Edward and Nancy Kienholz PDF Download

Author: Edward Kienholz
Publisher:
ISBN:
Category :
Languages : de
Pages : 176

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Author: Edward Kienholz
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 310

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Book Description
Published on the occasion of a retrospective exhibition at the Whitney Museum of American Art, New York, this work is a monograph of the work of Edward Kienholz and his wife and partner, Nancy Reddin Kienholz. Starting in 1954, Edward Kienholz worked against the grain of formal abstract art, gradually forsaking painting in favour of assemblage techniques. In these works, Kienholz addressed issues of war, abortion, prostitution, government indifference and human cruelty.

Author: Edward Kienholz
Publisher:
ISBN:
Category :
Languages : en
Pages : 28

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Author: Robert L. Pincus
Publisher: Univ of California Press
ISBN: 0520328612
Category : Art
Languages : en
Pages : 682

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Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived

Author: Edward Kienholz
Publisher:
ISBN:
Category : Crucifixion in art
Languages : en
Pages : 100

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Author: Melissa Ho
Publisher: Princeton University Press
ISBN: 0691191182
Category : Art
Languages : en
Pages : 417

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Book Description
"Published in conjunction with the exhibition of the same name, on view at the Smithsonian American Art Museum, Washington, DC, March 15, 2019 to August 18, 2019."

Author: Matthew Israel
Publisher: University of Texas Press
ISBN: 0292745435
Category : Architecture
Languages : en
Pages : 279

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Book Description
“The book addresses chronologically the most striking reactions of the art world to the rise of military engagement in Vietnam then in Cambodia.” —Guillaume LeBot, Critique d’art The Vietnam War (1964–1975) divided American society like no other war of the twentieth century, and some of the most memorable American art and art-related activism of the last fifty years protested U.S. involvement. At a time when Pop Art, Minimalism, and Conceptual Art dominated the American art world, individual artists and art collectives played a significant role in antiwar protest and inspired subsequent generations of artists. This significant story of engagement, which has never been covered in a book-length survey before, is the subject of Kill for Peace. Writing for both general and academic audiences, Matthew Israel recounts the major moments in the Vietnam War and the antiwar movement and describes artists’ individual and collective responses to them. He discusses major artists such as Leon Golub, Edward Kienholz, Martha Rosler, Peter Saul, Nancy Spero, and Robert Morris; artists’ groups including the Art Workers’ Coalition (AWC) and the Artists Protest Committee (APC); and iconic works of collective protest art such as AWC’s Q. And Babies? A. And Babies and APC’s The Artists Tower of Protest. Israel also formulates a typology of antiwar engagement, identifying and naming artists’ approaches to protest. These approaches range from extra-aesthetic actions—advertisements, strikes, walk-outs, and petitions without a visual aspect—to advance memorials, which were war memorials purposefully created before the war’s end that criticized both the war and the form and content of traditional war memorials. “Accessible and informative.” —Art Libraries Society of North America

Author: Susan Davidson
Publisher: Guggenheim Museum
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 426

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Edited by Susan Davidson and Philip Rylands Essays by Dieter Bogner, Francis V. O'Connor, Don Quaintance, Jasper Sharp and Valentina Sonzogni.

Author: Michael Duncan
Publisher:
ISBN: 9780983587026
Category : Abject art
Languages : en
Pages : 0

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Book Description
Until recently, the figurative artists who dominated the Los Angeles art scene of the 1940s and 50s had largely been written out of art history. L.A. Raw is an attempt to right that wrong. Bringing together works by 41 artists in a variety of media, it traces a lineage that connects postwar figurative expressionism to the 1960s and 70s investigations of politics, gender and ethnicity in art. The featured artists include John Altoon, Wallace Berman, William Brice, Hans Burckhardt, Chris Burden, Cameron, Judy Chicago, Connor Everts, Llyn Foulkes, Charles Garabedian, David Hammonds, Robert Heinecken, John Paul Jones, Kim Jones, Ed and Nancy Kienholz, Rico Lebrun, Paul McCarthy, Arnold Mesches, Betye Saar, Ben Sakoguchi, Barbara Smith, James Strombotne, Jan Stussy, Edward Teske, Joyce Treiman, Howard Warshaw, June Wayne, Charles White and Jack Zajac.

Author: James Sampson Meyer
Publisher: University of Chicago Press
ISBN: 9780226425108
Category : Art
Languages : en
Pages : 408

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Book Description
This is the catalogue for an exhibition organized by the National Gallery of Art in Washington, DC, which explores the considerable contributions of Virginia Dwan and her legendary gallery to post-WWII American art.It is being carefully curated by Press author James Meyer. Founded by Virginia Dwan in 1959, the Dwan Gallery was a leading avant-garde space with locations in Los Angeles and New York, presenting the art of Franz Kline, Robert Rauschenberg, Claes Oldenburg, Sol LeWitt, and Robert Smithson, among others. Where the Los Angeles gallery featured abstract expressionism, neo-dada, and Pop, the New York branch reflected the emerging movements of minimalism, conceptualism, and land art. The activities of the Dwan Gallery transpired not just in and between Los Angeles, New York, and Paris, but also in the wilderness of the American West, where Dwan fostered a new genre of art known as earthworks (land art). A keen follower of the Parisian art scene, Dwan also gave many nouveaux realistes such as Yves Klein their debut shows in the United States."