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Author: Robin Jaffee Frank Publisher: Yale University Press ISBN: 9780300087246 Category : Art Languages : en Pages : 454
Book Description
"Most often, portrait miniatures were painted in watercolor on thin disks of ivory. They were sometimes worn as jewelry, sometimes framed to be viewed privately. Many were painted by specialists, although renowned easel artists - including Benjamin West, John Singleton Copley, and Charles Willson Peale - also created them to commemorate births, engagements, marriages, deaths, and other joinings or separations. The book traces the development of this exquisite art form, revealing the close ties between the history of the miniature and the history of American private life."--BOOK JACKET.
Author: Robin Jaffee Frank Publisher: Yale University Press ISBN: 9780300087246 Category : Art Languages : en Pages : 454
Book Description
"Most often, portrait miniatures were painted in watercolor on thin disks of ivory. They were sometimes worn as jewelry, sometimes framed to be viewed privately. Many were painted by specialists, although renowned easel artists - including Benjamin West, John Singleton Copley, and Charles Willson Peale - also created them to commemorate births, engagements, marriages, deaths, and other joinings or separations. The book traces the development of this exquisite art form, revealing the close ties between the history of the miniature and the history of American private life."--BOOK JACKET.
Author: Publisher: National Portrait Gallery ISBN: 9781855147027 Category : Portrait miniatures, British Languages : en Pages : 232
Book Description
In the late sixteenth and early seventeenth centuries there was one art form in which English artists excelled above all their continental European counterparts: the painting of miniatures. This fascinating book explores the genre with special reference to two of its most accomplished practitioners, Nicholas Hilliard and Isaac Oliver, whose astounding skill brought them international fame and admiration. Four centuries ago, England was famous primarily for its literary culture - the dram a of Shakespeare and Ben Jonson and the works of the great lyrical and metaphysical poets. When it came to the production of visual art, the country was seen as something of a backwater. However, there was one art form for which English artists of this period were renowned: portrait miniature painting, or as it was known at the time, limning. Growing from roots in manuscript illumination, it was brought to astonishing heights of skill by two artists in particular: Nicholas Hilliard (1547-1619) and Isaac Oliver (c .1565-1617). In addition to exhibiting the exquisite technique of the artists, portrait miniatures express in a unique way many of the most distinctive and fascinating aspects of court life in this period: ostentatious secrecy, games of courtly love, arcane symbolism, a love of intricacy and decoration. Bedecked in elaborate lace, encrusted in jewellery and sprinkled with flowers, court ladies smile enigmatically at the viewer; their male counterparts rest on grassy banks or lean against trees, sighing over thwarted love, or more modestly express their hopes in Latin epigrams inscribed around their heads. Often set in richly enamelled and jewelled gold lockets, or beautifully turned ivory or ebony boxes, such miniatures could be concealed or revealed, exchanged or kept, as part of elaborate processes of friendship, love, patronage and diplomacy at the courts of Elizabeth I and James I /VI. This richly illustrated book, like the exhibition it accompanies, explores what the portrait miniature reveals about identity, society and visual culture in Elizabethan and Jacobean England.
Author: Hanneke Grootenboer Publisher: University of Chicago Press ISBN: 0226309711 Category : Art Languages : en Pages : 262
Book Description
The end of the eighteenth century saw the start of a new craze in Europe: tiny portraits of single eyes that were exchanged by lovers or family members. Worn as brooches or pendants, these minuscule eyes served the same emotional need as more conventional mementoes, such as lockets containing a coil of a loved one’s hair. The fashion lasted only a few decades, and by the early 1800s eye miniatures had faded into oblivion. Unearthing these portraits in Treasuring the Gaze, Hanneke Grootenboer proposes that the rage for eye miniatures—and their abrupt disappearance—reveals a knot in the unfolding of the history of vision. Drawing on Alois Riegl, Jean-Luc Nancy, Marcia Pointon, Melanie Klein, and others, Grootenboer unravels this knot, discovering previously unseen patterns of looking and strategies for showing. She shows that eye miniatures portray the subject’s gaze rather than his or her eye, making the recipient of the keepsake an exclusive beholder who is perpetually watched. These treasured portraits always return the looks they receive and, as such, they create a reciprocal mode of viewing that Grootenboer calls intimate vision. Recounting stories about eye miniatures—including the role one played in the scandalous affair of Mrs. Fitzherbert and the Prince of Wales, a portrait of the mesmerizing eye of Lord Byron, and the loss and longing incorporated in crying eye miniatures—Grootenboer shows that intimate vision brings the gaze of another deep into the heart of private experience. With a host of fascinating imagery from this eccentric and mostly forgotten yet deeply private keepsake, Treasuring the Gaze provides new insights into the art of miniature painting and the genre of portraiture.
Author: Tanya Pohrt Publisher: ISBN: 9781878541086 Category : Languages : en Pages : 100
Book Description
The Way Sisters: Miniaturists of the Early Republic presents the work of New London, Connecticut artists Mary Way (1769-1833) and Elizabeth (Way) Champlain (1771-1825), sisters who were among the earliest professional women artists working in the United States. Over the course of their careers, the Way sisters portrayed friends, relatives, and acquaintances, as well as a larger network?of the mercantile elite from Southeastern Connecticut and beyond. This companion to the 2021 exhibition of the same name at Lyman Allyn Art Museum traces what is known of the sisters' artistic production, celebrating their stylistic and material innovations. It also examines the identities of their sitters, exploring New London's history in the decades following the American Revolution.
Author: Cory Korkow Publisher: Giles ISBN: 9781907804236 Category : Art Languages : en Pages : 0
Book Description
A sumptuously illustrated new catalog on British portrait miniatures, all from the world-renowned collection of the Cleveland Museum of Art
Author: Bernd Pappe Publisher: Michael Imhof Verlag ISBN: 9783865689696 Category : Miniature painters Languages : en Pages : 0
Book Description
"European portrait miniatures of the 17th to 20th centuries – far too rarely the focus of art historians’ attention – are illuminated from various viewpoints in a series of essays by nineteen internationally recognized specialists. This volume brings together studies of the many and varied uses of miniature portraits, their functions in both private and public life, and significant yet little-known collections, along with various artists and special production techniques." -- Publisher's website
Author: Katherine Coombs Publisher: Victoria & Albert Museum ISBN: Category : Art Languages : en Pages : 136
Book Description
A highly readable account of the development of English miniature painting featuring masterpieces from the VandA's collection, which contains some of the finest examples in existence.
Author: Robin Jaffee Frank
Author: Robin Jaffee Frank
Author: Metropolitan Museum of Art (New York, N.Y.)
Author: 
Author: H. A. Kennedy
Author: Hanneke Grootenboer
Author: Tanya Pohrt
Author: Cory Korkow
Author: Roy C. Strong
Author: Bernd Pappe
Author: Katherine Coombs