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Author: Simon Martin Publisher: Lund Humphries Publishers Limited ISBN: 9781848220904 Category : Art Languages : en Pages : 0
Book Description
Published in conjunction with the exhibition held at Pallant House Gallery, Chichester, 22 Oct. 2011-19 Feb. 2012 and the Djanogly Art Gallery, Lakeside Arts Centre, University of Nottingham, 3 Mar.-27 May 2012.
Author: Simon Martin Publisher: Lund Humphries Publishers Limited ISBN: 9781848220904 Category : Art Languages : en Pages : 0
Book Description
Published in conjunction with the exhibition held at Pallant House Gallery, Chichester, 22 Oct. 2011-19 Feb. 2012 and the Djanogly Art Gallery, Lakeside Arts Centre, University of Nottingham, 3 Mar.-27 May 2012.
Author: Jane Stevenson Publisher: Random House ISBN: Category : Art Languages : en Pages : 536
Book Description
Edward Burra never followed the fashion: in the thirties, when modern art was dominated by abstraction and landscape, he painted people; in the sixties, when landscape was completely out of fashion, he started to find it interesting. This is a biography of Edward Burra.
Author: Christopher Neve Publisher: Thames & Hudson ISBN: 0500775508 Category : Art Languages : en Pages : 207
Book Description
Christopher Neves classic book is a journey into the imagination through the English landscape. How is it that artists, by thinking in paint, have come to regard the landscape as representing states of mind? Painting, says Neve, is a process of finding out, and landscape can be its thesis. What he is writing is not precisely art history: it is about pictures, about landscape and about thought. Over the years, he was able to have discussions with many of the thirty or so artists he focuses on, the inspiration for the book having come from his talks with Ben Nicholson; and he has immersed himself in their work, their countryside, their ideas. Because he is a painter himself, and an expert on 20th-century art, Neve is well equipped for such a journey. Few writers have conveyed more vividly the mixture of motives, emotions, unconscious forces and contradictions which culminate in the creative act of painting. Each of the thirteen chapters has a theme and explores its significance for one or more of the artists. The problem of time, for instance, is considered in relation to Paul Nash, God in relation to David Jones, music to Ivon Hitchens, hysteria to Edward Burra, abstraction to Ben Nicholson, the spirit in the mass to David Bomberg. There are also chapters about painters ideas on specific types of country: about Eric Ravilious and the chalk landscape, Joan Eardley and the sea, and Cedric Morris and the garden.
Author: David Hopkins Publisher: Yale University Press ISBN: 0300225741 Category : Art Languages : en Pages : 417
Book Description
A wide-ranging look at surrealist and postsurrealist engagements with the culture and imagery of childhood We all have memories of the object-world of childhood. For many of us, playthings and images from those days continue to resonate. Rereading a swathe of modern and contemporary artistic production through the lens of its engagement with childhood, this book blends in-depth art historical analysis with sustained theoretical exploration of topics such as surrealist temporality, toys, play, nostalgia, memory, and 20th-century constructions of the child. The result is an entirely new approach to the surrealist tradition via its engagement with "childish things." Providing what the author describes as a "long history of surrealism," this book plots a trajectory from surrealism itself to the art of the 1980s and 1990s, through to the present day. It addresses a range of figures from Marcel Duchamp, Giorgio de Chirico, Max Ernst, Hans Bellmer, Joseph Cornell, and Helen Levitt, at one end of the spectrum, to Louise Bourgeois, Eduardo Paolozzi, Claes Oldenburg, Susan Hiller, Martin Sharp, Helen Chadwick, Mike Kelley, and Jeff Koons, at the other.
Author: Erica E. Hirshler Publisher: Yale University Press ISBN: 0300249861 Category : Art Languages : en Pages : 257
Book Description
In 1916, John Singer Sargent (1856-1925) met Thomas Eugene McKeller (1890-1962) a young African American elevator attendant at Boston's Hotel Vendome. McKeller became the principal model for Sargent's murals in the new wing of the Boston's Museum of Fine Arts, among the painter's most ambitious works. Sargent's nude studies and sketches from this project attest to a close collaboration between the two men that unfolded over nearly ten years. Featuring drawings given by Sargent to Isabella Stewart Gardner and published in full for the first time, a portrait of McKeller, and archival materials reconstructing his life and relationship with Sargent, this book opens new avenues into artist-model relationships and transforms our understanding of Sargent's iconic American paintings. Essays offer the first biography of Thomas McKeller and a window into African America life in early 20th century Roxbury. They address the artist's sexuality, his models, and consider questions of race and gender.
Author: Clare Barlow Publisher: Tate Publishing ISBN: 9781849764520 Category : Languages : en Pages : 192
Book Description
In 1861, the death penalty was abolished for sodomy in Britain; just over a century later, in 1967, homosexuality was finally decriminalised. Between these legal landmarks lies a century of seismic shifts in gender and sexuality for men and women. These found expression across the arts as British artists, collectors and consumers explored transgressive identities, experiences and desires. Some of these works were intensely personal, celebrating lovers or expressing private desires. Others addressed a wider public, helping to forge a sense of community at a time when the modern categories of gay, lesbian, bisexual and transgender were largely unrecognised. Ranging from the playful to the political, the explicit to the domestic, these works showcase the rich diversity of queer British art. This publication, the first to focus exclusively on British queer art, will feature sections on ambivalent sexualities and gender experimentation amongst the Pre-Raphaelites; the new science of sexology's impact on portraiture; queer domesticities in Bloomsbury and beyond; eroticism in the artist's studio and relationships between artists and models; gender play and sexuality in British surrealism; and love and lust in sixties Soho. 00Exhibition: Tate Britain, London, United Kingdom (05.04.2017-01.10.2017).
Author: Robert Aldrich Publisher: Routledge ISBN: 1000158888 Category : History Languages : en Pages : 611
Book Description
Who's Who in Gay and Lesbian History: From Antiquity to the Mid-Twentieth Century is a comprehensive and fascinating survey of the key figures in gay and lesbian history from classical times to the mid-twentieth century. Among those included are: * Classical heroes - Achilles; Aeneas; Ganymede * Literary giants - Sappho; Christopher Marlowe; Arthur Rimbaud; Oscar Wilde * Royalty and politicians - Edward II; King James I; Horace Walpole; Michel de Montaigne. Over the course of some 500 entries, expert contributors provide a complete and vivid picture of gay and lesbian life in the Western world throughout the ages.
Author: Adrian Locke Publisher: Royal Academy Books ISBN: 9781907533303 Category : Art Languages : en Pages : 0
Book Description
In the first half of the 20th century, Mexico was home to a burgeoning of art comparable in energy to the political revolution that shook the country between 1910 and 1920. This surge of artistic activity is the subject of this compelling new book, which presents the work of Mexican artists—from the social-realist painters Diego Rivera and David Alfaro Siqueiros to the photographers Agust�n Jim�nez and Manuel �lvarez Bravo—alongside that of their international contemporaries, figures as diverse as Philip Guston, Josef and Anni Albers, and Edward Burra. Illustrated with some 150 striking images, Adrian Locke’s incisive text explores the artistic documentation of the dramatic changes wrought by the revolution, the government’s role in employing artists to promote its reforms, the emergence of a native modernism, and the remarkable contribution of European and American artists and intellectuals, including Eisenstein, Trotsky, and Andr� Breton, to Mexico’s cultural renaissance.
Author: Simon Martin
Author: Simon Martin
Author: Jane Stevenson
Author: Andrew Causey
Author: Christopher Neve
Author: David Hopkins
Author: Erica E. Hirshler
Author: Clare Barlow
Author: Robert Aldrich
Author: Adrian Locke
Author: Simon Martin