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Author: Katie Robinson Edwards Publisher: University of Texas Press ISBN: 0292756593 Category : Art Languages : en Pages : 393
Book Description
Before Abstract Expressionism of New York City was canonized as American postwar modernism, the United States was filled with localized manifestations of modern art. One such place where considerable modernist activity occurred was Texas, where artists absorbed and interpreted the latest, most radical formal lessons from Mexico, the East Coast, and Europe, while still responding to the state's dramatic history and geography. This barely known chapter in the story of American art is the focus of Midcentury Modern Art in Texas. Presenting new research and artwork that has never before been published, Katie Robinson Edwards examines the contributions of many modernist painters and sculptors in Texas, with an emphasis on the era's most abstract and compelling artists. Edwards looks first at the Dallas Nine and the 1936 Texas Centennial, which offered local artists a chance to take stock of who they were and where they stood within the national artistic setting. She then traces the modernist impulse through various manifestations, including the foundations of early Texas modernism in Houston; early practitioners of abstraction and non-objectivity; the Fort Worth Circle; artists at the University of Texas at Austin; Houston artists in the 1950s; sculpture in and around an influential Fort Worth studio; and, to see how some Texas artists fared on a national scale, the Museum of Modern Art's "Americans" exhibitions. The first full-length treatment of abstract art in Texas during this vital and canon-defining period, Midcentury Modern Art in Texas gives these artists their due place in American art, while also valuing the quality of Texan-ness that subtly undergirds much of their production.
Author: Shirley Reece-Hughes Publisher: Texas A&M University Press ISBN: 1623498899 Category : Art Languages : en Pages : 412
Book Description
Everett Spruce came to Texas from his Arkansas home in 1925 to study at the Dallas Art Institute. Over the next seven decades, he became one of the most important painters and teachers in the region. One of the “Dallas Nine,” a group of influential Texas Regionalists that included Jerry Bywaters, Otis Dozier, William Lester, and others, Spruce was among the artists who lobbied the Texas Centennial Commission for a greater role in the Centennial Exposition of 1936. These efforts, though unsuccessful, nevertheless led to greater recognition and influence for Texas art and artists. Spruce was assistant director and taught art at the Dallas Museum of Fine Arts until 1940 when he joined the faculty of the University of Texas at Austin. He painted and taught at the university for the next 38 years, guiding and shaping the next generation of Texas artists, including Roger Winter, William Hoey, and others. Spruce died in 2002 at the age of 94. Texas Made Modern: The Art of Everett Spruce traces Spruce’s artistic evolution from his early experimental work of the 1920s through the mysterious, surrealist-imbued landscapes of the 1930s. The work addresses his boldly expressionistic imagery of the 1940s and his abstract expressionist–inspired paintings of the mid-twentieth century. Departing from previous accounts of Spruce, which label him a prototypical regionalist, this study reveals the nuanced meanings behind the artist’s shifting approaches to Texas subject matter and resituates his artwork within the broader narrative of American art.
Author: Katie Robinson Edwards Publisher: University of Texas Press ISBN: 0292756593 Category : Art Languages : en Pages : 393
Book Description
Before Abstract Expressionism of New York City was canonized as American postwar modernism, the United States was filled with localized manifestations of modern art. One such place where considerable modernist activity occurred was Texas, where artists absorbed and interpreted the latest, most radical formal lessons from Mexico, the East Coast, and Europe, while still responding to the state's dramatic history and geography. This barely known chapter in the story of American art is the focus of Midcentury Modern Art in Texas. Presenting new research and artwork that has never before been published, Katie Robinson Edwards examines the contributions of many modernist painters and sculptors in Texas, with an emphasis on the era's most abstract and compelling artists. Edwards looks first at the Dallas Nine and the 1936 Texas Centennial, which offered local artists a chance to take stock of who they were and where they stood within the national artistic setting. She then traces the modernist impulse through various manifestations, including the foundations of early Texas modernism in Houston; early practitioners of abstraction and non-objectivity; the Fort Worth Circle; artists at the University of Texas at Austin; Houston artists in the 1950s; sculpture in and around an influential Fort Worth studio; and, to see how some Texas artists fared on a national scale, the Museum of Modern Art's "Americans" exhibitions. The first full-length treatment of abstract art in Texas during this vital and canon-defining period, Midcentury Modern Art in Texas gives these artists their due place in American art, while also valuing the quality of Texan-ness that subtly undergirds much of their production.
Author: Erin L. Thompson Publisher: W. W. Norton & Company ISBN: 0393867684 Category : History Languages : en Pages : 288
Book Description
A leading expert on the past, present, and future of public monuments in America. An urgent and fractious national debate over public monuments has erupted in America. Some people risk imprisonment to tear down long-ignored hunks of marble; others form armed patrols to defend them. Why do we care so much about statues? Which ones should stay up and which should come down? Who should make these decisions, and how? Erin L. Thompson, the country’s leading expert in the tangled aesthetic, legal, political, and social issues involved in such battles, brings much-needed clarity in Smashing Statues. She lays bare the turbulent history of American monuments and its abundant ironies, from the enslaved man who helped make the statue of Freedom that tops the United States Capitol, to the fervent Klansman fired from sculpting the world’s largest Confederate monument—who went on to carve Mount Rushmore. And she explores the surprising motivations behind contemporary flashpoints, including the toppling of a statue of Columbus at the Minnesota State Capitol, the question of who should be represented on the Women’s Rights Pioneers Monument in Central Park, and the decision by a museum of African American culture to display a Confederate monument removed from a public park. Written with great verve and informed by a keen sense of American history, Smashing Statues gives readers the context they need to consider the fundamental questions for rebuilding not only our public landscape but our nation as a whole: Whose voices must be heard, and whose pain must remain private?
Author: Ronnie C. Tyler Publisher: Texas Christian University Press ISBN: 9780875657035 Category : Art Languages : en Pages : 0
Book Description
Critic Michael Ennis stated twenty-five years ago that there has never been more than a cursory overview of Texas art from the nineteenth century to the present. The Art of Texas: 250 Years now tells a deeper story, beginning with Spanish colonial paintings and moving through two and a half centuries of art in Texas. By the twentieth century, most Texas artists had received formal training and produced work in styles similar to European and other American artists. Written by noted scholars, art historians, and curators, this survey is the first attempt to analyze and characterize Texas art on a grand scale.
Author: Suzanne Weaver Publisher: ISBN: 9781883502089 Category : Languages : en Pages :
Book Description
This catalogue is published on the occasion of the exhibition Texas Women: A New History of Abstract Art, organized by the San Antonio Museum of Art and on view February 7 through May 3, 2020.
Author: Kay Kronke Betz Publisher: ISBN: 9781623499488 Category : Languages : en Pages : 232
Book Description
When Coastal Living Magazine listed Rockport, Texas, among its "Top 10 Artists' Colonies"--grouping the Texas community with such destinations as Carmel-by-the-Sea, California, and Monhegan Island, Maine--eyebrows lifted in many parts of the country. But for those in the know, Rockport's inclusion represented the logical result of the area's unique land- and seascapes, its welcoming climate, and its tradition of providing a haven for creativity and individuality. The story begins with well-known portrait photographer Louis de Planque, who lived in Rockport in the late nineteenth century, and includes Annie Fulton Holden, who painted a portrait of the first governor of Texas that hung in the state Capitol until fire destroyed it in 1881. In the many decades since, a host of artists, art educators, and art historians have called the Rockport-Fulton area home, including contemporary and influential artists, instructors, and gallerists such as Herb Booth, Meredith Long, and Simon Michael, teacher of Dalhart Windberg. In The Story of the Rockport-Fulton Art Colony: How a Coastal Texas Town Became an Art Enclave, Kay Kronke Betz and Vickie Moon Merchant chronicle how this small Texas town, whose economy was based on fishing, shrimping, and tourism, became a major regional center for the visual arts. Generously illustrated throughout with full-color images of boats, bays, birds, and other hallmarks of this artistically rich community, this book is a visual and narrative treat for art lovers, conservationists, and historians alike.
Author: William E. Reaves Publisher: Texas A&M University Press ISBN: 9780890968208 Category : Art Languages : en Pages : 148
Book Description
At a crucial moment in the development of Texas art, an eccentric oil wildcatter form Massachusetts and Luling, Texas, turned to the prestigious San Antonio Art League with a proposal. He would fund a national art competition featuring the state's verdant fields of wildflowers and bring prominence to Texas art if the league would handle the details. Thus was born the Texas Wildflower Competitive Exhibitions, which in three years at the end of the Roaring Twenties awarded more than $53,000 in prize money for paintings of Texas wildflowers, ranch life, and cotton farming. This presentation of twenty-nine color plates of the competitions' best works includes paintings by such important artists as Jose Arpa, Dawson Dawson-Watson, Xavier Gonzalez, Edward G. Eisenlohr, and Oscar E. Berninghaus and Herbert Dunton (the latter duo having also served as founding members of the Taos Society of Artists). In the plates, the artists have portrayed a variety of landscapes and atmospheres to present the wildflowers loved not only by Davis but by generations of Texas art enthusiasts.
Author: Michael Duty Publisher: ISBN: 9780875655628 Category : Art Languages : en Pages : 102
Book Description
J. P. Bryan, whose monumental collection of Texas art is the source of this traveling exhibition, determined that he would collect only those artists who had actually participated in the settlement of Texas?not artists who imagined the events after they were history. Thus, Deep in the Art of Texas constitutes not just a tour of Texas artists, but a virtual tour of the romantic history and vast geography of the state itself. Deep in the Art of Texas pulls pieces from the Torch Energy Advisors Collection of Texas Art, which showcases the likes of Charles Franklin ?Frank” Reaugh and Robert Julian Onderdonk. The collection is housed at Torch Energy Advisors Inc. in Houston.
Author: Joe S. Graham Publisher: University of North Texas Press ISBN: 9781574410389 Category : Art Languages : en Pages : 380
Book Description
When the early Spanish and Mexican colonists came to settle Texas, they brought with them a rich culture, the diversity of which is nowhere more evident than in the folk art and folk craft. This first book-length publication to focus on Texas-Mexican material culture shows the richness of Tejano folk arts and crafts traditions.
Author: Katie Robinson Edwards
Author: Shirley Reece-Hughes
Author: Katie Robinson Edwards
Author: John E. Powers
Author: Erin L. Thompson
Author: Ronnie C. Tyler
Author: Suzanne Weaver
Author: Kay Kronke Betz
Author: William E. Reaves
Author: Michael Duty
Author: Joe S. Graham