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Author: Michael Haas Publisher: Yale University Press ISBN: 0300154313 Category : Music Languages : en Pages : 505
Book Description
DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div
Author: Michael Haas Publisher: Yale University Press ISBN: 0300154313 Category : Music Languages : en Pages : 505
Book Description
DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div
Author: Caroline Benser Publisher: Scarecrow Press ISBN: 0810881721 Category : Biography & Autobiography Languages : en Pages : 185
Book Description
Benser explores the kaleidoscopic world of twenty-first-century pianism through a series of extended interviews with eight major pianists. Interviewees talk with Benser about such matters as their first experiences at the piano, the meaning of musicianship to them, and the joys and difficulties of a professional career doing what they love.
Author: D. J. Hoek Publisher: Scarecrow Press ISBN: 1461700795 Category : Music Languages : en Pages : 374
Book Description
This new volume incorporates all entries from the previous editions by Arthur Wenk, expanding to cover writings drawn from periodicals, theses, dissertations, books, and Festschriften from 1940 to 2000. Over 9,000 references to analyses of works by over 1,000 composers of the nineteenth and twentieth centuries are included.
Author: W. Rubinstein Publisher: Springer ISBN: 0230304664 Category : History Languages : en Pages : 1941
Book Description
This authoritative and comprehensive guide to key people and events in Anglo-Jewish history stretches from Cromwell's re-admittance of the Jews in 1656 to the present day and contains nearly 3000 entries, the vast majority of which are not featured in any other sources.
Author: Elliott Antokoletz Publisher: Routledge ISBN: 1135037299 Category : Music Languages : en Pages : 843
Book Description
A History of Twentieth-Century Music in a Theoretic-Analytical Context is an integrated account of the genres and concepts of twentieth-century art music, organized topically according to aesthetic, stylistic, technical, and geographic categories, and set within the larger political, social, economic, and cultural framework. While the organization is topical, it is historical within that framework. Musical issues interwoven with political, cultural, and social conditions have had a significant impact on the course of twentieth-century musical tendencies and styles. The goal of this book is to provide a theoretic-analytical basis that will appeal to those instructors who want to incorporate into student learning an analysis of the musical works that have reflected cultural influences on the major musical phenomena of the twentieth century. Focusing on the wide variety of theoretical issues spawned by twentieth-century music, A History of Twentieth-Century Music in a Theoretic-Analytical Context reflects the theoretical/analytical essence of musical structure and design.
Author: Michael Haas
Author: Michael Haas
Author: Egon Wellesz
Author: Caroline Cepin Benser
Author: Peter Wagner
Author: Caroline Benser
Author: D. J. Hoek
Author: Laura Hamer
Author: W. Rubinstein
Author: Helen Damico
Author: Elliott Antokoletz