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Author: Peter Enders Publisher: Bentham Science Publishers ISBN: 1681084503 Category : Science Languages : en Pages : 380
Book Description
This unique textbook presents a novel, axiomatic pedagogical path from classical to quantum physics. Readers are introduced to the description of classical mechanics, which rests on Euler’s and Helmholtz’s rather than Newton’s or Hamilton’s representations. Special attention is given to the common attributes rather than to the differences between classical and quantum mechanics. Readers will also learn about Schrödinger’s forgotten demands on quantization, his equation, Einstein’s idea of ‘quantization as selection problem’. The Schrödinger equation is derived without any assumptions about the nature of quantum systems, such as interference and superposition, or the existence of a quantum of action, h. The use of the classical expressions for the potential and kinetic energies within quantum physics is justified. Key features: · Presents extensive reference to original texts. · Includes many details that do not enter contemporary representations of classical mechanics, although these details are essential for understanding quantum physics. · Contains a simple level of mathematics which is seldom higher than that of the common (Riemannian) integral. · Brings information about important scientists · Carefully introduces basic equations, notations and quantities in simple steps This book addresses the needs of physics students, teachers and historians with its simple easy to understand presentation and comprehensive approach to both classical and quantum mechanics..
Author: Peter Enders Publisher: Bentham Science Publishers ISBN: 1681084503 Category : Science Languages : en Pages : 380
Book Description
This unique textbook presents a novel, axiomatic pedagogical path from classical to quantum physics. Readers are introduced to the description of classical mechanics, which rests on Euler’s and Helmholtz’s rather than Newton’s or Hamilton’s representations. Special attention is given to the common attributes rather than to the differences between classical and quantum mechanics. Readers will also learn about Schrödinger’s forgotten demands on quantization, his equation, Einstein’s idea of ‘quantization as selection problem’. The Schrödinger equation is derived without any assumptions about the nature of quantum systems, such as interference and superposition, or the existence of a quantum of action, h. The use of the classical expressions for the potential and kinetic energies within quantum physics is justified. Key features: · Presents extensive reference to original texts. · Includes many details that do not enter contemporary representations of classical mechanics, although these details are essential for understanding quantum physics. · Contains a simple level of mathematics which is seldom higher than that of the common (Riemannian) integral. · Brings information about important scientists · Carefully introduces basic equations, notations and quantities in simple steps This book addresses the needs of physics students, teachers and historians with its simple easy to understand presentation and comprehensive approach to both classical and quantum mechanics..
Author: Karen A. Ritzenhoff Publisher: Rowman & Littlefield ISBN: 1442260297 Category : Performing Arts Languages : en Pages : 255
Book Description
We live in a world at risk. Dire predictions about our future or the demise of planet earth persist. Even fictional representations depict narratives of decay and the end of a commonly shared social reality. Along with recurring Hollywood blockbusters that imagine the end of the world, there has been a new wave of zombie features as well as independent films that offer various visions of the future. The Apocalypse in Film: Dystopias, Disasters, and Other Visions about the End of the World offers an overview of Armageddon in film from the silent era to the present. This collection of essays discusses how such films reflect social anxieties—ones that are linked to economic, ecological, and cultural factors. Featuring a broad spectrum of international scholars specializing in different historical genres and methodologies, these essays look at a number of films, including the silent classic The Four Horsemen of the Apocalypse, the black comedy Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, the Mayan calendar disaster epic, 2012, and in particular, Lars Von Trier’s Melancholia, the focus of several essays. As some filmmakers translate the anxiety about a changing global climate and geo-political relations into visions of the apocalypse, others articulate worries about the planet’s future by depicting chemical warfare, environmental disasters, or human made destruction. This book analyzes the emergence of apocalyptic and dystopic narratives and explores the political and social situations on which these films are based. Contributing to the dialogue on dystopic culture in war and peace, The Apocalypse in Film will be of interest to scholars in film and media studies, border studies, gender studies, sociology, and political science.
Author: John A. Tucker Publisher: University of Hawaii Press ISBN: 0824841387 Category : Philosophy Languages : en Pages : 496
Book Description
Ogyû Sorai (1666–1728) was one of the greatest philosophers of early modern Japan. This volume, a monumental work of scholarship, offers for the first time in any Western language unabridged and fully annotated translations of Sorai’s masterpieces. The Bendô (Distinguishing the Way) and Benmei (Distinguishing Names) are works of political philosophy that define the theoretical foundation for a leadership exercising total power, the best remedy, in Sorai’s view, for a regime in crisis. The translations are based on the 1740 (Genbun 5) woodblock edition, the first major edition of these seminal texts published during the Tokugawa period. In his commentary, John Tucker situates the Bendô and Benmei in relation to Neo-Confucianism via what is known as "philosophical lexicography." This genre, which links Sorai’s thinking with Neo-Confucianism, is traced to the early-thirteenth-century Song dynasty text the Xingli ziyi (The Meanings of Neo-Confucian Terms) by Chen Beixi (1159–1223). Although Sorai was an unrelenting critic the Neo-Confucian formulations of the great Song synthesizer Zhu Xi (1130–1200), his thinking remained, due to its genre, methodology, and conceptual repertory, essentially a radical revision of Neo-Confucian discourse. Tucker’s introduction also examines the reception of Sorai’s two Ben during the remainder of the Tokugawa, calling attention to radical tendencies in later developments of Sorai’s thought as well as to the increasingly scathing critiques of his "Chinese" approach to philosophy, language, and politics. Finally, it traces the vicissitudes of the two Ben in modern Japanese intellectual history and their role in the formation of the ideas of Meiji intellectuals such as Nishi Amane (1829–1897) and Kato Hiroyuki (1836–1916). As before, however, Sorai came under attack—this time for his supposed irreverence toward the throne, the Japanese people, and the imperial nation-state. Though an unpopular philosophy in early twentieth-century Japan, in the postwar years Sorai’s thought was interpreted (by Maruyama Masao and others) as an important modernizing force. While it critiques such ideologically grounded attempts to cast Sorai’s Bendô and Benmei as theoretical contributions to political modernization, Tucker’s study nevertheless acknowledges that Sorai’s masterworks, in their concern for language analysis as the way to solve philosophical problems, share significant common ground with the analytic approach to philosophy pioneered by various twentieth-century Anglo-American philosophers.
Author: Stephen J. Rojcewicz, Jr. Publisher: Routledge ISBN: 1000480747 Category : History Languages : en Pages : 178
Book Description
This book delineates how Thornton Wilder (1897–1975), a learned playwright and novelist, embeds himself within the classical tradition, integrating Greek and Roman motifs with a wide range of sources to produce heart-breaking masterpieces such as Our Town and comedy sensations such as Dolly Levi. Through this study of archival sources and close reading, readers will understand Wilder’s avant-garde staging and innovative time sequences not as a break with the past, but as a response to the classics. The author traces the genesis of unforgettable characters like Dolly Levi in The Matchmaker, Emily Webb in Our Town, and George Antrobus in The Skin of Our Teeth. Vergil’s expression, "Here are the tears of the world, and human matters touch the heart" haunts Wilder’s oeuvre. Understanding Vergil’s phrase as "tears for the beauty of the world," Wilder utilizes scenes depicting the beauty of the world and the sorrow when individuals recognize this too late. Wilder exhorts us to observe lovingly, alert to the wonder of the everyday. This work will appeal to actors and directors, professors and students in classics and in American literature, those fascinated by modern drama and performance studies, and non-specialists, theatre-goers, and readers in the general public.
Author: Peter Enders
Author: Peter Enders
Author: Karen A. Ritzenhoff
Author: John A. Tucker
Author: Robert Bingham Downs
Author: Stephen J. Rojcewicz, Jr.
Author: 
Author: United States. Congress
Author: Joseph B. Kirsner
Author: 
Author: Collectors Club (New York, N.Y.)