Author: John Stevens
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 512
Book Description
Music & Poetry in the Early Tudor Court
Author: John Stevens
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 512
Book Description
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 512
Book Description
Wyatt, Surrey, and Early Tudor Poetry
Author: Elizabeth Heale
Publisher: Addison Wesley Publishing Company
ISBN:
Category : History
Languages : en
Pages : 240
Book Description
For the courtiers of King Henry VIII, the writing of verse was a sign of a ready wit and social gracefulness. But their verse could also give coded expression to desires and resentments produced by competition amongst an elite for the favour of an increasingly tyrannical king. This study focuses primarily on the work of the two most successful courtier poets, Sir Thomas Wyatt (c.1503-1542) and Henry Howard, Earl of Surrey (1517-1547). Although Surrey admired and imitated Wyatt, each represents a significantly different element in the Henrician court. Wyatt was a 'new man', rising in the service of the King, while Surrey was a member of the old peerage, jealous of the erosion of traditional powers and privileges. The book offers readings of the full range of each man's writing, from amorous Italianate songs and sonnets, to classicizing epigrams and satires, and Reformist psalm paraphrases. The poetry is considered in the contexts of their careers, of the writing of contemporaries, and of the political and social conditions within which they lived. Dr Heale's analysis makes it clear that the lightest court song is often freighted with complex significance, while the poems of plain-speaking reflection prove to be wily approximations of the truth. This accessible and informative text will be a helpful resource for both undergraduate and postgraduate students of English literature and history, especially those taking courses on Renaissance and Early Modern writing, Tudor literature, and the Tudor court. -- Book cover.
Publisher: Addison Wesley Publishing Company
ISBN:
Category : History
Languages : en
Pages : 240
Book Description
For the courtiers of King Henry VIII, the writing of verse was a sign of a ready wit and social gracefulness. But their verse could also give coded expression to desires and resentments produced by competition amongst an elite for the favour of an increasingly tyrannical king. This study focuses primarily on the work of the two most successful courtier poets, Sir Thomas Wyatt (c.1503-1542) and Henry Howard, Earl of Surrey (1517-1547). Although Surrey admired and imitated Wyatt, each represents a significantly different element in the Henrician court. Wyatt was a 'new man', rising in the service of the King, while Surrey was a member of the old peerage, jealous of the erosion of traditional powers and privileges. The book offers readings of the full range of each man's writing, from amorous Italianate songs and sonnets, to classicizing epigrams and satires, and Reformist psalm paraphrases. The poetry is considered in the contexts of their careers, of the writing of contemporaries, and of the political and social conditions within which they lived. Dr Heale's analysis makes it clear that the lightest court song is often freighted with complex significance, while the poems of plain-speaking reflection prove to be wily approximations of the truth. This accessible and informative text will be a helpful resource for both undergraduate and postgraduate students of English literature and history, especially those taking courses on Renaissance and Early Modern writing, Tudor literature, and the Tudor court. -- Book cover.
A Companion to Renaissance Poetry
Author: Catherine Bates
Publisher: John Wiley & Sons
ISBN: 1118585194
Category : Literary Criticism
Languages : en
Pages : 671
Book Description
The most comprehensive collection of essays on Renaissance poetry on the market Covering the period 1520–1680, A Companion to Renaissance Poetry offers 46 essays which present an in-depth account of the context, production, and interpretation of early modern British poetry. It provides students with a deep appreciation for, and sensitivity toward, the ways in which poets of the period understood and fashioned a distinctly vernacular voice, while engaging them with some of the debates and departures that are currently animating the discipline. A Companion to Renaissance Poetry analyzes the historical, cultural, political, and religious background of the time, addressing issues such as education, translation, the Reformation, theorizations of poetry, and more. The book immerses readers in non-dramatic poetry from Wyatt to Milton, focusing on the key poetic genres—epic, lyric, complaint, elegy, epistle, pastoral, satire, and religious poetry. It also offers an inclusive account of the poetic production of the period by canonical and less canonical writers, female and male. Finally, it offers examples of current developments in the interpretation of Renaissance poetry, including economic, ecological, scientific, materialist, and formalist approaches. • Covers a wide selection of authors and texts • Features contributions from notable authors, scholars, and critics across the globe • Offers a substantial section on recent and developing approaches to reading Renaissance poetry A Companion to Renaissance Poetry is an ideal resource for all students and scholars of the literature and culture of the Renaissance period.
Publisher: John Wiley & Sons
ISBN: 1118585194
Category : Literary Criticism
Languages : en
Pages : 671
Book Description
The most comprehensive collection of essays on Renaissance poetry on the market Covering the period 1520–1680, A Companion to Renaissance Poetry offers 46 essays which present an in-depth account of the context, production, and interpretation of early modern British poetry. It provides students with a deep appreciation for, and sensitivity toward, the ways in which poets of the period understood and fashioned a distinctly vernacular voice, while engaging them with some of the debates and departures that are currently animating the discipline. A Companion to Renaissance Poetry analyzes the historical, cultural, political, and religious background of the time, addressing issues such as education, translation, the Reformation, theorizations of poetry, and more. The book immerses readers in non-dramatic poetry from Wyatt to Milton, focusing on the key poetic genres—epic, lyric, complaint, elegy, epistle, pastoral, satire, and religious poetry. It also offers an inclusive account of the poetic production of the period by canonical and less canonical writers, female and male. Finally, it offers examples of current developments in the interpretation of Renaissance poetry, including economic, ecological, scientific, materialist, and formalist approaches. • Covers a wide selection of authors and texts • Features contributions from notable authors, scholars, and critics across the globe • Offers a substantial section on recent and developing approaches to reading Renaissance poetry A Companion to Renaissance Poetry is an ideal resource for all students and scholars of the literature and culture of the Renaissance period.
The Cambridge History of English Poetry
Author: Michael O'Neill
Publisher: Cambridge University Press
ISBN: 0521883067
Category : Literary Criticism
Languages : en
Pages : 1117
Book Description
A literary-historical account of English poetry from Anglo-Saxon writings to the present.
Publisher: Cambridge University Press
ISBN: 0521883067
Category : Literary Criticism
Languages : en
Pages : 1117
Book Description
A literary-historical account of English poetry from Anglo-Saxon writings to the present.
Early Tudor Poetry, 1485-1547
Author: John Milton Berdan
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 610
Book Description
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 610
Book Description
Ovidian Bibliofictions and the Tudor Book
Author: Lindsay Ann Reid
Publisher: Routledge
ISBN: 1317084462
Category : Literary Criticism
Languages : en
Pages : 231
Book Description
Ovidian Bibliofictions and the Tudor Book examines the historical and the fictionalized reception of Ovid’s poetry in the literature and books of Tudor England. It does so through the study of a particular set of Ovidian narratives-namely, those concerning the protean heroines of the Heroides and Metamorphoses. In the late medieval and Renaissance eras, Ovid’s poetry stimulated the vernacular imaginations of authors ranging from Geoffrey Chaucer and John Gower to Isabella Whitney, William Shakespeare, and Michael Drayton. Ovid’s English protégés replicated and expanded upon the Roman poet’s distinctive and frequently remarked ’bookishness’ in their own adaptations of his works. Focusing on the postclassical discourses that Ovid’s poetry stimulated, Ovidian Bibliofictions and the Tudor Book engages with vibrant current debates about the book as material object as it explores the Ovidian-inspired mythologies and bibliographical aetiologies that informed the sixteenth-century creation, reproduction, and representation of books. Further, author Lindsay Ann Reid’s discussions of Ovidianism provide alternative models for thinking about the dynamics of reception, adaptation, and imitatio. While there is a sizeable body of published work on Ovid and Chaucer as well as on the ubiquitous Ovidianism of the 1590s, there has been comparatively little scholarship on Ovid’s reception between these two eras. Ovidian Bibliofictions and the Tudor Book begins to fill this gap between the ages of Chaucer and Shakespeare by dedicating attention to the literature of the early Tudor era. In so doing, this book also contributes to current discussions surrounding medieval/Renaissance periodization.
Publisher: Routledge
ISBN: 1317084462
Category : Literary Criticism
Languages : en
Pages : 231
Book Description
Ovidian Bibliofictions and the Tudor Book examines the historical and the fictionalized reception of Ovid’s poetry in the literature and books of Tudor England. It does so through the study of a particular set of Ovidian narratives-namely, those concerning the protean heroines of the Heroides and Metamorphoses. In the late medieval and Renaissance eras, Ovid’s poetry stimulated the vernacular imaginations of authors ranging from Geoffrey Chaucer and John Gower to Isabella Whitney, William Shakespeare, and Michael Drayton. Ovid’s English protégés replicated and expanded upon the Roman poet’s distinctive and frequently remarked ’bookishness’ in their own adaptations of his works. Focusing on the postclassical discourses that Ovid’s poetry stimulated, Ovidian Bibliofictions and the Tudor Book engages with vibrant current debates about the book as material object as it explores the Ovidian-inspired mythologies and bibliographical aetiologies that informed the sixteenth-century creation, reproduction, and representation of books. Further, author Lindsay Ann Reid’s discussions of Ovidianism provide alternative models for thinking about the dynamics of reception, adaptation, and imitatio. While there is a sizeable body of published work on Ovid and Chaucer as well as on the ubiquitous Ovidianism of the 1590s, there has been comparatively little scholarship on Ovid’s reception between these two eras. Ovidian Bibliofictions and the Tudor Book begins to fill this gap between the ages of Chaucer and Shakespeare by dedicating attention to the literature of the early Tudor era. In so doing, this book also contributes to current discussions surrounding medieval/Renaissance periodization.
Emotion in the Tudor Court
Author: Bradley J. Irish
Publisher: Northwestern University Press
ISBN: 0810136414
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
Deploying literary analysis, theories of emotion from the sciences and humanities, and an archival account of Tudor history, Emotion in the Tudor Court examines how literature both reflects and constructs the emotional dynamics of life in the Renaissance court. In it, Bradley J. Irish argues that emotionality is a foundational framework through which historical subjects embody and engage their world, and thus can serve as a fundamental lens of social and textual analysis. Spanning the sixteenth century, Emotion in the Tudor Court explores Cardinal Thomas Wolsey and Henrician satire; Henry Howard, Earl of Surrey, and elegy; Sir Philip Sidney and Elizabethan pageantry; and Robert Devereux, Earl of Essex, and factional literature. It demonstrates how the dynamics of disgust,envy, rejection, and dread, as they are understood in the modern affective sciences, can be seen to guide literary production in the early modern court. By combining Renaissance concepts of emotion with modern research in the social and natural sciences, Emotion in the Tudor Court takes a transdisciplinary approach to yield fascinating and robust ways to illuminate both literary studies and cultural history.
Publisher: Northwestern University Press
ISBN: 0810136414
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
Deploying literary analysis, theories of emotion from the sciences and humanities, and an archival account of Tudor history, Emotion in the Tudor Court examines how literature both reflects and constructs the emotional dynamics of life in the Renaissance court. In it, Bradley J. Irish argues that emotionality is a foundational framework through which historical subjects embody and engage their world, and thus can serve as a fundamental lens of social and textual analysis. Spanning the sixteenth century, Emotion in the Tudor Court explores Cardinal Thomas Wolsey and Henrician satire; Henry Howard, Earl of Surrey, and elegy; Sir Philip Sidney and Elizabethan pageantry; and Robert Devereux, Earl of Essex, and factional literature. It demonstrates how the dynamics of disgust,envy, rejection, and dread, as they are understood in the modern affective sciences, can be seen to guide literary production in the early modern court. By combining Renaissance concepts of emotion with modern research in the social and natural sciences, Emotion in the Tudor Court takes a transdisciplinary approach to yield fascinating and robust ways to illuminate both literary studies and cultural history.
The Lyrics of the Henry VIII Manuscript
Author: Raymond George Siemens
Publisher: Iter Press
ISBN: 9780866985802
Category : Henry VIII's book
Languages : en
Pages : 0
Book Description
The Henry VIII Manuscript contributes considerably to our critical understanding of the connections between poetry and power in early Renaissance society -- because of the prominence of its chief author, the king himself, and also because of its literary reflection of the social and political elements of the early Tudor court. The lyrics of the Henry VIII Manuscript thoroughly document the fictions of the early Tudor court constructed and upheld by the courtiers of the day. As such, the Henry VIII Manuscript provides a rare opportunity for examining the light, earlier lyrical works of Henry VIII. Renaissance English Text Society v39.
Publisher: Iter Press
ISBN: 9780866985802
Category : Henry VIII's book
Languages : en
Pages : 0
Book Description
The Henry VIII Manuscript contributes considerably to our critical understanding of the connections between poetry and power in early Renaissance society -- because of the prominence of its chief author, the king himself, and also because of its literary reflection of the social and political elements of the early Tudor court. The lyrics of the Henry VIII Manuscript thoroughly document the fictions of the early Tudor court constructed and upheld by the courtiers of the day. As such, the Henry VIII Manuscript provides a rare opportunity for examining the light, earlier lyrical works of Henry VIII. Renaissance English Text Society v39.
Nicolaus Mameranus
Author: Matthew Tibble
Publisher: BRILL
ISBN: 9004427597
Category : History
Languages : en
Pages : 401
Book Description
In Nicolaus Mameranus, Matthew Tibble recovers an obscure but revealing body of poetry and political commentary that the Imperial poet laureate Nicolaus Mameranus produced for the court of Mary I of England during the visit of her husband, Philip II of Spain, in 1557. Where most studies portray this period as one of decline and decay, Tibble argues instead that, for many Catholics, 1557 was characterised by hope and a sense of progression. He argues that the royal couple successfully re-forged their image as the embodiment of a political union that many considered the foundation of a new Anglo-Habsburg dynasty, and, equally successfully, represented their dual monarchy as a bastion in the fight to reform Catholic Christianity in response to the Protestant Reformation.
Publisher: BRILL
ISBN: 9004427597
Category : History
Languages : en
Pages : 401
Book Description
In Nicolaus Mameranus, Matthew Tibble recovers an obscure but revealing body of poetry and political commentary that the Imperial poet laureate Nicolaus Mameranus produced for the court of Mary I of England during the visit of her husband, Philip II of Spain, in 1557. Where most studies portray this period as one of decline and decay, Tibble argues instead that, for many Catholics, 1557 was characterised by hope and a sense of progression. He argues that the royal couple successfully re-forged their image as the embodiment of a political union that many considered the foundation of a new Anglo-Habsburg dynasty, and, equally successfully, represented their dual monarchy as a bastion in the fight to reform Catholic Christianity in response to the Protestant Reformation.
The Oxford Handbook of Tudor Literature
Author: Mike Pincombe
Publisher: OUP Oxford
ISBN: 0191607177
Category : Literary Criticism
Languages : en
Pages : 864
Book Description
This is the first major collection of essays to look at the literature of the entire Tudor period, from the reign of Henry VII to death of Elizabeth I. It pays particularly attention to the years before 1580. Those decades saw, amongst other things, the establishment of print culture and growth of a reading public; the various phases of the English Reformation and process of political centralization that enabled and accompanied them; the increasing emulation of Continental and classical literatures under the influence of humanism; the self-conscious emergence of English as a literary language and determined creation of a native literary canon; the beginnings of English empire and the consolidation of a sense of nationhood. However, study of Tudor literature prior to 1580 is not only of worth as a context, or foundation, for an Elizabethan 'golden age'. As this much-needed volume will show, it is also of artistic, intellectual, and cultural merit in its own right. Written by experts from Europe, North America, and the United Kingdom, the forty-five chapters in The Oxford Handbook to Tudor Literature recover some of the distinctive voices of sixteenth-century writing, its energy, variety, and inventiveness. As well as essays on well-known writers, such as Philip Sidney or Thomas Wyatt, the volume contains the first extensive treatment in print of some of the Tudor era's most original voices.
Publisher: OUP Oxford
ISBN: 0191607177
Category : Literary Criticism
Languages : en
Pages : 864
Book Description
This is the first major collection of essays to look at the literature of the entire Tudor period, from the reign of Henry VII to death of Elizabeth I. It pays particularly attention to the years before 1580. Those decades saw, amongst other things, the establishment of print culture and growth of a reading public; the various phases of the English Reformation and process of political centralization that enabled and accompanied them; the increasing emulation of Continental and classical literatures under the influence of humanism; the self-conscious emergence of English as a literary language and determined creation of a native literary canon; the beginnings of English empire and the consolidation of a sense of nationhood. However, study of Tudor literature prior to 1580 is not only of worth as a context, or foundation, for an Elizabethan 'golden age'. As this much-needed volume will show, it is also of artistic, intellectual, and cultural merit in its own right. Written by experts from Europe, North America, and the United Kingdom, the forty-five chapters in The Oxford Handbook to Tudor Literature recover some of the distinctive voices of sixteenth-century writing, its energy, variety, and inventiveness. As well as essays on well-known writers, such as Philip Sidney or Thomas Wyatt, the volume contains the first extensive treatment in print of some of the Tudor era's most original voices.