Early Responses to Renaissance Drama PDF Download

Author: Charles Whitney
Publisher: Cambridge University Press
ISBN: 0521858437
Category : Drama
Languages : en
Pages : 24

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Book Description
A study of early responses to the plays of Shakespeare, Marlowe, and other Renaissance dramatists.

Author: Charles Whitney
Publisher: Cambridge University Press
ISBN: 9780521117203
Category : Literary Criticism
Languages : en
Pages : 0

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Book Description
It is often assumed that we can never know how the earliest audiences responded to the plays and playbooks of Shakespeare, Marlowe, and other Renaissance dramatists. In this study, old compilations of early modern dramatic allusions provide the surprising key to understanding pre-1660 reception. Whether or not it begins with powerful emotion, that reception creatively applies and appropriates the copious resources of drama for diverse purposes, lessons, and interests. Informed also by critical theory and historical research, this understanding reveals the significance of response to Tamburlaine and Falstaff as well as the importance of drama to Edmund Spenser, John Donne, John Milton, and many others. It makes possible the study of particular responses of women and of workers and contributes to the history of subjectivity, reading, civil society, and aesthetics, and demands a fresh view of dramatic production.

Author: Zachary Lesser
Publisher: Cambridge University Press
ISBN: 9780521842525
Category : Drama
Languages : en
Pages : 264

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Book Description
A study of the practices and politics of early modern publishers of plays.

Author: Allison K. Deutermann
Publisher: Springer Nature
ISBN: 3030523322
Category : Literary Criticism
Languages : en
Pages : 299

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Book Description
What did publicity look like before the eighteenth century? What were its uses and effects, and around whom was it organized? The essays in this collection ask these questions of early modern London. Together, they argue that commercial theater was a vital engine in celebrity’s production. The men and women associated with playing—not just actors and authors, but playgoers, characters, and the extraordinary local figures adjunct to playhouse productions—introduced new ways of thinking about the function and meaning of fame in the period; about the networks of communication through which it spread; and about theatrical publics. Drawing on the insights of Habermasean public sphere theory and on the interdisciplinary field of celebrity studies, Publicity and the Early Modern Stage introduces a new and comprehensive look at early modern theories and experiences of publicity.

Author: Kent Cartwright
Publisher: Oxford University Press
ISBN: 0198868898
Category : Literary Criticism
Languages : en
Pages : 262

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Book Description
Introduction -- Clowns, fools, and folly -- Structural doubleness and repetition -- Place, being, and agency -- The manifestation of desire -- The return from the dead -- Ending and wondering.

Author: Matthew Hunter
Publisher: Cambridge University Press
ISBN: 1316517462
Category : Literary Criticism
Languages : en
Pages : 271

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Book Description
Matthew Hunter shows how early modern plays modeled diverse styles of talk for audiences inhabiting a newly public world.

Author: Richard Preiss
Publisher: Cambridge University Press
ISBN: 1107036577
Category : Drama
Languages : en
Pages : 299

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Book Description
Richard Preiss presents a lively and provocative study of how the ever-popular stage clown shaped early modern playhouse theatre.

Author: Jeremy Lopez
Publisher: Cambridge University Press
ISBN: 1139436678
Category : Literary Criticism
Languages : en
Pages : 251

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Book Description
This book gives a detailed and comprehensive survey of the diverse, theatrically vital formal conventions of the drama of Shakespeare and his contemporaries. Besides providing readings of plays such as Hamlet, Othello, Merchant of Venice, and Titus Andronicus, it also places Shakespeare emphatically within his own theatrical context, and focuses on the relationship between the demanding repertory system of the time and the conventions and content of the plays. Lopez argues that the limitations of the relatively bare stage and non-naturalistic mode of early modern theatre would have made the potential for failure very great, and he proposes that understanding this potential for failure is crucial for understanding the way in which the drama succeeded on stage. The book offers perspectives on familiar conventions such as the pun, the aside and the expository speech; and it works toward a definition of early modern theatrical genres based on the relationship between these well-known conventions and the incoherent experience of early modern theatrical narratives.

Author: Fiona Banks
Publisher: Bloomsbury Publishing
ISBN: 1474274005
Category : Literary Criticism
Languages : en
Pages : 296

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Book Description
Shakespeare: Actors and Audiences brings together the voices of those who make productions of Shakespeare come to life. It shines a spotlight on the relationship between actors and audiences and explores the interplay that makes each performance unique. We know much about theatre in Shakespeare's time but very little about the audiences who attended his plays. Even today the audience's voice remains largely ignored. This volume places the role of the audience at the centre of how we understand Shakespeare in performance. Part One offers an overview of the best current audience research and provides a critical framework for the interviews and testimony of leading actors, theatre makers and audience members that follow in Part Two, including Juliet Stevenson and Emma Rice. Shakespeare: Actors and Audiences offers a fascinating insight into the world of theatre production and of the relationship between actor and audience that lies at the heart of theatre-making.

Author: Mark Hutchings
Publisher: Springer
ISBN: 1137462639
Category : Literary Criticism
Languages : en
Pages : 255

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Book Description
This book considers the relationship between the vogue for putting the Ottoman Empire on the English stage and the repertory system that underpinned London playmaking. The sheer visibility of 'the Turk' in plays staged between 1567 and 1642 has tended to be interpreted as registering English attitudes to Islam, as articulating popular perceptions of Anglo-Ottoman relations, and as part of a broader interest in the wider world brought home by travellers, writers, adventurers, merchants, and diplomats. Such reports furnished playwrights with raw material which, fashioned into drama, established ‘the Turk’ as a fixture in the playhouse. But it was the demand for plays to replenish company repertories to attract London audiences that underpinned playmaking in this period. Thus this remarkable fascination for the Ottoman Empire is best understood as a product of theatre economics and the repertory system, rather than taken directly as a measure of cultural and historical engagement.