Editing and Montage in International Film and Video PDF Download

Author: Luís Fernando Morales Morante
Publisher: Taylor & Francis
ISBN: 1351998471
Category : Art
Languages : en
Pages : 257

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Book Description
Editing and Montage in International Film and Video presents a theoretical and practical approach to the art of editing. In this book, Luís Fernando Morales Morante explores the international history, technology, theory, practical techniques, psychology, and cognitive effects of editing across a range of media from around the world, featuring case studies from film, dramatic television, news media, music videos, commercials, and mobile-delivered formats, from the films of Sergei Eisenstein to Michael Jackson’s "Thriller" to coverage of the 2012 U.S. presidential elections. The book includes self-study exercises throughout to help readers put theory into practice.

Author: Luís Fernando Morales Morante
Publisher: Taylor & Francis
ISBN: 135199848X
Category : Art
Languages : en
Pages : 261

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Book Description
Luís Fernando Morales Morante is Professor at the Autonomous University of Barcelona, Spain. He is the author of several books, and has worked as an editor for Panamericana Televisión and Frecuencia Latina, as well as for the media postproduction company Advanced Video Systems in Lima, Peru.

Author: Luís Morante
Publisher:
ISBN:
Category : Digital video
Languages : en
Pages : 244

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Book Description
Editing and Montage in International Film and Video presents a theoretical and practical approach to the art of editing. In this book, Luís Fernando Morales Morante explores the international history, technology, theory, practical techniques, psychology, and cognitive effects of editing across a range of media from around the world, featuring case studies from film, dramatic television, news media, music videos, commercials, and mobile-delivered formats, from the films of Sergei Eisenstein to Michael Jackson's "Thriller" to coverage of the 2012 U.S. presidential elections. The book includes self-study exercises throughout to help readers put theory into practice.

Author: Valerie Orpen
Publisher: Columbia University Press
ISBN: 0231851367
Category : Performing Arts
Languages : en
Pages : 167

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Book Description
Film Editing provides an introduction to the craft of editing in the non-silent film. In clear and accessible language, Valerie Orpen considers editing as an expressive strategy rather than a mere technique. She reveals that editing can be approached and studied in a similar way to other aspects of film. Traditionally, studies on editing or montage tend to focus on silent cinema, yet this book claims that an examination of editing should also consider the role of the soundtrack. The aim of Film Editing is to examine the way in which editing can make meaning. The book addresses editing as part of a wider context and as a crucial element of the overarching design and vision of a film. Consequently, this book incorporates other parameters, such as mise-en-scène, framing, sound, genre, history, and performance. By examining a number of mainstream and art films, such as Godard's A bout de souffle, Hitchcock's Rear Window, and Scorsese's Raging Bull, Film Editing seeks to dispel the notion that editing is necessarily polarized as continuity versus discontinuity.

Author: John Reich
Publisher: Open SUNY Textbooks
ISBN: 9781942341475
Category :
Languages : en
Pages :

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Book Description
Exploring Movie Construction & Production contains eight chapters of the major areas of film construction and production. The discussion covers theme, genre, narrative structure, character portrayal, story, plot, directing style, cinematography, and editing. Important terminology is defined and types of analysis are discussed and demonstrated. An extended example of how a movie description reflects the setting, narrative structure, or directing style is used throughout the book to illustrate building blocks of each theme. This approach to film instruction and analysis has proved beneficial to increasing students¿ learning, while enhancing the creativity and critical thinking of the student.

Author: Karen Pearlman
Publisher: Taylor & Francis
ISBN: 113605989X
Category : Performing Arts
Languages : en
Pages : 469

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Book Description
How does a film editor make decisions about where and when to cut in order to make a film 'feel right'? Generally speaking, the answer is, 'it's intuitive', which is accurate but leaves one wanting to know more. Cutting Rhythms breaks down the definition of intuition to find that, even if rhythmic thinking is intuitive thinking, we can still say more than we 'just know.' This book offers possibilities rather than prescriptions. It presents questions an editor or filmmaker can ask themselves about their work, and a clear and useful vocabulary for working with those questions. Cutting Rhythms makes ideas about rhythm in film editing clear and accessible, so that you can do more than just imitate editing you've seen on TV. With this book you'll develop your own sense of rhythm, refine our rhythmic shaping skills, and increase your creativity--and in so doing, become a better filmmaker.

Author: Vsevolod Illarionovich Pudovkin
Publisher: Read Books Ltd
ISBN: 1446547353
Category : Drama
Languages : en
Pages : 346

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Book Description
This vintage book contains two pioneering volumes on the subject of film making by V.I. Pudovkin. Considered two of the most valuable manuals of the practice and theory of film making ever written, these texts will prove invaluable for the student or film enthusiast, and are not to be missed by discerning collectors of such literature. The chapters of this volume include: 'The Film Scenario and Its Theory', 'Film Director and Film Material', 'Types Instead of Actors', 'Close-Ups in Time', 'Asynchronism as a Principle of Sound Film', 'Rhythmic Problems in my First Sound Film', 'Notes and Appendices', 'Film Acting', et cetera. Vsevolod Illarionovich Pudovkin (1893 – 1953) was a Russian film director, screenwriter, and actor, famous for developing influential theories of montage. This volume is being republished now complete with a new prefatory biography of the author.

Author: Edward Dmytryk
Publisher: Routledge
ISBN: 0429000774
Category : Art
Languages : en
Pages : 156

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Book Description
In On Film Editing, director Edward Dmytryk explains, in clear and engaging terms, the principles of film editing. Using examples and anecdotes from almost five decades in the film industry, Dmytryk offers a masterclass in film and video editing. Written in an informal, "how-to-do-it" style, Dmytryk shares his expertise and experience in film editing in a precise and philosophical way, contending that all parties on the film crew—from the camera assistant to the producer and director—must understand film editing to produce a truly polished work. Originally published in 1984, this reissue of Dmytryk’s classic editing book includes a new critical introduction by Andrew Lund, as well as chapter lessons, discussion questions, and exercises.

Author: Robert Lemelson
Publisher: Springer Nature
ISBN: 3030798836
Category : Psychology
Languages : en
Pages : 459

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Book Description
This book uses visual psychological anthropology to explore trauma, gendered violence, and stigma through a discussion of three ethnographic films set in Indonesia: 40 Years of Silence (Lemelson 2009), Bitter Honey (Lemelson 2015), and Standing on the Edge of a Thorn (Lemelson 2012). This exploration “widens the frame” in two senses. First, it offers an integrative analysis that connects the discrete topics and theoretical concerns of each film to crosscutting themes in Indonesian history, society, and culture. Additionally, it sheds light on all that falls outside the literal frame of the screen, including the films’ origins; psychocultural and interpersonal dynamics and constraints of deep, ongoing collaborations in the field; narrative and emotional orientations toward editing; participants’ relationship to their screened image; the life of the films after release; and the ethics of each stage of filmmaking. In doing so, the authors widen the frame for psychological anthropology as well, advocating for film as a crucial point of engagement for academic audiences and for translational purposes. Rich with critical insights and reflections on ethnographic filmmaking, this book will appeal to both scholars and students of visual anthropology, psychological anthropology, and ethnographic methods. It also serves as an engrossing companion to three contemporary ethnographic films.

Author: Antonio Manriquez
Publisher: Pearson Education
ISBN: 0321990196
Category : Computers
Languages : en
Pages : 337

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Book Description
Annotation Not only in the filmmaking, broadcasting, and journalism worlds but in all types of businesses, visual media and video are fast becoming one of the most important tools for disseminating information. This book walks teachers and students through the entire process of digital content creation in a fun, project-oriented way that resonates with a younger audience - from development of the story to deciding which equipment to use, to producing a video and editing the content, to final output and distribution.