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Author: Jeff Dawson Publisher: ISBN: 9781935247081 Category : History Languages : en Pages : 0
Book Description
In the ever-expanding world of reality TV, editors wield incredible creative power. They often are responsible for creating a scene's or even an episode's storyline from nothing but a rambling tangle of raw footage. In this sense, they are a show's writers, distilling engaging drama from a murky pool of images and comments. As reality TV invades every channel and time slot, the demand for editors who are comfortable with and conversant in the genre's styles, formats, and requirements increases daily. Editing Reality TV: The Easily Accessible, High-Paying Hollywood Job that Nobody Knows About is the first book to address this burgeoning field. Written in an appropriately casual tone by an author who is well-seasoned in all sorts of reality TV, this guide provides sound advice about finding, landing, and keeping a reality TV editing job. In doing so, it also details the editor's duties and responsibilities, while providing a wealth of invaluable tips and tricks for doing the job well. Book jacket.
Author: Jeff Dawson Publisher: ISBN: 9781935247081 Category : History Languages : en Pages : 0
Book Description
In the ever-expanding world of reality TV, editors wield incredible creative power. They often are responsible for creating a scene's or even an episode's storyline from nothing but a rambling tangle of raw footage. In this sense, they are a show's writers, distilling engaging drama from a murky pool of images and comments. As reality TV invades every channel and time slot, the demand for editors who are comfortable with and conversant in the genre's styles, formats, and requirements increases daily. Editing Reality TV: The Easily Accessible, High-Paying Hollywood Job that Nobody Knows About is the first book to address this burgeoning field. Written in an appropriately casual tone by an author who is well-seasoned in all sorts of reality TV, this guide provides sound advice about finding, landing, and keeping a reality TV editing job. In doing so, it also details the editor's duties and responsibilities, while providing a wealth of invaluable tips and tricks for doing the job well. Book jacket.
Author: Misha Kavka Publisher: Edinburgh University Press ISBN: 0748654356 Category : Social Science Languages : en Pages : 208
Book Description
This book is a study of the 'Reality TV' format which, in less than a decade, has transformed network programming schedules, branded satellite and digital stations, become a favourite target for anti-television campaigners, and turned viewers into savvy r
Author: Susan Murray Publisher: NYU Press ISBN: 0814757340 Category : Performing Arts Languages : en Pages : 387
Book Description
A collection of essays, which provide a comprehensive picture of how and why the genre of reality television emerged, what it means, how it differs from earlier television programming, and how it engages societies, industries, and individuals.
Author: Brenda R. Weber Publisher: Duke University Press ISBN: 0822376644 Category : Performing Arts Languages : en Pages : 359
Book Description
This essay collection focuses on the gendered dimensions of reality television in both the United States and Great Britain. Through close readings of a wide range of reality programming, from Finding Sarah and Sister Wives to Ghost Adventures and Deadliest Warrior, the contributors think through questions of femininity and masculinity, as they relate to the intersections of gender, race, class, and sexuality. They connect the genre's combination of real people and surreal experiences, of authenticity and artifice, to the production of identity and norms of citizenship, the commodification of selfhood, and the naturalization of regimes of power. Whether assessing the Kardashian family brand, portrayals of hoarders, or big-family programs such as 19 Kids and Counting, the contributors analyze reality television as a relevant site for the production and performance of gender. In the process, they illuminate the larger neoliberal and postfeminist contexts in which reality TV is produced, promoted, watched, and experienced. Contributors. David Greven, Dana Heller, Su Holmes, Deborah Jermyn, Misha Kavka, Amanda Ann Klein, Susan Lepselter, Diane Negra, Laurie Ouellette, Gareth Palmer, Kirsten Pike, Maria Pramaggiore, Kimberly Springer, Rebecca Stephens, Lindsay Steenberg, Brenda R. Weber
Author: Lori Coleman Publisher: CRC Press ISBN: 1317567773 Category : Performing Arts Languages : en Pages : 247
Book Description
First published in 2010. Being a successful editor is about more than just knowing how to operate a certain piece of software, or when to make a certain transition. On the contrary, there are many unwritten laws and a sense of propriety that are never discussed or taught in film schools or in other books. Based on their own experiences, first as upcoming assistant editors, then as successful Hollywood editors, the authors guide you through the ins and outs of establishing yourself as a respected film and video editor. Insight is included on an array of technical issues such as script breakdown, prepping for sound effects, organizing camera and sound reports, comparison timings, assemply footages and more. In addition, they also provide first-hand insight into industry protocol, providing tips on interviewing, etiquette, career planning and more, information you simply won't find in any other book. The book concludes with a chapter featuring Q+A sessions with various established Hollywood editors about what they expect from their assistant editors.
Author: Wendy N. Wyatt Publisher: Bloomsbury Publishing USA ISBN: 0826441858 Category : Social Science Languages : en Pages : 218
Book Description
Reality television is continuing to grow, both in numbers and in popularity. The scholarship on reality TV is beginning to catch up, but one of the most enduring questions about the genre-Is it ethical?-has yet to be addressed in any systematic and comprehensive way. Through investigating issues ranging from deception and privacy breaches to community building and democratization of TV, The Ethics of Reality TV explores the ways in which reality TV may create both benefits and harms to society. The edited collection features the work of leading scholars in the field of media ethics and provides a comprehensive assessment of the ethical effects of the genre.
Author: Shannon Kelly Publisher: Greenhaven Publishing LLC ISBN: 1420509055 Category : Young Adult Nonfiction Languages : en Pages : 122
Book Description
According to a CNN 2013 article on reality TV and youth, behavior portrayed on some reality TV programs is inspiring real-life bullying amongst teens. Research by psychologists at Bringham Young University concluded that aggression in the brain is activated and motivated when youth watch reality TV. This engaging edition looks at the incredibly popular, ever evolving, and divisive form of entertainment that is reality TV. The book looks at what is defined as reality television and provides a brief history of the genre. It discusses why the format appeals to television producers and how it has been received by audiences. Criticisms of the genre are discussed and arguments that point to redeeming qualities of the shows are also examined. The volume includes discussion questions for each chapter and sources for further research on the topic.
Author: Richard M. Huff Publisher: Bloomsbury Publishing USA ISBN: 0313086176 Category : Performing Arts Languages : en Pages : 200
Book Description
Reality programming—a broad title for unscripted shows that involve non-actors—is really an updated version of a classic television genre that had its first successes decades before The Real World or Survivor made their premieres. NBC launched Try and Do It, a show in which audience members attempted to complete tasks such as whistling with a mouthful of crackers, in 1949. In the 1950s Queen for a Day crowned the most down-trodden of its four contestants, draping her in a sable-trimmed robe and granting a previously declared wish. The wild success reality television has achieved of late has pushed the envelope of such programming ever further away from the genre's innocuous beginnings. The time is now ripe for a look back on how this genre has developed, what it reveals about us, and what has transformed it into one of the most powerful forms of entertainment on television today. Reality programming—a broad title for unscripted shows that involve non-actors—is really an updated version of a classic television genre that had its first successes decades before The Real World or Survivor made their premieres. NBC launched Try and Do It, a show in which audience members attempted to complete tasks such as whistling with a mouthful of crackers, in 1949. In the 1950s Queen for a Day crowned the most down-trodden of its four contestants at the end of each show, draping her in a sable-trimmed robe and granting a previously declared wish. The wild success reality television has achieved of late has pushed the envelope of such programming ever further away—from the genre's innocuous beginnings. The time is now ripe for a look back on how this genre has developed, what it reveals about us, and what has transformed it into one of the most powerful forms of entertainment on television today. Using interviews with network insiders, reality producers, and other experts, Richard Huff supplies fascinating insights into the diverse content and often erratic development of reality television programming, augmenting this information with illuminating general connections between the past and present forms these shows assume. From Queen for a Day through Extreme Makeover, from Cops to Fear Factor, the genre is placed before us in this exhaustive and many-sided account, an account that uncovers the foundations and the future potential of the compelling and dominating phenomenon that is reality television.
Author: Manfred W. Becker Publisher: Routledge ISBN: 100020202X Category : Social Science Languages : en Pages : 152
Book Description
Creating Reality in Factual Television analyzes the uneasy interaction between economics, culture, and professional ethics in reality and documentary television storytelling. Through the "frankenbite," an editorial tool that extracts and re-orders the salient elements or single words of a statement, interview, or exchange into a revealing confession or argument, the book explores how and why editors manipulate truth in factual television. The author considers how the editing of documentary television is increasingly following reality television’s dictate to entertain instead of inform, how the "real" and the "truth" fall victim to the demand to "tell entertaining stories," and how editors must compromise their professional ethics as a result. Drawing on interviews with 75 North American and European editors that explore their experiences and opinions of reality and documentary television practices, and their views on their responsibilities and loyalties in the field, Creating Reality in Factual Television illuminates the real and potential ethical dilemmas of editorial decision making, the context in which decisions are made, and how editors themselves validate the editing choices to themselves and others. Addressing a dramatic development in contemporary media ecology – the age of "alternative facts" – this book is a useful research tool for scholars and students of documentary film, media literacy, genre studies, media ethics, affect theory, and audience perception.
Author: June Deery Publisher: John Wiley & Sons ISBN: 0745690424 Category : Social Science Languages : en Pages : 192
Book Description
Reality TV has changed television and changed reality, even if we are not among the millions who watch. Written for a broad audience, this accessible overview addresses questions such as: How real is reality TV? How do its programs represent gender, sex, class, and race? How does reality TV relate to politics, to consumer society, to surveillance? What kind of ethics are on display? Drawing on current media research and the author’s own analysis, this study encompasses the history and evolution of reality television, its production of reflexive selves and ordinary celebrity, its advertising and commercialization, and its spearheading of new relations between television and social media. To dismiss this programming as trivial is easy. Deery demonstrates that reality television merits serious attention and her incisive analysis will interest students in media studies, cultural studies, politics, sociology, and anyone who is simply curious about this global phenomenon.