Author: James ThomsonPublisher:
ISBN:
Category :
Languages : en
Pages : 78
Book Description
Edward and Eleonora, a Tragedy
Author: James ThomsonEdward and Eleonora
Author: James ThomsonPublisher:
ISBN:
Category : English drama
Languages : en
Pages : 68
Book Description
Edward and Eleonora
Author: James ThomsonEdward and Eleonor
Author: James ThomsonPublisher:
ISBN: 9781104737665
Category : Literary Collections
Languages : en
Pages : 76
Book Description
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Edward and Eleonora: a Tragedy
Author: James ThomsonEdward and Eleonora
Author: James ThomsonPublisher:
ISBN:
Category : English drama
Languages : en
Pages : 86
Book Description
Edward and Eleonora
Author: James ThomsonCatalogue of the Books in the Manchester Public Free Library, Reference Department. Prepared by A. Crestadoro. (Vol. II. Comprising the Additions from 1864 to 1879.) [With the "Index of Names and Subjects".]
Author: Public Free Libraries (Manchester)Publisher:
ISBN:
Category :
Languages : en
Pages : 1126
Book Description
The Works
Author: James ThomsonGreek Tragedy and the British Theatre 1660-1914
Author: Edith HallPublisher: OUP Oxford
ISBN: 0191541419
Category : Literary Criticism
Languages : en
Pages : 768
Book Description
This lavishly illustrated book offers the first full, interdisciplinary investigation of the historical evidence for the presence of ancient Greek tragedy in the post-Restoration British theatre, where it reached a much wider audience - including women - than had access to the original texts. Archival research has excavated substantial amounts of new material, both visual and literary, which is presented in chronological order. But the fundamental aim is to explain why Greek tragedy, which played an elite role in the curricula of largely conservative schools and universities, was magnetically attractive to political radicals, progressive theatre professionals, and to the aesthetic avant-garde. All Greek has been translated, and the book will be essential reading for anyone interested in Greek tragedy, the reception of ancient Greece and Rome, theatre history, British social history, English studies, or comparative literature.