Bacchae, Electra, Medea, Antigone, and Oedipus the King Featuring translations by Emily Wilson, Frank Nisetich, Sarah Ruden, Rachel Kitzinger, Mary Lefkowitz, and James Romm The great plays of Ancient Greece are among the most enduring and important legacies of the Western world. Not only is the influence of Greek drama palpable in everything from Shakespeare to modern television, the insights contained in Greek tragedy have shaped our perceptions of the nature of human life. Poets, philosophers, and politicians have long borrowed and adapted the ideas and language of Greek drama to help them make sense of their own times. This exciting curated anthology features a cross section of the most popular—and most widely taught—plays in the Greek canon. Fresh translations into contemporary English breathe new life into the texts while capturing, as faithfully as possible, their original meaning. This outstanding collection also offers short biographies of the playwrights, enlightening and clarifying introductions to the plays, and helpful annotations at the bottom of each page. Appendices by prominent classicists on such topics as “Greek Drama and Politics,” “The Theater of Dionysus,” and “Plato and Aristotle on Tragedy” give the reader a rich contextual background. A detailed time line of the dramas, as well as a list of adaptations of Greek drama to literature, stage, and film from the time of Seneca to the present, helps chart the history of Greek tragedy and illustrate its influence on our culture from the Roman Empire to the present day. With a veritable who’s who of today’s most renowned and distinguished classical translators, The Greek Plays is certain to be the definitive text for years to come. Praise for The Greek Plays “Mary Lefkowitz and James Romm deftly have gathered strong new translations from Frank Nisetich, Sarah Ruden, Rachel Kitzinger, Emily Wilson, as well as from Mary Lefkowitz and James Romm themselves. There is a freshness and pungency in these new translations that should last a long time. I admire also the introductions to the plays and the biographies and annotations provided. Closing essays by five distinguished classicists—the brilliant Daniel Mendelsohn and the equally skilled David Rosenbloom, Joshua Billings, Mary-Kay Gamel, and Gregory Hays—all enlightened me. This seems to me a helpful light into our gathering darkness.”—Harold Bloom

Author: Sylvan Barnet
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 544

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Book Description

Author: D. L. Cairns
Publisher: Classical Press of Wales
ISBN: 1910589160
Category : History
Languages : en
Pages : 313

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Book Description
Eight leading contemporary interpreters of Classical Greek tragedy here explore its relation to the thought of the Archaic Period. Prominent topics are the nature and possibility of divine justice; the influence of the gods on humans; fate and human responsibility; the instability of fortune and the principle of alternation; hybris and ate; and the inheritance of guilt and suffering. Other themes are tragedy's relation with Pre-Socratic philosophy, and the interplay between 'Archaic' features of the genre and fifth-century ethical and political thought. The book makes a powerful case for the importance of Archaic thought not only in the evolution of the tragic genre, but also for developed features of the Classical tragedians' art. Along with three papers on Aeschylus, four on Sophocles, and one on Euripides, there is an extensive introduction by the editor.

Author: W. B. Stanford
Publisher: Routledge
ISBN: 1317698762
Category : Drama
Languages : en
Pages : 154

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Book Description
According to Aristotle the main purpose of tragedy is the manipulation of emotions, and yet there are relatively few accessible studies of the precise dynamics of emotion in the Athenian theatre. In Greek Tragedy and the Emotions, first published in 1993, W.B. Stanford reviews the evidence for ‘emotionalism’ – as the great Attic playwrights presented it, as the actors and choruses expressed it, and as their audiences reacted to it. Sociological aspects of the issue are considered, and the whole range of emotions, not just ‘pity and fear’, is discussed. The aural, visual and stylistic methods of inciting emotion are analysed, and Aeschylus’ Oresteia is examined exclusively in terms of the emotions that it exploits. Finally, Stanford’s conclusions are contrasted with the accepted theories of tragic ‘catharsis’. Greek terms are transliterated and all quotations are in translation, so Greek Tragedy and the Emotions will appeal particularly to those unfamiliar with Classical Greek.