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Author: Lara Sels Publisher: Peeters ISBN: 9789042935310 Category : Incunabula Languages : en Pages : 451
Book Description
Editing Mediaeval Texts from a Different Angle contains a selection of papers delivered at two workshops devoted to particular cases of text editing: the ATTEMT Workshop held at King's College, London (19-20 December 2013) explored issues involved in the edition of texts with a multilingual tradition (covering Greek, Latin, Syriac, Arabic, and Slavonic), while the ATTEST Workshop (University of Regensburg, 11-12 December 2015) dealt with tradition and innovation in the field of palaeoslavistic text editing. Central to the discussions reflected in this volume are general questions on variability, textual dependency and transformation, as well as methodological issues raised by the encounter of different scholarly traditions in ecdotics and by the advent of the digital. The volume opens with a honorary section for Prof. Francis J. Thomson, who in his influential scholarly work has focused on mediaeval Slavonic translation literature. The section not only contains his rich academic bibliography, but also a chronological Checklist of Slavonic Translations from the 9thcentury up to the immediate post-Petrine period (1725-1730).
Author: Lara Sels Publisher: Peeters ISBN: 9789042935310 Category : Incunabula Languages : en Pages : 451
Book Description
Editing Mediaeval Texts from a Different Angle contains a selection of papers delivered at two workshops devoted to particular cases of text editing: the ATTEMT Workshop held at King's College, London (19-20 December 2013) explored issues involved in the edition of texts with a multilingual tradition (covering Greek, Latin, Syriac, Arabic, and Slavonic), while the ATTEST Workshop (University of Regensburg, 11-12 December 2015) dealt with tradition and innovation in the field of palaeoslavistic text editing. Central to the discussions reflected in this volume are general questions on variability, textual dependency and transformation, as well as methodological issues raised by the encounter of different scholarly traditions in ecdotics and by the advent of the digital. The volume opens with a honorary section for Prof. Francis J. Thomson, who in his influential scholarly work has focused on mediaeval Slavonic translation literature. The section not only contains his rich academic bibliography, but also a chronological Checklist of Slavonic Translations from the 9thcentury up to the immediate post-Petrine period (1725-1730).
Author: Vincent Gillespie Publisher: ISBN: 9782503536835 Category : Editing Languages : en Pages : 0
Book Description
Editing as an academic mode of work has had a variable 'press' - it is often seen as just plumbing. But without editions no historian of whatever critical persuasion could operate. Texts that are not edited are effectively invisible. The advent of electronic means of text production has also raised new possibilities and new problems that need to be openly considered rather than ignored. The papers in this volume reflect those concerns, and explore the ways forward. How do the best editorial procedures of the past get transmitted to the future? A distinguished line-up of experienced editors and younger scholars actively grappling with these issues reflect on their engagement with the challenges of textual theory and editorial practice. No single solution emerges as applicable to all texts and for all editions; the individual characteristics of each text and its transmission, together with the intended audience of each edition, emerge as primary areas for consideration.
Author: Stratis Papaioannou Publisher: Oxford University Press ISBN: 0199351775 Category : History Languages : en Pages : 816
Book Description
This volume, the first ever of its kind in English, introduces and surveys Greek literature in Byzantium (330 - 1453 CE). In twenty-five chapters composed by leading specialists, The Oxford Handbook of Byzantine Literature surveys the immense body of Greek literature produced from the fourth to the fifteenth century CE and advances a nuanced understanding of what "literature" was in Byzantium. This volume is structured in four sections. The first, "Materials, Norms, Codes," presents basic structures for understanding the history of Byzantine literature like language, manuscript book culture, theories of literature, and systems of textual memory. The second, "Forms," deals with the how Byzantine literature works: oral discourse and "text"; storytelling; rhetoric; re-writing; verse; and song. The third section ("Agents") focuses on the creators of Byzantine literature, both its producers and its recipients. The final section, entitled "Translation, Transmission, Edition," surveys the three main ways by which we access Byzantine Greek literature today: translations into other Byzantine languages during Late Antiquity and the Middle Ages; Byzantine and post-Byzantine manuscripts; and modern printed editions. The volume concludes with an essay that offers a view of the recent past--as well as the likely future--of Byzantine literary studies.
Author: Johanna Astrid Michels Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110610221 Category : Literary Criticism Languages : en Pages : 1130
Book Description
The Bibliotheca of Pseudo-Apollodorus, perhaps the best-known mythographic text, stands out for its comprehensive aim and state of preservation. The handbook has regularly been disregarded as a repository of 'standard' myths or as a primary witness to archaic stories, a reductive view at once underestimating and romanticizing the merits of the Bibliotheca. This monograph unlocks the Bibliotheca as a literary work in its own right by offering the first systematic commentary on an essential selection, the Cretan and Theban myths in Bibl. III.1-56, and by presenting an in-depth analysis of the text. In so doing, this volume closes a gap in current research, from which a philological commentary is entirely missing. The main part of the study focuses on various aspects of composition and organization by addressing structuring principles, narratorial interventions, and the author's method and sources. It lays to rest persistent misconceptions about the representative character of the Bibliotheca's myths, the author's merits, and his source use, all of which have divided the scholarship to this date. In addition, it provides an update on the author, date, purpose and readership, text history, and book division of the Bibliotheca.
Author: Elisabet Göransson Publisher: ISBN: 9781771103770 Category : Classical literature Languages : en Pages : 452
Book Description
"The Arts of Editing Medieval Greek and Latin: A Casebook is a collection of 18 case studies aimed at giving readers a chance to follow textual scholars as they tackle the kind of editorial challenges not normally discussed in manuals on textual criticism. The authors delve into methodological issues that include producing single-manuscript editions or those involving huge numbers of witnesses, editing different versions of the same author's text or anthologies of different authors, capturing stages of textual genesis, dealing with textual variability, relating text and image, utilizing digital tools, and more. They outline the challenges in the given editorial situation and explain the methodologies adopted in the editing process. The case studies are compared and contrasted in a concluding chapter that offers reflections on the editor's role and strategies. Without being prescriptive in the style of handbooks on textual philology, this book offers specific examples of the use to which the various tools in the editor's toolbag may be put in confronting unique editorial situations."--
Author: Eva Odelman Publisher: Studies and Texts ISBN: 9780888442031 Category : Foreign Language Study Languages : en Pages : 0
Book Description
"The Arts of Editing Medieval Greek and Latin: A Casebook is a collection of 18 case studies aimed at giving readers a chance to follow textual scholars as they tackle the kind of editorial challenges not normally discussed in manuals on textual criticism. The authors delve into methodological issues that include producing single-manuscript editions or those involving huge numbers of witnesses, editing different versions of the same author's text or anthologies of different authors, capturing stages of textual genesis, dealing with textual variability, relating text and image, utilizing digital tools, and more. They outline the challenges in the given editorial situation and explain the methodologies adopted in the editing process. The case studies are compared and contrasted in a concluding chapter that offers reflections on the editor's role and strategies. Without being prescriptive in the style of handbooks on textual philology, this book offers specific examples of the use to which the various tools in the editor's toolbag may be put in confronting unique editorial situations."--Provided by publisher.
Author: Roberta Frank Publisher: New York : AMS Press ISBN: Category : Literary Criticism Languages : en Pages : 208
Book Description
Contains essays including: Notes on the Margins: Editors, Editing, and Sliding Definitions; On Editing Sexually Offensive Old French Texts; Variants and Variability in the Text of Egill's; and Alcuin's Willibrord, William Levison, and the MGH.
Author: Amnon Raz-Krakotzkin Publisher: University of Pennsylvania Press ISBN: 9780812240115 Category : Literary Criticism Languages : en Pages : 334
Book Description
In The Censor, the Editor, and the Text, Amnon Raz-Krakotzkin examines the impact of Catholic censorship on the publication and dissemination of Hebrew literature in the early modern period. Hebrew literature made the transition to print in Italian print houses, most of which were owned by Christians. These became lively meeting places for Christian scholars, rabbis, and the many converts from Judaism who were employed as editors and censors. Raz-Krakotzkin examines the principles and practices of ecclesiastical censorship that were established in the second half of the sixteenth century as a part of this process. The book examines the development of censorship as part of the institutionalization of new measures of control over literature in this period, suggesting that we view surveillance of Hebrew literature not only as a measure directed against the Jews but also as a part of the rise of Hebraist discourse and therefore as a means of integrating Jewish literature into the Christian canon. On another level, The Censor, the Editor, and the Text explores the implications of censorship in relation to other agents that participated in the preparation of texts for publishing—authors, publishers, editors, and readers. The censorship imposed upon the Jews had a definite impact on Hebrew literature, but it hardly denied its reading, in fact confirming the right of the Jews to possess and use most of their literature. By bringing together two apparently unrelated issues—the role of censorship in the creation of print culture and the place of Jewish culture in the context of Christian society—Raz-Krakotzkin advances a new outlook on both, allowing each to be examined through the conceptual framework usually reserved for the other.
Author: Lara Sels
Author: Lara Sels
Author: Vincent Gillespie
Author: Stratis Papaioannou
Author: Johanna Astrid Michels
Author: Shari Boodts
Author: Elisabet Göransson
Author: Eva Odelman
Author: Roberta Frank
Author: Maria Grazia Andreotti Saibene
Author: Amnon Raz-Krakotzkin