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Author: E. K. Johnston Publisher: Disney Electronic Content ISBN: 1368078095 Category : Juvenile Nonfiction Languages : en Pages : 222
Book Description
A peace-loving senator faces a time of war in another thrilling Padmé Amidala adventure from the author of the New York Times best-sellers Queen's Peril and Queen's Shadow! Padmé is adjusting to being a wartime senator during the Clone Wars. Her secret husband, Anakin Skwyalker, is off fighting the war, and excels at being a wartime Jedi. In contrast, when Padmé gets the opportunity to see the casualties on the war-torn front lines, she is horrified. The stakes have never been higher for the galaxy, or for the newly-married couple. Meanwhile, with Padmé on a secret mission, her handmaiden Sabé steps into the role of Senator Amidala, something no handmaiden has done for an extended period of time. While in the Senate, Sabé is equally horrified by the machinations that happen there. She comes face to face with a gut-wrenching decision as she realizes that she cannot fight a war this way, not even for Padmé. And Chancellor Palpatine hovers over it all, manipulating the players to his own ends...
Author: E. K. Johnston Publisher: Disney Electronic Content ISBN: 1368078095 Category : Juvenile Nonfiction Languages : en Pages : 222
Book Description
A peace-loving senator faces a time of war in another thrilling Padmé Amidala adventure from the author of the New York Times best-sellers Queen's Peril and Queen's Shadow! Padmé is adjusting to being a wartime senator during the Clone Wars. Her secret husband, Anakin Skwyalker, is off fighting the war, and excels at being a wartime Jedi. In contrast, when Padmé gets the opportunity to see the casualties on the war-torn front lines, she is horrified. The stakes have never been higher for the galaxy, or for the newly-married couple. Meanwhile, with Padmé on a secret mission, her handmaiden Sabé steps into the role of Senator Amidala, something no handmaiden has done for an extended period of time. While in the Senate, Sabé is equally horrified by the machinations that happen there. She comes face to face with a gut-wrenching decision as she realizes that she cannot fight a war this way, not even for Padmé. And Chancellor Palpatine hovers over it all, manipulating the players to his own ends...
Author: Marc Norman Publisher: Crown Archetype ISBN: 0307450201 Category : Performing Arts Languages : en Pages : 578
Book Description
Screenwriters have always been viewed as Hollywood’s stepchildren. Silent-film comedy pioneer Mack Sennett forbade his screenwriters from writing anything down, for fear they’d get inflated ideas about themselves as creative artists. The great midcentury director John Ford was known to answer studio executives’ complaints that he was behind schedule by tearing a handful of random pages from his script and tossing them over his shoulder. And Ken Russell was so contemptuous of Paddy Chayefsky’s screenplay for Altered States that Chayefsky insisted on having his name removed from the credits. Of course, popular impressions aside, screenwriters have been central to moviemaking since the first motion picture audiences got past the sheer novelty of seeing pictures that moved at all. Soon they wanted to know: What happens next? In this truly fresh perspective on the movies, veteran Oscar-winning screenwriter Marc Norman gives us the first comprehensive history of the men and women who have answered that question, from Anita Loos, the highest-paid screenwriter of her day, to Robert Towne, Quentin Tarantino, Charlie Kaufman, and other paradigm-busting talents reimagining movies for the new century. The whole rich story is here: Herman Mankiewicz and the telegram he sent from Hollywood to his friend Ben Hecht in New York: “Millions are to be grabbed out here and your only competition is idiots.” The unlikely sojourns of F. Scott Fitzgerald and William Faulkner as Hollywood screenwriters. The imposition of the Production Code in the early 1930s and the ingenious attempts of screenwriters to outwit the censors. How the script for Casablanca, “a disaster from start to finish,” based on what James Agee judged to be “one of the world’s worst plays,” took shape in a chaotic frenzy of writing and rewriting—and how one of the most famous denouements in motion picture history wasn’t scripted until a week after the last scheduled day of shooting—because they had to end the movie somehow. Norman explores the dark days of the Hollywood blacklist that devastated and divided Hollywood’s screenwriting community. He charts the rise of the writer-director in the early 1970s with names like Coppola, Lucas, and Allen and the disaster of Michael Cimino’s Heaven’s Gate that led the studios to retake control. He offers priceless portraits of the young William Hurt, Steven Spielberg, and Steven Soderbergh. And he describes the scare of 2005 when new technologies seemed to dry up the audience for movies, and the industry—along with its screenwriters—faced the necessity of reinventing itself as it had done before in the face of sound recording, color, widescreen, television, and other technological revolutions. Impeccably researched, erudite, and filled with unforgettable stories of the too often overlooked, maligned, and abused men and women who devised the ideas that others brought to life in action and words on-screen, this is a unique and engrossing history of the quintessential art form of our time.
Author: Alexandra Ksenofontova Publisher: Springer Nature ISBN: 3030505898 Category : Art Languages : en Pages : 249
Book Description
The Modernist Screenplay explores the film screenplay as a genre of modernist literature. It connects the history of screenwriting for silent film to the history of literary modernism in France, Germany, and Russia. At the same time, the book considers how the screenplay responded to the modernist crisis of reason, confronted mimetic representation, and sought to overcome the modernist mistrust of language with the help of rhythm. From the silent film projects of Bertolt Brecht, to the screenwriting of Sergei Eisenstein and the poetic scripts of the surrealists, The Modernist Screenplay offers a new angle on the relationship between film and literature. Based on the example of modernist screenwriting, the book proposes a pluralistic approach to screenplays, an approach that sees film scripts both as texts embedded in film production and as literary works in their own right. As a result, the sheer variety of different and experimental ways to tell stories in screenplays comes to light. The Modernist Screenplay explores how the earliest kind of experimental screenplays—the modernist screenplays—challenged normative ideas about the nature of filmmaking, the nature of literary writing, and the borders between the two.
Author: Richard Abel Publisher: Indiana University Press ISBN: 9780253214799 Category : Music Languages : en Pages : 350
Book Description
The Sounds of Early Cinema is devoted exclusively to a little-known, yet absolutely crucial phenomenon: the ubiquitous presence of sound in early cinema. "Silent cinema" may rarely have been silent, but the sheer diversity of sound(s) and sound/image relations characterizing the first 20 years of moving picture exhibition can still astonish us. Whether instrumental, vocal, or mechanical, sound ranged from the improvised to the pre-arranged (as in scripts, scores, and cue sheets). The practice of mixing sounds with images differed widely, depending on the venue (the nickelodeon in Chicago versus the summer Chautauqua in rural Iowa, the music hall in London or Paris versus the newest palace cinema in New York City) as well as on the historical moment (a single venue might change radically, and many times, from 1906 to 1910). Contributors include Richard Abel, Rick Altman, Edouard Arnoldy, Mats Björkin, Stephen Bottomore, Marta Braun, Jean Châteauvert, Ian Christie, Richard Crangle, Helen Day-Mayer, John Fullerton, Jane Gaines, André Gaudreault, Tom Gunning, François Jost, Charlie Keil, Jeff Klenotic, Germain Lacasse, Neil Lerner, Patrick Loughney, David Mayer, Domi-nique Nasta, Bernard Perron, Jacques Polet, Lauren Rabinovitz, Isabelle Raynauld, Herbert Reynolds, Gregory A. Waller, and Rashit M. Yangirov.
Author: Richard Abel Publisher: Taylor & Francis ISBN: 0415234409 Category : Performing Arts Languages : en Pages : 824
Book Description
One-volume reference work on the first twenty-five years of the cinema's international emergence from the early 1890s to the mid-1910s.
Author: Paul Joseph Gulino Publisher: Bloomsbury Publishing USA ISBN: 1628922397 Category : Social Science Languages : en Pages : 330
Book Description
The great challenge in writing a feature-length screenplay is sustaining audience involvement from page one through 120. Screenwriting: The Sequence Approach expounds on an often-overlooked tool that can be key in solving this problem. A screenplay can be understood as being built of sequences of about fifteen pages each, and by focusing on solving the dramatic aspects of each of these sequences in detail, a writer can more easily conquer the challenges posed by the script as a whole. The sequence approach has its foundation in early Hollywood cinema (until the 1950s, most screenplays were formatted with sequences explicitly identified), and has been rediscovered and used effectively at such film schools as the University of Southern California, Columbia University and Chapman University. This book exposes a wide audience to the approach for the first time, introducing the concept then providing a sequence analysis of eleven significant feature films made between 1940 and 2000: The Shop Around The Corner / Double Indemnity / Nights of Cabiria / North By Northwest / Lawrence of Arabia / The Graduate / One Flew Over the Cuckoo's Nest / Toy Story / Air Force One / Being John Malkovich / The Fellowship of the Ring
Author: E. K. Johnston
Author: E. K. Johnston
Author: Federico Fellini
Author: Marc Norman
Author: John Emerson
Author: Alexandra Ksenofontova
Author: Richard Abel
Author: Alan Watt
Author: Richard Abel
Author: Dan Elish
Author: Paul Joseph Gulino