Egoyomi and Surimono PDF Download

Author: Matthi Forrer
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 164

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Author: Sadako Ohki
Publisher: Yale University Art Gallery
ISBN: 0300247117
Category : Art
Languages : en
Pages : 285

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Book Description
A detailed look at a genre that combines virtuoso printmaking techniques, sophisticated imagery, and engaging, playful poetry This beautiful volume celebrates the tradition of the Japanese surimono print. Produced from around 1800 until 1840, during the Edo period, surimono (“printed things” in Japanese) combine intricate artwork and playful poetry, and their small print runs and exclusive audiences allowed for lavish yet subtle surface treatments, such as embossing and gilding. Enjoyed for their learned allusions to literature and contemporary culture, surimono continue to delight and perplex scholars with their visual puns and wordplay. Imagery ranges from delicate, domestic still lifes to spirited vignettes of the natural world, while the poems are often lighthearted takes on the classical Japanese waka form. With its rich text and scholarly apparatus—including names and titles in kanji characters as well as transliterations and translations of the poems on the catalogued prints—The Private World of Surimono serves as a critical resource for scholars of Japanese art and history and offers general readers insight into this rare and innovative print form.

Author: Alexander J. de Voogt
Publisher: BRILL
ISBN: 900417446X
Category : History
Languages : en
Pages : 409

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Book Description
This exploration of the versatility of writing systems highlights their complexity when they are used to represent loanwords, solve problems of polysemy or when they are adapted to be used for another language. The approaches from different academic traditions provide a varied but expert account.

Author: Julie Nelson Davis
Publisher: University of Hawaii Press
ISBN: 0824889339
Category : Art
Languages : en
Pages : 225

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Book Description
Today we think of ukiyo-e—“the pictures of the floating world”—as masterpieces of Japanese art, highly prized throughout the world. Yet it is often said that ukiyo-e were little appreciated in their own time and were even used as packing material for ceramics. In Picturing the Floating World, Julie Nelson Davis debunks this myth and demonstrates that ukiyo-e was thoroughly appreciated as a field of artistic production, worthy of connoisseurship and canonization by its contemporaries. Putting these images back into their dynamic context, she shows how consumers, critics, and makers produced and sold, appraised and collected, and described and recorded ukiyo-e. She recovers this multilayered world of pictures in which some were made for a commercial market, backed by savvy entrepreneurs looking for new ways to make a profit, while others were produced for private coteries and high-ranking connoisseurs seeking to enrich their cultural capital. The book opens with an analysis of period documents to establish the terms of appraisal brought to ukiyo-e in late eighteenth-century Japan, mapping the evolution of the genre from a century earlier and the development of its typologies and the creation of a canon of makers—both of which have defined the field ever since. Organized around divisions of major technological and aesthetic developments, the book reveals how artistic practice and commercial enterprise were intertwined throughout ukiyo-e’s history, from its earliest imagery through the twentieth century. The depiction of particular subjects in and for the floating world of urban Edo and the process of negotiating this within the larger field of publishing are examined to further ground ukiyo-e as material culture, as commodities in a mercantile economy. Picturing the Floating World offers a new approach: a critical yet accessible analysis of the genre as it was developed in its social, cultural, and political milieu. The book introduces students, collectors, and enthusiasts to ukiyo-e as a genre under construction in its own time while contributing to our understanding of early modern visual production.

Author: Roger S. Keyes
Publisher: Kodansha
ISBN:
Category : Art
Languages : en
Pages : 208

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Book Description

Author: Peter Kornicki
Publisher: University of Hawaii Press
ISBN: 9780824823375
Category : History
Languages : en
Pages : 526

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Book Description
New in paperback. Of related interest: A History of Writing in Japan, by Christopher Seeley

Author: Peter Francis Kornicki
Publisher: BRILL
ISBN: 9789004101951
Category : Social Science
Languages : en
Pages : 526

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Book Description
This study of the history of the book in Japan is an essential reference work covering all aspects of book production and the circulation of texts in pre-modern Japan, including libraries, censorship and readership.

Author: Allen Hockley
Publisher: University of Washington Press
ISBN: 9780295983011
Category : Art
Languages : en
Pages : 340

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Book Description
He may very well be the most productive artist of the eighteenth century. Refuting outmoded paradigms of connoisseurship and challenging the assumptions of conventional print scholarship, Allen Hockley elevates this important figure from the status of a minor Edo-period artist. He argues that Koryusai excelled by the most significant measure -- he was a highly successful creator of popular commodities. Employing an "active audience" model, Hockley reshapes the study of ukiyo-e as a.

Author: Frederick Harris
Publisher: Tuttle Publishing
ISBN: 1462906141
Category : Art
Languages : en
Pages : 195

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Book Description
The art of Japanese woodblock printing, known as ukiyo-e ("pictures of the floating world"), reflects the rich history and way of life in Japan hundreds of years ago. Ukiyo-e: The Art of the Japanese Print takes a thematic approach to this iconic Japanese art form, considering prints by subject matter: geisha and courtesans, kabuki actors, sumo wrestlers, erotica, nature, historical subjects and even images of foreigners in Japan. An artist himself, author Frederick Harris--a well-known American collector who lived in Japan for 50 years--pays special attention to the methods and materials employed in Japanese printmaking. The book traces the evolution of ukiyo-e from its origins in metropolitan Edo (Tokyo) art culture as black and white illustrations, to delicate two-color prints and multicolored designs. Advice to admirers on how to collect, care for, view and buy Japanese ukiyo-e woodblock prints rounds out this book of charming, carefully selected prints.

Author: William Green
Publisher: Brill Hotei
ISBN:
Category : Art
Languages : en
Pages : 304

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Book Description
The ultimate research tool for the study of Japanese prints, this publication represents eight years of research by the author William Green. It lists over 6000 publications dating from 1822 to 1993, concentrating on those in English. In addition, the inclusion of newspaper and periodical reviews of the most important books and catalogs enables the academic debate concerning Japanese prints to be followed. This book is divided along thematic lines into 15 chapters and also contains three indexes, making it an easy-to-use reference work for students, scholars and collectors alike.