Early Rubens PDF Download

Author: Alexandra Suda
Publisher:
ISBN: 9781988788104
Category :
Languages : en
Pages :

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Author: Catherine H. Lusheck
Publisher: Routledge
ISBN: 1351770888
Category : Art
Languages : en
Pages : 398

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Book Description
Rubens and the Eloquence of Drawing re-examines the early graphic practice of the preeminent northern Baroque painter Peter Paul Rubens (Flemish, 1577–1640) in light of early modern traditions of eloquence, particularly as promoted in the late sixteenth- and early seventeenth-century Flemish, Neostoic circles of philologist, Justus Lipsius (1547–1606). Focusing on the roles that rhetorical and pedagogical considerations played in the artist’s approach to disegno during and following his formative Roman period (1600–08), this volume highlights Rubens’s high ambitions for the intimate medium of drawing as a primary site for generating meaningful and original ideas for his larger artistic enterprise. As in the Lipsian realm of writing personal letters – the humanist activity then described as a cognate activity to the practice of drawing – a Senecan approach to eclecticism, a commitment to emulation, and an Aristotelian concern for joining form to content all played important roles. Two chapter-long studies of individual drawings serve to demonstrate the relevance of these interdisciplinary rhetorical concerns to Rubens’s early practice of drawing. Focusing on Rubens’s Medea Fleeing with Her Dead Children (Los Angeles, Getty Museum), and Kneeling Man (Rotterdam, Museum Boijmans Van Beuningen), these close-looking case studies demonstrate Rubens’s commitments to creating new models of eloquent drawing and to highlighting his own status as an inimitable maker. Demonstrating the force and quality of Rubens’s intellect in the medium then most associated with the closest ideas of the artist, such designs were arguably created as more robust pedagogical and preparatory models that could help strengthen art itself for a new and often troubled age.

Author: Alexander Marr
Publisher: Reaktion Books
ISBN: 1789144000
Category : Art
Languages : en
Pages : 257

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Peter Paul Rubens was the most inventive and prolific northern European artist of his age. This book discusses his life and work in relation to three interrelated themes: spirit, ingenuity, and genius. It argues that Rubens and his reception were pivotal in the transformation of early modern ingenuity into Romantic genius. Ranging across the artist’s entire career, it explores Rubens’s engagement with these themes in his art and life. Alexander Marr looks at Rubens’s forays into altarpiece painting in Italy as well as his collaborations with fellow artists in his hometown of Antwerp, and his complex relationship with the spirit of pleasure. It concludes with his late landscapes in connection to genius loci, the spirit of the place.

Author: Aaron M. Hyman
Publisher: Getty Publications
ISBN: 1606066862
Category : Art
Languages : en
Pages : 322

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This book examines the reception in Latin America of prints designed by the Flemish artist Peter Paul Rubens, showing how colonial artists used such designs to create all manner of artworks and, in the process, forged new frameworks for artistic creativity. Peter Paul Rubens (1577–1640) never crossed the Atlantic himself, but his impact in colonial Latin America was profound. Prints made after the Flemish artist’s designs were routinely sent from Europe to the Spanish Americas, where artists used them to make all manner of objects. Rubens in Repeat is the first comprehensive study of this transatlantic phenomenon, despite broad recognition that it was one of the most important forces to shape the artistic landscapes of the region. Copying, particularly in colonial contexts, has traditionally held negative implications that have discouraged its serious exploration. Yet analyzing the interpretation of printed sources and recontextualizing the resulting works within period discourse and their original spaces of display allow a new critical reassessment of this broad category of art produced in colonial Latin America—art that has all too easily been dismissed as derivative and thus unworthy of sustained interest and investigation. This book takes a new approach to the paradigms of artistic authorship that emerged alongside these complex creative responses, focusing on the viceroyalties of New Spain and Peru in the seventeenth and eighteenth centuries. It argues that the use of European prints was an essential component of the very framework in which colonial artists forged ideas about what it meant to be a creator.

Author: Joost vander Auwera
Publisher: Lannoo Uitgeverij
ISBN: 9789020972429
Category : Art
Languages : en
Pages : 308

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Over the past four years the Royal Fine Arts Museums of Belgium have undertaken a huge research

Author: Burglind Jungmann
Publisher: Getty Publications
ISBN: 1606061313
Category : Art
Languages : en
Pages : 132

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This is a fascinating exploration of the mystery that surrounds of Ruben's most well-known and intriguing drawings. Peter Paul Rubens was one of the most talented and successful artists working in 17th-century Europe. During his illustrious career as a court painter and diplomat, Rubens expressed a fascination with exotic costumes and headdresses. With his masterful handling of black chalk and touches of red, Rubens executed a compelling drawing that features a figure wearing Asian costume - a depiction that has recently been identified as Man in Korean Costume. Despite the drawings renown - both during Ruben's own lifetime and in contemporary art scholarship - the reasons why it was made and whether it actually depicts a specific Asian person remain a mystery. The intriguing story that develops involves a shipwreck, an unusual hat, the earliest trade between Europe and Asia, the trafficking of Asian slave, and Jesuit missionaries.

Author: Sasha Suda
Publisher: National Geographic Books
ISBN: 3791358448
Category : Art
Languages : en
Pages : 0

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This book charts the evolution of Peter Paul Rubens's style from 1608 until 1620 and his rise from relative anonymity to celebrity. In 1600, Peter Paul Rubens left his home in Antwerp to travel to Italy and study the Italian masters. Eight years later, he returned to Belgium and quickly established himself as one of the foremost painters in Western Europe. This book explores Rubens's work from 1608 until 1620 and how, acutely aware of the possibilities for commercial success, he rose to fame by establishing a "brand" and promoting himself. He created multiple versions of paintings with subjects that had proven to be successful, used similar subject matter of famous artists in the past, and sought collaborators to create more ambitious works than he could have done alone. He also created a studio and workshop with numerous students and assistants, the most famous being Anthony van Dyck, who frequently collaborated with Rubens. Through paintings, drawings, and prints, this book shows how a desire for commercial success influenced and changed Rubens's artistic style. Essays delve into Italy's effect on Rubens, on the narrative aspect of his paintings, and how he managed commissions from famous patrons. Filled with new insights on the most fruitful phase of Rubens's career, this book offers a refreshing look at one of the most influential Baroque artists. Copublished by the Art Gallery of Ontario and DelMonico Books

Author: Giovanni Baglione
Publisher: Lives of the Artists
ISBN: 9781843680222
Category : Painting, Flemish
Languages : en
Pages : 0

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First publication in English of three of the most illuminating contemporary assessments of Rubens' spectacular art and career.

Author: Cordula Van Wyhe
Publisher: Body in Art
ISBN: 9782503577753
Category : Art
Languages : en
Pages : 348

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Did contemporary audiences recognise the sensuously painted 'Rubensian body' as a particular, if not peculiar, artistic repertoire? How can we best understand seventeenth-century practises of reading and viewing the Rubensian body? Can our criteria for eroticism be linked with that of Rubens? Was the body a 'fluid' category for Rubens and where does the boundary of the human body lie? It is hoped that these investigative questions will lead to a detailed evaluation about the paradigmatic status of the Rubensian body and whether we are justified in stressing its singularity within seventeenth-century Flemish and the broader early modern European visual culture.

Author: Adam Sammut
Publisher: BRILL
ISBN: 9004276386
Category : Art
Languages : en
Pages : 556

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This book is about the Dominican church in Antwerp (today St Paul’s). It is structured around three works of art, made or procured by Peter Paul Rubens: the Fifteen Mysteries of the Rosary cycle (in situ), Caravaggio’s Rosary Madonna (Vienna) and the Wrath of Christ high altarpiece (Lyon). Within the artist’s lifetime, the church and monastery were completely rebuilt, creating one of the most spectacular sacred spaces in Northern Europe. In this richly illustrated book, Adam Sammut reconceptualises early modern churches as theatres of political economy, advancing an original approach to cultural production in a time of war. Using methodologies at the cutting edge of the humanities, the place of St Paul’s is restored to the crux of Antwerp’s commercial, civic and religious life.