Echoes of the Song of the Nightingale PDF Download

Author: Leon M. Mozeson
Publisher:
ISBN:
Category : Religion
Languages : en
Pages : 344

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Author: Helen Berhane
Publisher: Authentic Media Inc
ISBN: 1850789207
Category : Biography & Autobiography
Languages : en
Pages : 96

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Book Description
An inspirational and challenging true story of one woman's faith, so strong it could not be broken even in the face of imprisonment and torture. Song of the Nightingale is the true story of Helen Berhane, held captive for over two years in appalling conditions in her native Eritrea. Her crime? Sharing her faith in Jesus, and refusing, even though horrendously tortured, to deny him. A sobering, painful, heart-rending account of true faith in the face of evil, this book makes for uncomfortable and yet inspirational reading. Helen says, 'I want to give a message to those of you who are Christians and live in the free world: You must not take your freedom for granted. If I could sing in prison, imagine what you can do for God's glory with your freedom.' A real challenge for the church in the West.

Author: Sam Lee
Publisher: Random House
ISBN: 1473577411
Category : Nature
Languages : en
Pages : 161

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'Wondering and wonderful. The nature book of the year.' JOHN LEWIS-STEMPEL 'This lovely book is almost as thrilling as the bird's immortal song - balm for a troubled soul and a glimpse of paradise.' JOANNA LUMLEY ______________________________ Come to the forest, sit by the fireside and listen to intoxicating song, as Sam Lee tells the story of the nightingale. Every year, as darkness falls upon woodlands, the nightingale heralds the arrival of Spring. Throughout history, its sweet song has inspired musicians, writers and artists around the world, from Germany, France and Italy to Greece, Ukraine and Korea. Here, passionate conservationist, renowned musician and folk expert Sam Lee tells the story of the nightingale. This book reveals in beautiful detail the bird's song, habitat, characteristics and migration patterns, as well as the environmental issues that threaten its livelihood. From Greek mythology to John Keats, to Persian poetry and 'A Nightingale Sang in Berkeley Square', Lee delves into the various ways we have celebrated the nightingale through traditions, folklore, music, literature, from ancient history to the present day. The Nightingale is a unique and lyrical portrait of a famed yet elusive songbird. ______________________________ 'Sam Lee has brought the poetic magic that has long enchanted so many of his musical fans into the written word. Allow yourself to glimpse the world Sam sees, to be part of his love affair with the nightingale, and you will no doubt be delighted.' LILY COLE 'A wonderful book.' STEPHEN MOSS 'A magical marriage of the lyrical and practical: a book that makes us want to seek out the nightingale and then reveals how we can.' TRISTAN GOOLEY

Author: Amy A. Koenig
Publisher: University of Wisconsin Pres
ISBN: 0299345300
Category : Classical literature
Languages : en
Pages : 228

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Imperial Rome privileged the elite male citizen as one of sound mind and body, superior in all ways to women, noncitizens, and nonhumans. One of the markers of his superiority was the power of his voice, both literal (in terms of oratory and the legal capacity to represent himself and others) and metaphoric, as in the political power of having a "voice" in the public sphere. Muteness in ancient Roman society has thus long been understood as a deficiency, both physically and socially. In this volume, Amy Koenig deftly confronts the trope of muteness in Imperial Roman literature, arguing that this understanding of silence is incomplete. By unpacking the motif of voicelessness across a wide range of written sources, she shows that the Roman perception of silence was more complicated than a simple binary and that elite male authors used muted or voiceless characters to interrogate the concept of voicelessness in ways that would be taboo in other contexts. Paradoxically, Koenig illustrates that silence could in fact be freeing--that the loss of voice permits an untethering from other social norms and expectations, thus allowing a freedom of expression denied to many of the voiced.

Author: Adin E. Lears
Publisher: Cornell University Press
ISBN: 1501749625
Category : History
Languages : en
Pages : 251

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Between late antiquity and the fifteenth century, theologians, philosophers, and poets struggled to articulate the correct relationship between sound and sense, creating taxonomies of sounds based on their capacity to carry meaning. In World of Echo, Adin E. Lears traces how medieval thinkers adopted the concept of noise as a mode of lay understanding grounded in the body and the senses. With a broadly interdisciplinary approach, Lears examines a range of literary genres to highlight the poetic and social effects of this vibrant discourse, offering close readings of works by Geoffrey Chaucer and William Langland, as well as the mystics Richard Rolle and Margery Kempe. Each of these writers embraced an embodied experience of language resistant to clear articulation, even as their work reflects inherited anxieties about the appeal of such sensations. A preoccupation with the sound of language emerged in the form of poetic soundplay at the same time that mysticism and other forms of lay piety began to flower in England. As Lears shows, the presence of such emphatic aural texture amplified the cognitive importance of feeling in conjunction with reason and was a means for the laity—including lay women—to cultivate embodied forms of knowledge on their own terms, in precarious relation to existing clerical models of instruction. World of Echo offers a deep history of the cultural and social hierarchies that coalesce around aesthetic experience and gives voice to alternate ways of knowing.

Author: Donncha O'Rourke
Publisher: Cambridge University Press
ISBN: 1108386458
Category : Literary Collections
Languages : en
Pages : 339

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Both in antiquity and ever since the Renaissance Lucretius' De Rerum Natura has been admired – and condemned – for its startling poetry, its evangelical faith in materialist causation, and its seductive advocacy of the Epicurean good life. Approaches to Lucretius assembles an international team of classicists and philosophers to take stock of a range of critical approaches to which this influential poem has given rise and which in turn have shaped its interpretation, including textual criticism, the text's strategies for engaging the reader with its author and his message, the 'atomology' that posits a correlation of the letters of the poem with the atoms of the universe, the literary and philosophical intertexts that mediate the poem, and the political and ideological questions that it raises. Thirteen essays take up a variety of positions within these traditions of interpretation, innovating within them and advancing beyond them in new directions.

Author: David Gemmell
Publisher: Random House
ISBN: 0552142557
Category : Fantasy fiction
Languages : en
Pages : 452

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The Great Bear will descend from the skies, and with his paw, lash at the ocean. He will devour all the works of Man. Then he will sleep for ten thousand years, and the breath of his sleep will be death.The prophecy had come true. The world spun. Tidal

Author: Amelia Worsley
Publisher: Cornell University Press
ISBN: 1501776282
Category : History
Languages : en
Pages : 257

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Singing by Herself reinterprets the rise of literary loneliness by foregrounding the female and feminized figures who have been overlooked in previous histories of solitude. Many of the earliest records of the terms "lonely" and "loneliness" in British literature describe solitaries whose songs positioned them within the tradition of female complaint. Amelia Worsley shows how these feminized solitaries, for whom loneliness was both a space of danger and a space of productive retreat, helped to make loneliness attractive to future lonely poets, despite the sense of suspicion it evoked. Although loneliness today is often associated with states of atomized interiority, soliloquy, and self-enclosure, this study of eighteenth-century poetry disrupts the presumed association between isolation, singular speech, and bounded models of poetic subjectivity. In five chapters focused on lonely poet figures in the works of John Milton, Anne Finch, Alexander Pope, Thomas Gray, and Charlotte Smith—which also take account of the wider eighteenth-century fascination with literary loneliness—Singing by Herself shows how poets increasingly associated the new literary mode of being alone with states of disembodiment, dispersal, and echoic self-doubling. Seemingly solitary lonely voices often dissolve into polyvocal, allusive community, Worsley argues, when in dialogue with each other and also with classical figures of feminized lament such as Sappho, Echo, and Philomela. The book's provocative reflections on lyric mean that it will have a broad appeal to scholars interested in the history of poetry and poetics, as well as to those who study the literary history of gender, affect, and emotion.

Author: James M. Roseman
Publisher: Wipf and Stock Publishers
ISBN: 1498243126
Category : Religion
Languages : en
Pages : 192

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In the passage to modernity we in the West have lost the ability to see things whole. We've closed our minds to all things transcendent and default to unbelief, and can't make sense of the persistent echoes of the voice of God that reverberate in our souls. In Rediscovering God's Grand Story, James Roseman picks up the strands of science, philosophy, history, the arts, and theology, and reweaves the tapestry to see a coherent story that makes the best sense of the world and provides real meaning and significance to our lives--God's Grand Myth. We see that the signals of transcendence that confound our culture of doubt are a universal language and vocabulary of the heart echoing the voice of God; and in the very Judeo-Christian story we so readily jettison is found the Author enabling us to see the world whole again. This essay tells why the story and promise of Christianity is so hard to hear today but won't go away. Could it be that, as T. S. Eliot wrote in the mid-twentieth century, "at the end of all our exploring will be to arrive where we started and know the place for the first time"?

Author: Stephen Rumph
Publisher: Univ of California Press
ISBN: 0520969901
Category : Music
Languages : en
Pages : 277

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Gabriel Fauré’s mélodies offer an inexhaustible variety of style and expression that have made them the foundation of the French art song repertoire. During the second half of his long career, Fauré composed all but a handful of his songs within six carefully integrated cycles. Fauré moved systematically through his poetic contemporaries, exhausting Baudelaire’s Les fleurs du mal before immersing himself in the Parnassian poets. He would set nine poems by Armand Silvestre in swift succession (1878-84), seventeen by Paul Verlaine (1887-94), and eighteen by Charles Van Lerberghe (1906-14). As an artist deeply engaged with some of the most important cultural issues of the period, Fauré reimagined his musical idiom with each new poet and school, and his song cycles show the same sensitivity to the poetic material. Far more than Debussy, Ravel, or Poulenc, he crafted his song cycles as integrated works, reordering poems freely and using narratives, key schemes, and even leitmotifs to unify the individual songs. The Fauré Song Cycles explores the peculiar vision behind each synthesis of music and verse, revealing the astonishing imagination and insight of Fauré’s musical readings. This book offers not only close readings of Fauré’s musical works but an interdisciplinary study of how he responded to the changing schools and aesthetic currents of French poetry.