Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 16
Book Description
EDWARD CLARK
Edward Clark, a Complex Identity
Edward Clark
1971
Author: Darby English
Publisher: University of Chicago Press
ISBN: 022613105X
Category : Art
Languages : en
Pages : 300
Book Description
Art historian Darby English is celebrated for working against the grain and plumbing gaps in historical narratives. In this book, he explores the year 1971, when two exhibitions opened that brought modernist painting and sculpture into the burning heart of black cultural politics: Contemporary Black Artists in America, shown at the Whitney Museum of American Art, and The DeLuxe Show, an integrated abstract art exhibition presented in a renovated movie theater in a Houston ghetto.1971 takes an insightful look at many black artists' desire to gain freedom from overt racial representation, as well as their and their advocates' efforts to further that aim through public exhibitions. Amid calls to define a "black aesthetic" or otherwise settle the race question, these experiments with modernist art favored cultural interaction and instability. Contemporary Black Artists in America highlighted abstraction as a stance against normative approaches, while The DeLuxe Show positioned abstraction in a center of urban blight. The power and social importance of these experiments, English argues, came partly from color's special status as a racial metaphor and partly from investigations of color that were underway in formalist American art and criticism.
Publisher: University of Chicago Press
ISBN: 022613105X
Category : Art
Languages : en
Pages : 300
Book Description
Art historian Darby English is celebrated for working against the grain and plumbing gaps in historical narratives. In this book, he explores the year 1971, when two exhibitions opened that brought modernist painting and sculpture into the burning heart of black cultural politics: Contemporary Black Artists in America, shown at the Whitney Museum of American Art, and The DeLuxe Show, an integrated abstract art exhibition presented in a renovated movie theater in a Houston ghetto.1971 takes an insightful look at many black artists' desire to gain freedom from overt racial representation, as well as their and their advocates' efforts to further that aim through public exhibitions. Amid calls to define a "black aesthetic" or otherwise settle the race question, these experiments with modernist art favored cultural interaction and instability. Contemporary Black Artists in America highlighted abstraction as a stance against normative approaches, while The DeLuxe Show positioned abstraction in a center of urban blight. The power and social importance of these experiments, English argues, came partly from color's special status as a racial metaphor and partly from investigations of color that were underway in formalist American art and criticism.
St. James Guide to Black Artists
Author: Thomas Riggs
Publisher: Saint James Press
ISBN:
Category : Art
Languages : en
Pages : 664
Book Description
St. James's unique biographical dictionary provides information concerning approximately 400 artists, nearly 300 of whom were living at the time of publication. Although the focus is on "fine artists"--sculptors, painters, and printmakers--the index groups artists by medium, listing photographers, illustrators, ceramists, performance artists, filmmakers, quilt makers, wood-carvers, and fiber artists. An index of nationalities lists 26 groups from Europe, Africa, and the Caribbean, but US artists predominate (approximately 300); Nigerians and Jamaicans are the second largest groups, with 16 listings each. The signed entries profile the artist and list the artist's exhibitions, the institutions holding the artist's work, and the artist's publications. Many entries provide photographs of the artists or examples of their work. All illustrations are black-and-white reproductions and are indexed separately. A four-part subject bibliography covers general works and works on African, African American, and Caribbean art. Profiles of some 80 advisers and contributors constitute the last section. College and university libraries and large public libraries need this survey of black artists. Copyright 1999 American Library Association.
Publisher: Saint James Press
ISBN:
Category : Art
Languages : en
Pages : 664
Book Description
St. James's unique biographical dictionary provides information concerning approximately 400 artists, nearly 300 of whom were living at the time of publication. Although the focus is on "fine artists"--sculptors, painters, and printmakers--the index groups artists by medium, listing photographers, illustrators, ceramists, performance artists, filmmakers, quilt makers, wood-carvers, and fiber artists. An index of nationalities lists 26 groups from Europe, Africa, and the Caribbean, but US artists predominate (approximately 300); Nigerians and Jamaicans are the second largest groups, with 16 listings each. The signed entries profile the artist and list the artist's exhibitions, the institutions holding the artist's work, and the artist's publications. Many entries provide photographs of the artists or examples of their work. All illustrations are black-and-white reproductions and are indexed separately. A four-part subject bibliography covers general works and works on African, African American, and Caribbean art. Profiles of some 80 advisers and contributors constitute the last section. College and university libraries and large public libraries need this survey of black artists. Copyright 1999 American Library Association.
Edward Clark
Author: Barbara Cavaliere
Publisher:
ISBN: 9780966258004
Category : African American painters
Languages : en
Pages : 128
Book Description
Publisher:
ISBN: 9780966258004
Category : African American painters
Languages : en
Pages : 128
Book Description
The Studio Museum in Harlem
Author: Studio Museum in Harlem
Publisher: Museum
ISBN:
Category : Art
Languages : en
Pages : 60
Book Description
Publisher: Museum
ISBN:
Category : Art
Languages : en
Pages : 60
Book Description
Identities, Experience, and Change in Early Mexican Villages
Author: Catharina E. Santasilia
Publisher: University Press of Florida
ISBN: 0813070147
Category : Social Science
Languages : en
Pages : 349
Book Description
New perspectives on an important era in Mesoamerican history This volume examines shifting social identities, lived experiences, and networks of interaction in Mexico during the Mesoamerican Formative period (2000 BCE–250 CE), an era that helped produce some of the world’s most renowned complex civilizations. The chapters offer significant data, innovative methodologies, and novel perspectives on Mexican archaeology. Using diverse and non-traditional theoretical approaches, contributors discuss interregional relationships and the exchange of ideas in contexts ranging from the Gulf Coast Olmec region to the site of Tlatilco in Central Mexico to the often-overlooked cultures of the far western states. Their essays explore identity formation, cosmological perspectives, the first hints of social complexity, the underpinnings of Formative period economies, and the sensorial implications of sociocultural change. Identities, Experience, and Change in Early Mexican Villages is one of the first volumes to address the entirety of this rich and complex era and region, offering a new and holistic view. Through a wealth of exciting interpretations from international senior and emerging scholars, this volume shows the strong influence of cultural exchange as well as the compelling individuality of local and regional contexts over two thousand years of history. Contributors: Catharina E. Santasilia | Guy D. Hepp | Richard A. Diehl | Jeffrey P. Blomster | Philip (Flip) J. Arnold III | Patricia Ochoa Castillo | Christopher Beekman | Tatsuya Murakami | Jeffrey S. Brzezinski | Vanessa Monson | Arthur A. Joyce | Sarah B. Barber | Henri Noel Bernard| Sara Ladrón de Guevara| Mayra Manrique| José Luis Ruvalcaba
Publisher: University Press of Florida
ISBN: 0813070147
Category : Social Science
Languages : en
Pages : 349
Book Description
New perspectives on an important era in Mesoamerican history This volume examines shifting social identities, lived experiences, and networks of interaction in Mexico during the Mesoamerican Formative period (2000 BCE–250 CE), an era that helped produce some of the world’s most renowned complex civilizations. The chapters offer significant data, innovative methodologies, and novel perspectives on Mexican archaeology. Using diverse and non-traditional theoretical approaches, contributors discuss interregional relationships and the exchange of ideas in contexts ranging from the Gulf Coast Olmec region to the site of Tlatilco in Central Mexico to the often-overlooked cultures of the far western states. Their essays explore identity formation, cosmological perspectives, the first hints of social complexity, the underpinnings of Formative period economies, and the sensorial implications of sociocultural change. Identities, Experience, and Change in Early Mexican Villages is one of the first volumes to address the entirety of this rich and complex era and region, offering a new and holistic view. Through a wealth of exciting interpretations from international senior and emerging scholars, this volume shows the strong influence of cultural exchange as well as the compelling individuality of local and regional contexts over two thousand years of history. Contributors: Catharina E. Santasilia | Guy D. Hepp | Richard A. Diehl | Jeffrey P. Blomster | Philip (Flip) J. Arnold III | Patricia Ochoa Castillo | Christopher Beekman | Tatsuya Murakami | Jeffrey S. Brzezinski | Vanessa Monson | Arthur A. Joyce | Sarah B. Barber | Henri Noel Bernard| Sara Ladrón de Guevara| Mayra Manrique| José Luis Ruvalcaba
Something Doing Every Minute
Explorations in the City of Light
Author: Studio Museum in Harlem
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 104
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 104
Book Description