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Author: Alexandra Schwartz Publisher: MIT Press ISBN: Category : Art Languages : en Pages : 352
Book Description
Schwartz examines Ruscha's diverse body of work, including paintings, drawings, prints, photographs, books, and films, and discusses his relationship with other artists with whom he sparked the movement known as West Coast pop.
Author: Alexandra Schwartz Publisher: MIT Press ISBN: Category : Art Languages : en Pages : 352
Book Description
Schwartz examines Ruscha's diverse body of work, including paintings, drawings, prints, photographs, books, and films, and discusses his relationship with other artists with whom he sparked the movement known as West Coast pop.
Author: Virginia Heckert Publisher: Getty Publications ISBN: 1606061380 Category : Architecture Languages : en Pages : 90
Book Description
"Published to accompany the exhibition In Focus: Ed Ruscha, on view at the J. Paul Getty Museum at the Getty Center, Los Angeles, from April 9 to September 29, 2013, this book focuses on Ruscha's photographic work, specifically the thirty-eight images he made for his 1965 photobook Some Los Angeles Apartments"--Provided by publisher.
Author: Edward Ruscha Publisher: ISBN: 9783865211057 Category : Architecture Languages : en Pages : 0
Book Description
A collection of photographic prints documenting Hollywood Boulevard first in July 1973 and later in June 2004. Same type of camera equipment were used to re-photograph the street. The panoramic images in black and white from 1973 run parallel to 2004 colored version - contrasting the changes over three decades.
Author: Edward Ruscha Publisher: Phaidon Press Limited ISBN: Category : Art Languages : en Pages : 594
Book Description
American artist Ed Ruscha began making prints and drawings consisting of one word or phrase in the late 1950s and has continued to explore the language-based imagery that has become a hallmark of his work. Pictured here are 500 of his "word" drawings which transcend their apparent randomness to become visual icons of universal emotions and places known and imagined. Full color.
Author: Lisa Turvey Publisher: Yale University Press ISBN: 0300209495 Category : Art Languages : en Pages : 453
Book Description
An immense contribution to scholarship on Ed Ruscha and his pioneering artistic practice, offering thorough documentation of his works on paper This highly anticipated book—the first in a series of three—comprehensively chronicles the first two decades of Ed Ruscha’s (b. 1937) work on paper, which comprises the largest component of his production of original works. Over 1,000 works on paper are documented, all created between 1956 and 1976, and they encompass a wide range of formats, materials, themes, and styles. Included are collages, ephemeral sketches, preparatory studies for paintings, oil on paper works, and drawings executed in a variety of inventive materials, including gunpowder and organic substances. Ruscha came to prominence in the early 1960s as part of the Pop art movement, although his work equally engages the legacies of Dada, Surrealism, and Abstract Expressionism as well as the Conceptual art that emerged later in the decade. He has long enjoyed international standing and admiration, and his work is widely known. Despite this recognition, this volume contains hundreds of works that have infrequently, or never, been exhibited or published. Each work is catalogued with a color reproduction, collection details, full chronological provenance, exhibition history, and bibliographic references. Essays by Lisa Turvey and Harry Cooper complete this extraordinary survey, which expands and enriches our understanding of Ruscha’s pioneering exploration of the written word as a subject for visual art and his witty assessment of the iconography of Los Angeles, both real and imagined.
Author: Karin Breuer Publisher: Univ of California Press ISBN: 0520290690 Category : Art Languages : en Pages : 246
Book Description
The renowned artist Ed Ruscha was born in Nebraska, grew up in Oklahoma, and has lived and worked in Southern California since the late 1950s. Beginning in 1956, road trips across the American Southwest furnished a conceptual trove of themes and motifs that he mined throughout his career. The everyday landscapes of the West, especially as experienced from the automobileÑgas stations, billboards, building facades, parking lots, and long stretches of roadwayÑare the primary motifs of his often deadpan and instantly recognizable paintings and works on paper, as well as his influential artist books such as Twentysix Gasoline Stations and All the Buildings on the Sunset Strip. His iconic word imagesÑdeclaring Adios, Rodeo, Wheels over Indian Trails, and Honey . . . I Twisted through More Damn Traffic to Get HereÑfurther underscore a contemporary Western sensibility. RuschaÕs interest in what the real West has becomeÑand HollywoodÕs version of itÑplays out across his oeuvre. The cinematic sources of his subject matter can be seen in his silhouette pictures, which often appear to be grainy stills from old Hollywood movies. They feature images of the contemporary West, such as parking lots and swimming pools, but also of its historical past: covered wagons, buffalo, teepees, and howling coyotes. Featuring essays by Karin Breuer and D.J. Waldie, plus a fascinating interview with the artist conducted by Kerry Brougher, this stunning catalogue, produced in close collaboration with the Ruscha studio, offers the first full exploration of the painterÕs lifelong fascination with the romantic concept and modern reality of the evolving American West. Published in association with the Fine Arts Museums of San Francisco Exhibition dates: de Young, San Francisco: July 16ÐOctober 9, 2016
Author: Alexandra Schwartz
Author: Alexandra Schwartz
Author: Virginia Heckert
Author: Sylvia Wolf
Author: Edward Ruscha
Author: Edward Ruscha
Author: Edward Ruscha
Author: Yve-Alain Bois
Author: Lisa Turvey
Author: Edward Ruscha
Author: Karin Breuer