Author: Edward YoungPublisher:
ISBN:
Category :
Languages : en
Pages : 64
Book Description
Edward Youngs' Conjectures on Original Composition
Author: Edward YoungEdward Young's Conjectures On Original Composition
Author: Edward YoungPublisher: Wentworth Press
ISBN: 9781013137914
Category :
Languages : en
Pages : 144
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Edward Young's Conjectures on Original Composition (Classic Reprint)
Author: Edward YoungPublisher: Forgotten Books
ISBN: 9780484322522
Category : Literary Collections
Languages : en
Pages : 100
Book Description
Excerpt from Edward Young's Conjectures on Original Composition There are other things in the pamphlet which are interesting in their relation to the critical thought of the time - the reference to rime in tragedy, for example, and the condemnation of the 'childish shackles and tinkling sounds' in Pope's Homer. And there is the unexpected praise of the 'divinely-inspired enthusiast' which seems to waft us far from the age of common sense and rationalism and belief in rules. But these are digressions from the main subject of original composition. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Edward Young's Conjectures on Original Composition in England and Germany - Primary Source Edition
Author: Edward YoungPublisher: Nabu Press
ISBN: 9781293566930
Category :
Languages : en
Pages : 154
Book Description
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Eighteenth Century English Literature and Its Cultural Background
Author: James Edward TobinPublisher: Biblo & Tannen Publishers
ISBN: 9780819601889
Category : Literary Criticism
Languages : en
Pages : 204
Book Description
The Emergence of Literary Criticism in 18th-Century Britain
Author: Sebastian DomschPublisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110362066
Category : Literary Criticism
Languages : en
Pages : 418
Book Description
This study tries, through a systematic and historical analysis of the concept of critical authority, to write a history of literary criticism from the end of the 17th to the end of the 18th century that not only takes the discursive construction of its (self)representation into account, but also the social and economic conditions of its practice. It tries to consider the whole of the critical discourse on literature and criticism in the time period covered. Thus, it is distinctive through its methodology (there is no systematic account of the historical development of critical authority and no discussion of the institutionalization of criticism of such a scope), its material of analysis (most of the many hundred texts self-reflexively commenting on criticism that are discussed here have been so far virtually ignored) and through its results, a complex history of criticism in the 18th century that is neither reductive nor the accumulation of isolated aspects or author figures, but that probes into the very nature of the activity of criticism. The aim of this study is both to provide a thorough historical understanding of the emergence of criticism and as a consequence an understanding of the inner workings and power relations that structure criticism to this day.
An Essay on Man
Author: Ernst CassirerPublisher: Felix Meiner Verlag
ISBN: 3787320377
Category : Philosophy
Languages : en
Pages : 287
Book Description
Angeregt von Freunden und Kollegen, legte Ernst Cassirer 1944 im amerikanischen Exil mit dem Essay on Man eine komprimierte und zugleich überarbeitete Fassung seiner Kulturphilosophie vor, in der er die dreibändige Philosophie der symbolischen Formen in ihren Hauptgedanken fortführt. Dabei wird der wohl wichtigste Bestandteil der Cassirerschen Kulturphilosophie, die Idee der Humanität, thematisiert und zusammenfassend begründet. Mit Bezugnahme auf das komplexe und vielschichtige Gefüge von Sprache, Mythos, Religion, Kunst, Geschichte und Wissenschaft bestimmt Cassirer den Menschen als »animal symbolicum«, als ein Wesen, das Symbole schafft und sich durch Symbole verständigt. Dank seiner klaren, verständlichen Sprache und Argumentationsstruktur ermöglicht der »Essay on Man« nicht nur dem philosophischen Fachpublikum, sondern auch einem weiteren Kreis interessierter Leser den Zugang zu Cassirers Denken. Er darf somit als allgemeine Einführung in die Philosophie Cassirers verstanden werden. Inhalt: Part I. What is man? I. The Crisis in Man's Knowledge of Himself II. A Clue to the Nature of Man: the Symbol III. From Animal Reactions to Human Responses IV. The Human World of Space and Time V. Facts and Ideals Part II. Man and Culture VI. The Definition of Man in Terms of Human Culture VII. Myth and Religion VIII. Language IX. Art X. History XI. Science XII. Summary and Conclusion
Eighteenth Century Bibliographical Pamphlets: Edward Young: a handlist
Author: Francesco CordascoPublisher:
ISBN:
Category : English literature
Languages : en
Pages : 16
Book Description
The Fragmentary Poetic
Author: Sandro JungPublisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 188
Book Description
The Fragmentary Poetic is the first study of the mode of the fragmentary eighteenth-century poetry. Revisiting traditional literary historiography, it offers a fresh account of the "Pindaric" impulse, a mode informing deliberate fragmentation. Its "amphibian" nature accommodates its transgeneric use in genres as varied as the ode and the epic, deploying the ruin as an emblem of its deliberate resistance to closure or the sublime to indicate rupture. The study discusses the ode, the long-poem, imitations of Spenser, Macpherson's "reinventions" of the epic, and poems engaging with memory and ruin. Poets variously utilized the fragmentary as a mode reflecting human fallibility, but also (paradoxically) as evidence for original completeness and authenticity. Detailed discussions of poems include works ranging from Thomson and Young to Macpherson, Charlotte Smith, and Wordsworth. Scholars of both eighteenth-century and Romantic period poetry will find this book a useful guide to the generic complexity of eighteenth-century poetry. This account of the polymorphous nature of the fragment and definitional and formal fluidity enables scholars to rethink eighteenth-century form and to appreciate a pervasive mode that found its most varying expression in the poetry of the period. Sandro Jung is the James Thomson Fellow in Eighteenth- and Ninteenth-Century Literature and Culture at the University of Salford.
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