Author: Mick Gidley Publisher: U of Nebraska Press ISBN: 9780803221932 Category : Social Science Languages : en Pages : 226
Book Description
Housing a wealth of ethnographic information yet steeped in nostalgia and predicated upon the assumption that Native Americans were a "vanishing race," Curtis's work has been both influential and controversial, and its vision of Native Americans must still be reckoned with today."--BOOK JACKET.
Author: Joseph Horse Capture Publisher: ISBN: 9780743203746 Category : History Languages : en Pages : 0
Book Description
Reproduces nearly two hundred photographs of Native Americans taken by Edward Sheriff Curtis in the early 1900s, with essays that discuss aspects of life common to all tribes, including spirituality, ceremony, arts, and daily activities.
Author: Frederick Webb Hodge Publisher: ISBN: 9780403084111 Category : Indians of North America Languages : en Pages :
Book Description
"Curtis spent the best part of his life-nearly thirty years-documenting what he considered to be the traditional way of life for Indians living in the trans-Mississippi West. He took more than 40,000 photographs, collected more than 350 traditional Indian tales, and made more than 10,000 sound recordings of Indian speeches and music His magnum opus was The North American Indian." (Pritzker, Edward S. Curtis, 6).
Author: David J. Silverman Publisher: Harvard University Press ISBN: 0674974743 Category : History Languages : en Pages : 242
Book Description
The adoption of firearms by American Indians between the seventeenth and nineteenth centuries marked a turning point in the history of North America’s indigenous peoples—a cultural earthquake so profound, says David Silverman, that its impact has yet to be adequately measured. Thundersticks reframes our understanding of Indians’ historical relationship with guns, arguing against the notion that they prized these weapons more for the pyrotechnic terror guns inspired than for their efficiency as tools of war. Native peoples fully recognized the potential of firearms to assist them in their struggles against colonial forces, and mostly against one another. The smoothbore, flintlock musket was Indians’ stock firearm, and its destructive potential transformed their lives. For the deer hunters east of the Mississippi, the gun evolved into an essential hunting tool. Most importantly, well-armed tribes were able to capture and enslave their neighbors, plunder wealth, and conquer territory. Arms races erupted across North America, intensifying intertribal rivalries and solidifying the importance of firearms in Indian politics and culture. Though American tribes grew dependent on guns manufactured in Europe and the United States, their dependence never prevented them from rising up against Euro-American power. The Seminoles, Blackfeet, Lakotas, and others remained formidably armed right up to the time of their subjugation. Far from being a Trojan horse for colonialism, firearms empowered American Indians to pursue their interests and defend their political and economic autonomy over two centuries.
Author: Aaron Glass Publisher: UBC Press ISBN: 0774863803 Category : Social Science Languages : en Pages : 510
Book Description
Long known as the Cannibal Dance, the Hamat̓sa is among the most important hereditary prerogatives of the Kwakwa̱ka̱ꞌwakw of British Columbia. In the late nineteenth century, as anthropologists arrived to document the practice, colonial agents were pursuing its eradication and Kwakwa̱ka̱ꞌwakw were adapting it to endure. In the process, the dance – with dramatic choreography, magnificent bird masks, and an aura of cannibalism – entered a vast library of ethnographic texts. Writing the Hamat̓sa offers a critical survey of attempts to record, describe, and interpret the dance over four centuries. Going beyond postcolonial critiques of representation that often ignore Indigenous agency in the ethnographic encounter, Writing the Hamat̓sa focuses on forms of textual mediation and Indigenous response that helped transofrm the ceremony from a set of specific performances into a generalized cultural icon. This meticulous work illuminates how Indigenous people contribute to, contest, and repurpose texts in the process of fashioning modern identities under settler colonialism.
Author: Patrizia Di Bello Publisher: Routledge ISBN: 1000211800 Category : Photography Languages : en Pages : 256
Book Description
The photograph found a home in the book before it won for itself a place on the gallery wall. Only a few years after the birth of photography, the publication of Henry Fox Talbot's "The Pencil of Nature" heralded a new genre in the history of the book, one in which the photograph was the primary vehicle of expression and communication, or stood in equal if sometimes conflicted partnership with the written word. In this book, practicing photographers and writers across several fields of scholarship share a range of fresh approaches to reading the photobook, developing new ways of understanding how meaning is shaped by an image's interaction with its text and context and engaging with the visual, tactile and interactive experience of the photobook in all its dimensions. Through close studies of individual works, the photobook from fetishised objet d'art to cheaply-printed booklet is explored and its unique creative and cultural contributions celebrated.
Author: Melanie Benson Taylor Publisher: Cambridge University Press ISBN: 1108643183 Category : Literary Criticism Languages : en Pages : 927
Book Description
Native American literature has always been uniquely embattled. It is marked by divergent opinions about what constitutes authenticity, sovereignty, and even literature. It announces a culture beset by paradox: simultaneously primordial and postmodern; oral and inscribed; outmoded and novel. Its texts are a site of political struggle, shifting to meet external and internal expectations. This Cambridge History endeavors to capture and question the contested character of Indigenous texts and the way they are evaluated. It delineates significant periods of literary and cultural development in four sections: “Traces & Removals” (pre-1870s); “Assimilation and Modernity” (1879-1967); “Native American Renaissance” (post-1960s); and “Visions & Revisions” (21st century). These rubrics highlight how Native literatures have evolved alongside major transitions in federal policy toward the Indian, and via contact with broader cultural phenomena such, as the American Civil Rights movement. There is a balance between a history of canonical authors and traditions, introducing less-studied works and themes, and foregrounding critical discussions, approaches, and controversies.
Author: James Hunter Publisher: ISBN: 9781845965402 Category : Indians of North America Languages : en Pages : 224
Book Description
In 1876, they wipe out General George A. Custer and his 7th Cavalry at the Battle of the Little Bighorn. Chief Sitting Bull and his Sioux people then flee from the United States to Canada. There, in the autumn of 1877, the Sioux are joined by the remnants of the latest Indian nation to make a stand against the US Army, the Nez Perce. Their survivors are led by Chief White Bird. A young man follows White Bird to Sitting Bull's camp. He is White Bird's close relative and aims to tell the story of the Nez Perce War from the Nez Perce point of view. This young man's name is Duncan McDonald. Descended from chiefs of the Nez Perce and from chiefs of Scotland's most formidable clan, Duncan's family - first as Highlanders, then as Native Americans - have twice been victims of massacre and dispossession. Written with the help of Duncan McDonald's present-day kinsfolk on the Flathead Indian Reservation in Western Montana, this real-life family saga spans two continents and more than thirty generations to link Scotland's clans with the native peoples of the American West.
Author: Mick Gidley
Author: Mick Gidley
Author: Joseph Horse Capture
Author: Frederick Webb Hodge
Author: David J. Silverman
Author: Aaron Glass
Author: Patrizia Di Bello
Author: Melanie Benson Taylor
Author: Helen Jaskoski
Author: James Hunter