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East European Cinemas

East European Cinemas PDF Author: Anikó Imre
Publisher: Routledge
ISBN: 1135872643
Category : Performing Arts
Languages : en
Pages : 286

Book Description
Eastern Europe has produced rich and varied film cultures--Czech, Hungarian, and Serbian among them-whose histories have been intimately tied to the transition from Soviet domination to the complexities of post-Communist life. This latest volume in the AFI Film Readers series presents a long-overdue reassessment of East European cinemas from theoretical, psychoanalytic, and gender perspectives, moving the subject beyond the traditional area studies approach to the region's films. This ambitious collection, situating Eastern Europe's many cinemas within global paradigms of film study, will be an essential work for all students of cinema and for anyone interested in the relation of film to culture and society.

East European Cinemas

East European Cinemas PDF Author: Anikó Imre
Publisher: Routledge
ISBN: 1135872643
Category : Performing Arts
Languages : en
Pages : 286

Book Description
Eastern Europe has produced rich and varied film cultures--Czech, Hungarian, and Serbian among them-whose histories have been intimately tied to the transition from Soviet domination to the complexities of post-Communist life. This latest volume in the AFI Film Readers series presents a long-overdue reassessment of East European cinemas from theoretical, psychoanalytic, and gender perspectives, moving the subject beyond the traditional area studies approach to the region's films. This ambitious collection, situating Eastern Europe's many cinemas within global paradigms of film study, will be an essential work for all students of cinema and for anyone interested in the relation of film to culture and society.

European Cinema after the Wall

European Cinema after the Wall PDF Author: Leen Engelen Leen Engelen
Publisher: Rowman & Littlefield
ISBN: 1442229608
Category : Performing Arts
Languages : en
Pages : 216

Book Description
Since the fall of the Berlin Wall in 1989, transnational European cinema has risen, not only in terms of production but also in terms of a growing focus on multiethnic themes within the European context. This shift from national to trans-European filmmaking has been profoundly influenced by such historical developments as the collapse of the Iron Curtain and the subsequent ongoing enlargement of the European Union. In European Cinema after the Wall: Screening East–West Mobility, Leen Engelen and Kris Van Heuckelom have brought together essays that critically examine representations of post-1989 migration from the former Eastern Bloc to Western Europe, uncovering an array of common tropes and narrative devices that characterize the influences and portrayals of immigration. Featuring essays by contributors from backgrounds as divergent as film studies, Slavic and Russian studies, comparative literature, sociology, contemporary history, and communication and media studies, this volume will appeal to scholars of film, European history, and those interested in the impact of migration, diaspora, and the global flow of cinematic culture.

The BFI Companion to Eastern European and Russian Cinema

The BFI Companion to Eastern European and Russian Cinema PDF Author: Richard Taylor
Publisher: Bloomsbury Publishing
ISBN: 1838718508
Category : Performing Arts
Languages : en
Pages : 296

Book Description
This work maps the rich, varied cinema of Eastern Europe, Russia and the former USSR. Over 200 entries cover a variety of topics spanning a century of endeavour and turbulent history from Czech animation to Soviet montage, from the silent cinemas dating back to World War I through to the varied responses to the conflicts in the former Yugoslavia. It includes entries on actors and actresses, film festivals, studios, genres, directors, film movements, critics, producers and technicians, taking the coverage up to the late 1990s. In addition to the historical material of key figures like Eisenstein and Wadja, the editors provide separate accounts of the trajectory of the cinemas of Eastern Europe and of Russia in the wake of the collapse of communism.

Post New Wave Cinema in the Soviet Union and Eastern Europe

Post New Wave Cinema in the Soviet Union and Eastern Europe PDF Author: Daniel J. Goulding
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 344

Book Description


Iconic Turns

Iconic Turns PDF Author: Liliya Berezhnaya
Publisher: BRILL
ISBN: 9004250816
Category : History
Languages : en
Pages : 270

Book Description
Collection of documents from a section of the World Council of Churches Archives, dealing with Germany and fifteen other countries during the period 1932-1957. Documents include: newspapers, press clippings, press releases, telegrams, correspondence, minutes, manuscripts and personal notes. The collection also includes reports on the situation of the Jews in several European countries, as well as correspondence and personal letters of such notable individuals as Dietrich Bonhoeffer, George Bell, Hans Schönfeld, Karl Barth, James McDonald, Georges Casalis, Adolf Freudenberg, Martin Niemöller, Otto Dibelius, Gerhart Riegner, Marc Boegner, and Willem Adolf Visser 't Hooft. The archives document not only the issues and events of the War, but also the beginning years of the World Council of Churches.

Past for the Eyes

Past for the Eyes PDF Author: Oksana Sarkisova
Publisher: Central European University Press
ISBN: 6155211434
Category : History
Languages : en
Pages : 436

Book Description
How do museums and cinema shape the image of the Communist past in today’s Central and Eastern Europe? This volume is the first systematic analysis of how visual techniques are used to understand and put into context the former regimes. After history “ended” in the Eastern Bloc in 1989, museums and other memorials mushroomed all over the region. These efforts tried both to explain the meaning of this lost history, as well as to shape public opinion on their society’s shared post-war heritage. Museums and films made political use of recollections of the recent past, and employed selected museum, memorial, and media tools and tactics to make its political intent historically credible. Thirteen essays from scholars around the region take a fresh look at the subject as they address the strategies of fashioning popular perceptions of the recent past.

Cinema of the Other Europe

Cinema of the Other Europe PDF Author: Dina Iordanova
Publisher: Wallflower Press
ISBN: 9781903364611
Category : Performing Arts
Languages : en
Pages : 242

Book Description
Cinema of the Other Europe: The Industry and Artistry of East Central European Film is a comprehensive study of the cinematic traditions of Poland, Hungary, the Czech Republic and Slovakia from 1945 to the present day, exploring the major schools of filmmaking and the main stages of development across the region during the period of state socialism up until the end of the Cold War, as well as more recent transformations post-1989. In encouraging a more inclusive and comprehensive understanding of European cinema, much needed for the new unified Europe `enlarged' towards its Eastern periphery, this book maps out the interactions, key concerns, thematic spheres and stylistic particularities that make the cinema of East Central Europe a vital part of European film tradition. Cinema of the Other Europe is thus a timely appraisal of Film Studies debates ranging from the representation of history and memory, the reassessment of political content, ethics and society, the rehabilitation of popular cinema, and the rethinking of national and regional cinemas in the context of globalisation.

Literature and Film from East Europe’s Forgotten "Second World"

Literature and Film from East Europe’s Forgotten Author: Gordana P. Crnkovic
Publisher: Bloomsbury Publishing USA
ISBN: 1501370677
Category : Literary Criticism
Languages : en
Pages : 232

Book Description
Czechoslovakia, Yugoslavia-no longer on the map. East Europe of the socialist period may seem like a historical oddity, apparently so different from everything before and after. Yet the masterpieces of literature and cinema from this largely forgotten “Second World,” as well as by the authors formed in it and working in its aftermath, surprise and delight with their contemporary resonance. This book introduces and illuminates a number of these works. It explores how their aesthetic ingenuity discovers ways of engaging existential and universal predicaments, such as how one may survive in the world of victimizations, or imagine a good city, or broach the human boundaries to live as a plant. Like true classics of world art, these novels, stories, and films-to rephrase Bohumil Hrabal-keep “telling us things about ourselves we don't know.” In lively and jargon-free prose, Gordana P. Crnkovic builds on her rich teaching experience to create paths to these works and reveal how they changed lives.

East European Cinemas

East European Cinemas PDF Author: Anikó Imre
Publisher: Routledge
ISBN: 1135872635
Category : Performing Arts
Languages : en
Pages : 372

Book Description
Eastern Europe has produced rich and varied film cultures--Czech, Hungarian, and Serbian among them-whose histories have been intimately tied to the transition from Soviet domination to the complexities of post-Communist life. This latest volume in the AFI Film Readers series presents a long-overdue reassessment of East European cinemas from theoretical, psychoanalytic, and gender perspectives, moving the subject beyond the traditional area studies approach to the region's films. This ambitious collection, situating Eastern Europe's many cinemas within global paradigms of film study, will be an essential work for all students of cinema and for anyone interested in the relation of film to culture and society.

Cinema, State Socialism and Society in the Soviet Union and Eastern Europe, 1917-1989

Cinema, State Socialism and Society in the Soviet Union and Eastern Europe, 1917-1989 PDF Author: Sanja Bahun
Publisher: Routledge
ISBN: 1317818717
Category : Social Science
Languages : en
Pages : 258

Book Description
This book presents a comprehensive re-examination of the cinemas of the Soviet Union and Central and Eastern Europe during the communist era. It argues that, since the end of communism in these countries, film scholars are able to view these cinemas in a different way, no longer bound by an outlook relying on binary Cold War terms. With the opening of archives in Eastern Europe and the former Soviet Union, much more is known about these states and societies; at the same time, the field has been reinvigorated by its opening up to more contemporary concepts, themes and approaches in film studies and adjacent disciplines. Taking stock of these developments, this book presents a rich, varied tapestry, relating specific films to specific national and transnational circumstances, rather than viewing them as a single, monolithic "Cold War Communist" cinema.