Author: Tamsin Badcoe
Publisher: Manchester Spenser
ISBN: 9781526139672
Category : Literary Criticism
Languages : en
Pages : 344
Book Description
Edmund Spenser and the romance of space advances the exploration of literary space into new areas, firstly by taking advantage of recent interdisciplinary interests in the spatial qualities of early modern thought and culture, and secondly by reading literature concerning the art of cosmography and navigation alongside imaginative literature with the purpose of identifying shared modes and preoccupations. The book looks to the work of cultural and historical geographers in order to gauge the roles that aesthetic subjectivity and the imagination play in the development of geographical knowledge: contexts ultimately employed by the study to achieve a better understanding of the place of Ireland in Spenser's writing. The study also engages with recent ecocritical approaches to literary environments, such as coastlines, wetlands, and islands, thus framing fresh readings of Spenser's handling of mixed genres.
Edmund Spenser and the Romance of Space
Author: Tamsin Badcoe
Publisher: Manchester Spenser
ISBN: 9781526139672
Category : Literary Criticism
Languages : en
Pages : 344
Book Description
Edmund Spenser and the romance of space advances the exploration of literary space into new areas, firstly by taking advantage of recent interdisciplinary interests in the spatial qualities of early modern thought and culture, and secondly by reading literature concerning the art of cosmography and navigation alongside imaginative literature with the purpose of identifying shared modes and preoccupations. The book looks to the work of cultural and historical geographers in order to gauge the roles that aesthetic subjectivity and the imagination play in the development of geographical knowledge: contexts ultimately employed by the study to achieve a better understanding of the place of Ireland in Spenser's writing. The study also engages with recent ecocritical approaches to literary environments, such as coastlines, wetlands, and islands, thus framing fresh readings of Spenser's handling of mixed genres.
Publisher: Manchester Spenser
ISBN: 9781526139672
Category : Literary Criticism
Languages : en
Pages : 344
Book Description
Edmund Spenser and the romance of space advances the exploration of literary space into new areas, firstly by taking advantage of recent interdisciplinary interests in the spatial qualities of early modern thought and culture, and secondly by reading literature concerning the art of cosmography and navigation alongside imaginative literature with the purpose of identifying shared modes and preoccupations. The book looks to the work of cultural and historical geographers in order to gauge the roles that aesthetic subjectivity and the imagination play in the development of geographical knowledge: contexts ultimately employed by the study to achieve a better understanding of the place of Ireland in Spenser's writing. The study also engages with recent ecocritical approaches to literary environments, such as coastlines, wetlands, and islands, thus framing fresh readings of Spenser's handling of mixed genres.
Allegory, Space and the Material World in the Writings of Edmund Spenser
Author: Christopher Burlinson
Publisher: DS Brewer
ISBN: 9781843840787
Category : Literary Criticism
Languages : en
Pages : 286
Book Description
An examination of the way in which the material world is depicted in The Faerie Queene. This book provides a radical reassessment of Spenserian allegory, in particular of The Faerie Queene, in the light of contemporary historical and theoretical interests in space and material culture. It explores the ambiguous and fluctuating attention to materiality, objects, and substance in the poetics of The Faerie Queene, and discusses the way that Spenser's creation of allegorical meaning makes use of this materiality, and transforms it.It suggests further that a critical engagement with materiality (which has been so important to the recent study of early modern drama) must come, in the case of allegorical narrative, through a study of narrative and physical space, and in this context it goes on to provide a reading of the spatial dimensions of the poem - quests and battles, forests, castles and hovels - and the spatial characteristics of Spenser's other writings. The book reaffirms theneed to place Spenser in his historical contexts - philosophical and scientific, military and architectural - in early modern England, Ireland and Europe, but also provides a critical reassessment of this literary historicism. Dr CHRISTOPHER BURLINSON is a Research Fellow in English at Emmanuel College, Cambridge.
Publisher: DS Brewer
ISBN: 9781843840787
Category : Literary Criticism
Languages : en
Pages : 286
Book Description
An examination of the way in which the material world is depicted in The Faerie Queene. This book provides a radical reassessment of Spenserian allegory, in particular of The Faerie Queene, in the light of contemporary historical and theoretical interests in space and material culture. It explores the ambiguous and fluctuating attention to materiality, objects, and substance in the poetics of The Faerie Queene, and discusses the way that Spenser's creation of allegorical meaning makes use of this materiality, and transforms it.It suggests further that a critical engagement with materiality (which has been so important to the recent study of early modern drama) must come, in the case of allegorical narrative, through a study of narrative and physical space, and in this context it goes on to provide a reading of the spatial dimensions of the poem - quests and battles, forests, castles and hovels - and the spatial characteristics of Spenser's other writings. The book reaffirms theneed to place Spenser in his historical contexts - philosophical and scientific, military and architectural - in early modern England, Ireland and Europe, but also provides a critical reassessment of this literary historicism. Dr CHRISTOPHER BURLINSON is a Research Fellow in English at Emmanuel College, Cambridge.
The Faerie Queene
Author: Edmund Spenser
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 390
Book Description
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 390
Book Description
Edmund Spenser and the romance of space
Author: Tamsin Badcoe
Publisher: Manchester University Press
ISBN: 1526139693
Category : Literary Criticism
Languages : en
Pages : 404
Book Description
Edmund Spenser and the romance of space seeks to gauge the roles that aesthetic subjectivity and the imagination play in early modern spatial and textual practices.
Publisher: Manchester University Press
ISBN: 1526139693
Category : Literary Criticism
Languages : en
Pages : 404
Book Description
Edmund Spenser and the romance of space seeks to gauge the roles that aesthetic subjectivity and the imagination play in early modern spatial and textual practices.
Edmund Spenser in Context
Author: Andrew Escobedo
Publisher: Cambridge University Press
ISBN: 1316869873
Category : Literary Criticism
Languages : en
Pages : 616
Book Description
Edmund Spenser's poetry remains an indispensable touchstone of English literary history. Yet for modern readers his deliberate use of archaic language and his allegorical mode of writing can become barriers to understanding his poetry. This volume of thirty-seven essays, written by distinguished scholars, offers a rich introduction to the literary, political and religious contexts that shaped Spenser's poetry, including the environment in which he lived, the genres he drew upon, and the influences that helped to fashion his art. The collection reveals the multiple personae that Spenser constructs within his work: to read Spenser is to read a rich archive of literary forms, and this volume provides the contexts in which to do so. A reading list at the end of the volume will prove invaluable to further study.
Publisher: Cambridge University Press
ISBN: 1316869873
Category : Literary Criticism
Languages : en
Pages : 616
Book Description
Edmund Spenser's poetry remains an indispensable touchstone of English literary history. Yet for modern readers his deliberate use of archaic language and his allegorical mode of writing can become barriers to understanding his poetry. This volume of thirty-seven essays, written by distinguished scholars, offers a rich introduction to the literary, political and religious contexts that shaped Spenser's poetry, including the environment in which he lived, the genres he drew upon, and the influences that helped to fashion his art. The collection reveals the multiple personae that Spenser constructs within his work: to read Spenser is to read a rich archive of literary forms, and this volume provides the contexts in which to do so. A reading list at the end of the volume will prove invaluable to further study.
Spenser's Britomart
The Mutabilitie Cantos
Author: Edmund Spenser
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 176
Book Description
These cantos, published posthumously, are general agreed to contain some of the finest poetry in "The Faerie Queene", and are of central importance in the study of philosophic and religious beliefs in the late sixteenth century.
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 176
Book Description
These cantos, published posthumously, are general agreed to contain some of the finest poetry in "The Faerie Queene", and are of central importance in the study of philosophic and religious beliefs in the late sixteenth century.
Indecorous Thinking
Author: Colleen Ruth Rosenfeld
Publisher: Fordham Univ Press
ISBN: 0823277933
Category : Literary Criticism
Languages : en
Pages : 391
Book Description
Indecorous Thinking is a study of artifice at its most conspicuous: it argues that early modern writers turned to figures of speech like simile, antithesis, and periphrasis as the instruments of a particular kind of thinking unique to the emergent field of vernacular poesie. The classical ideal of decorum described the absence of visible art as a precondition for rhetoric, civics, and beauty: speaking well meant speaking as if off-the-cuff. Against this ideal, Rosenfeld argues that one of early modern literature's richest contributions to poetics is the idea that indecorous art—artifice that rings out with the bells and whistles of ornamentation—celebrates the craft of poetry even as it expands poetry’s range of activities. Rosenfeld details a lost legacy of humanism that contributes to contemporary debates over literary studies’ singular but deeply ambivalent commitment to form. Form, she argues, must be reexamined through the legacy of figure. Reading poetry by Philip Sidney, Edmund Spenser, and Mary Wroth alongside pedagogical debates of the period and the emergence of empiricism, with its signature commitment to the plain style, Rosenfeld offers a robust account of the triumphs and embarrassments that attended the conspicuous display of artifice. Drawing widely across the arts of rhetoric, dialectic, and poetics, Indecorous Thinking offers a defense of the epistemological value of form: not as a sign of the aesthetic but as the source of a particular kind of knowledge we might call poetic.
Publisher: Fordham Univ Press
ISBN: 0823277933
Category : Literary Criticism
Languages : en
Pages : 391
Book Description
Indecorous Thinking is a study of artifice at its most conspicuous: it argues that early modern writers turned to figures of speech like simile, antithesis, and periphrasis as the instruments of a particular kind of thinking unique to the emergent field of vernacular poesie. The classical ideal of decorum described the absence of visible art as a precondition for rhetoric, civics, and beauty: speaking well meant speaking as if off-the-cuff. Against this ideal, Rosenfeld argues that one of early modern literature's richest contributions to poetics is the idea that indecorous art—artifice that rings out with the bells and whistles of ornamentation—celebrates the craft of poetry even as it expands poetry’s range of activities. Rosenfeld details a lost legacy of humanism that contributes to contemporary debates over literary studies’ singular but deeply ambivalent commitment to form. Form, she argues, must be reexamined through the legacy of figure. Reading poetry by Philip Sidney, Edmund Spenser, and Mary Wroth alongside pedagogical debates of the period and the emergence of empiricism, with its signature commitment to the plain style, Rosenfeld offers a robust account of the triumphs and embarrassments that attended the conspicuous display of artifice. Drawing widely across the arts of rhetoric, dialectic, and poetics, Indecorous Thinking offers a defense of the epistemological value of form: not as a sign of the aesthetic but as the source of a particular kind of knowledge we might call poetic.
Edmund Spenser and the Eighteenth-Century Book
Author: Hazel Wilkinson
Publisher: Cambridge University Press
ISBN: 1107199557
Category : Literary Criticism
Languages : en
Pages : 279
Book Description
The first comprehensive study of the eighteenth-century response to the Elizabethan poet Edmund Spenser, from editions to influence.
Publisher: Cambridge University Press
ISBN: 1107199557
Category : Literary Criticism
Languages : en
Pages : 279
Book Description
The first comprehensive study of the eighteenth-century response to the Elizabethan poet Edmund Spenser, from editions to influence.
The Secret Wound
Author: Marion Wells
Publisher: Stanford University Press
ISBN: 9780804767446
Category : Literary Criticism
Languages : en
Pages : 390
Book Description
This book offers a new reading of early modern romance in the light of historically contemporary accounts of mind, and specifically the medical tradition of love-melancholy. The book argues that the medical profile of the melancholic lover provides an essential context for understanding the characteristic patterns of romance: narrative deferral, epistemological uncertainty, and the endless quest for a quasi-phantasmic beloved. Unlike many recent studies of romance, this book establishes a detailed historical basis for investigating the psychological structure of romance. Wells begins by tracing the development of the medical disorder first known in the Latin west as amor hereos (lovesickness) from its earliest roots in Greek and Arabic medicine to its translation into the Latin medical tradition. Drawing on this detailed historical material, the book considers three important early modern romances: Ariosto's Orlando Furioso, Tasso's Gerusalemme Liberata, and Spenser's The Faerie Queene, concluding with a brief consideration of the significance of this literary and medical legacy for Romanticism. Most broadly, the interdisciplinary nature of this study allows the author to investigate the central critical problem of early modern subjectivity in substantially new ways.
Publisher: Stanford University Press
ISBN: 9780804767446
Category : Literary Criticism
Languages : en
Pages : 390
Book Description
This book offers a new reading of early modern romance in the light of historically contemporary accounts of mind, and specifically the medical tradition of love-melancholy. The book argues that the medical profile of the melancholic lover provides an essential context for understanding the characteristic patterns of romance: narrative deferral, epistemological uncertainty, and the endless quest for a quasi-phantasmic beloved. Unlike many recent studies of romance, this book establishes a detailed historical basis for investigating the psychological structure of romance. Wells begins by tracing the development of the medical disorder first known in the Latin west as amor hereos (lovesickness) from its earliest roots in Greek and Arabic medicine to its translation into the Latin medical tradition. Drawing on this detailed historical material, the book considers three important early modern romances: Ariosto's Orlando Furioso, Tasso's Gerusalemme Liberata, and Spenser's The Faerie Queene, concluding with a brief consideration of the significance of this literary and medical legacy for Romanticism. Most broadly, the interdisciplinary nature of this study allows the author to investigate the central critical problem of early modern subjectivity in substantially new ways.