Author: William RobertsPublisher: London : G. Bell
ISBN:
Category : Printers' marks
Languages : en
Pages : 292
Book Description
Printers' Marks
Author: William RobertsPublisher: London : G. Bell
ISBN:
Category : Printers' marks
Languages : en
Pages : 292
Book Description
Typographorum Emblemata
Author: Anja WolkenhauerPublisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110430363
Category : Literary Criticism
Languages : en
Pages : 530
Book Description
This collection of specially commissioned articles aims to shed light on the Early Modern printer's mark, a very productive Early Modern word-image so far only occasionally noted outside the domain of book history. This collection of 17 specially commissioned articles aims to shed light on the European printer’s mark, a very productive Early Modern word-image genre so far only occasionally noted outside the domain of book history. It does so from the perspectives of book history, literary history, especially emblem scholarship, and art history. The various contributions to the volume address issues such as those of the adoption of printer's devices in the place of the older heraldic printer's marks as a symptom of the changing self-image of the representatives of the Early Modern printing profession, of the mutual influence of emblems and printer's marks, of the place of Classical learning in the design of Humanist printer's marks, of the economic factors involved in the evolution of Early Modern printer's marks, the pictorial topics of the Early Modern printer's mark, and the printer's mark as a result of the 'Verbürgerlichung' of the device of Early Modern nobility. Special care was taken to account for the similarities and differences of the printer's marks produced and used in different regional and cultural contexts. The printer’s mark thus becomes visible as a European phenomenon that invites studying some of the most significant shared aspects of Early Modern culture. Preface/ Beginnings and Provenances: A. Wolkenhauer: Sisters, or Mother and Daughter? The Relationship between Printer’s Marks and Emblems during the First Hundred Years/ A. Bässler: Ekphrasis and Printer’s Signets/ L. Houwen: Beastly Devices: Early Printers’ Marks and Their Medieval Origins/ H. Meeus: From Nameplate to Emblem. The Evolution of the Printer’s Device in the Southern Low Countries up to 1600/ Regions and Places: K. Sp. Staikos: Heraldic and Symbolic Printer’s Devices of Greek Printers in Italy (15th-16th century)/ A. Jakimyszyn-Gadocha: Jewish Printers’ Marks from Poland (16th-17th centuries)/ J. A. Tomicka: Fama typographica. In Search of the Emblem Form of Printer’s Devices. The Iconography and Emblem Form of Printer’s Devices in 16th- and 17th-Century Poland/ P. Hoftijzer: Pallas Nostra Salus. Early-Modern Printer’s Marks in Leiden as Expressions of Professional and Personal Identity/ D. Peil: Early Modern Munich Printer’s Marks (and Related Issues)/ K. Lundblad: The Printer’s Mark in Early Modern Sweden/ S. Hufnagel: Iceland’s Lack of Printer’s Devices: Filling a Functional and Spatial Void in Printed Books during the Sixteenth Century/ Concepts, Historical and Systematic: B.F. Scholz: The Truth of Printer’s Marks: Andrea Alciato On ‘Aldo’s Anchor’, ‘Froben’s Dove’ and ‘Calvo’s Elephant’. A Closer Look at Alciato’s Concept of the Printer’s Mark./ V. Hayaert: The Legal Significance and Humanist Ethos of Printers’ Insignia/ J. Kiliańczyk-Zięba: The Transition of the Printer’s Device from a Sign of Identification to a Symbol of Aspirations and Beliefs/ Judit Vizkelety-Ecsedy: Mottos in Printers’ Devices – Thoughts about the Hungarian Usage/ M. Simon: European Printers’ and Publishers’ Marks in the 18th Century. The Three C’s: Conformity, Continuity and Change/ B.F. Scholz: In Place of an Afterword: Notes on Ordering the Corpus of the Early Modern Printer’s Mark/ Research Bibliography: The Early Modern Printer’s Mark in its Cultural Contexts/ Index (Names, Places, Motti).
Typographorum Emblemata
Author: Anja WolkenhauerPublisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110430363
Category : Literary Criticism
Languages : en
Pages : 530
Book Description
This collection of specially commissioned articles aims to shed light on the Early Modern printer's mark, a very productive Early Modern word-image so far only occasionally noted outside the domain of book history. This collection of 17 specially commissioned articles aims to shed light on the European printer’s mark, a very productive Early Modern word-image genre so far only occasionally noted outside the domain of book history. It does so from the perspectives of book history, literary history, especially emblem scholarship, and art history. The various contributions to the volume address issues such as those of the adoption of printer's devices in the place of the older heraldic printer's marks as a symptom of the changing self-image of the representatives of the Early Modern printing profession, of the mutual influence of emblems and printer's marks, of the place of Classical learning in the design of Humanist printer's marks, of the economic factors involved in the evolution of Early Modern printer's marks, the pictorial topics of the Early Modern printer's mark, and the printer's mark as a result of the 'Verbürgerlichung' of the device of Early Modern nobility. Special care was taken to account for the similarities and differences of the printer's marks produced and used in different regional and cultural contexts. The printer’s mark thus becomes visible as a European phenomenon that invites studying some of the most significant shared aspects of Early Modern culture. Preface/ Beginnings and Provenances: A. Wolkenhauer: Sisters, or Mother and Daughter? The Relationship between Printer’s Marks and Emblems during the First Hundred Years/ A. Bässler: Ekphrasis and Printer’s Signets/ L. Houwen: Beastly Devices: Early Printers’ Marks and Their Medieval Origins/ H. Meeus: From Nameplate to Emblem. The Evolution of the Printer’s Device in the Southern Low Countries up to 1600/ Regions and Places: K. Sp. Staikos: Heraldic and Symbolic Printer’s Devices of Greek Printers in Italy (15th-16th century)/ A. Jakimyszyn-Gadocha: Jewish Printers’ Marks from Poland (16th-17th centuries)/ J. A. Tomicka: Fama typographica. In Search of the Emblem Form of Printer’s Devices. The Iconography and Emblem Form of Printer’s Devices in 16th- and 17th-Century Poland/ P. Hoftijzer: Pallas Nostra Salus. Early-Modern Printer’s Marks in Leiden as Expressions of Professional and Personal Identity/ D. Peil: Early Modern Munich Printer’s Marks (and Related Issues)/ K. Lundblad: The Printer’s Mark in Early Modern Sweden/ S. Hufnagel: Iceland’s Lack of Printer’s Devices: Filling a Functional and Spatial Void in Printed Books during the Sixteenth Century/ Concepts, Historical and Systematic: B.F. Scholz: The Truth of Printer’s Marks: Andrea Alciato On ‘Aldo’s Anchor’, ‘Froben’s Dove’ and ‘Calvo’s Elephant’. A Closer Look at Alciato’s Concept of the Printer’s Mark./ V. Hayaert: The Legal Significance and Humanist Ethos of Printers’ Insignia/ J. Kiliańczyk-Zięba: The Transition of the Printer’s Device from a Sign of Identification to a Symbol of Aspirations and Beliefs/ Judit Vizkelety-Ecsedy: Mottos in Printers’ Devices – Thoughts about the Hungarian Usage/ M. Simon: European Printers’ and Publishers’ Marks in the 18th Century. The Three C’s: Conformity, Continuity and Change/ B.F. Scholz: In Place of an Afterword: Notes on Ordering the Corpus of the Early Modern Printer’s Mark/ Research Bibliography: The Early Modern Printer’s Mark in its Cultural Contexts/ Index (Names, Places, Motti).
Printers' Marks
Author: William RobertsPublisher: Forgotten Books
ISBN: 9781331915232
Category : Art
Languages : en
Pages : 284
Book Description
Excerpt from Printers' Marks: A Chapter in the History of Typography There are few phases of typography open to the charge of being neglected. An unquestionable exception occurs, however, in relation to Printers' Marks. This subject is in many respects one of the most interesting in connection with the early printers, who, using devices at first purely as trade marks for the protection of their books against the pirate, soon began to discern their ornamental value, and, consequently, employed the best available artists to design them. Many of these examples are of the greatest bibliographical and general interest, as well as of considerable value in supplementing an important class of illustrations to the printed books, and showing the origin of several typical classes of Book-plates (Ex-Libris). The present Handbook has been written with a view to supplying a readable but accurate account of this neglected chapter in the history of art and bibliography; and it appeals with equal force to the artist or collector. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Studying Early Printed Books, 1450-1800
Author: Sarah WernerPublisher: John Wiley & Sons
ISBN: 1119049970
Category : Literary Criticism
Languages : en
Pages : 210
Book Description
A comprehensive resource to understanding the hand-press printing of early books Studying Early Printed Books, 1450 - 1800 offers a guide to the fascinating process of how books were printed in the first centuries of the press and shows how the mechanics of making books shapes how we read and understand them. The author offers an insightful overview of how books were made in the hand-press period and then includes an in-depth review of the specific aspects of the printing process. She addresses questions such as: How was paper made? What were different book formats? How did the press work? In addition, the text is filled with illustrative examples that demonstrate how understanding the early processes can be helpful to today’s researchers. Studying Early Printed Books shows the connections between the material form of a book (what it looks like and how it was made), how a book conveys its meaning and how it is used by readers. The author helps readers navigate books by explaining how to tell which parts of a book are the result of early printing practices and which are a result of later changes. The text also offers guidance on: how to approach a book; how to read a catalog record; the difference between using digital facsimiles and books in-hand. This important guide: Reveals how books were made with the advent of the printing press and how they are understood today Offers information on how to use digital reproductions of early printed books as well as how to work in a rare books library Contains a useful glossary and a detailed list of recommended readings Includes a companion website for further research Written for students of book history, materiality of text and history of information, Studying Early Printed Books explores the many aspects of the early printing process of books and explains how their form is understood today.
Early Printers' Marks
Author: Victoria and Albert MuseumPublisher:
ISBN:
Category : Printers' marks
Languages : en
Pages : 40
Book Description
A part of the Duke Medical Center Library History of Medicine Ephemera Collection.
Early Dutch, German, & English Printers' Marks
Author: Jean Philibert BerjeauPublisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 130
Book Description
Early Printer's Marks
Author: Marks in Books, Illustrated and Explained
Author: Roger Eliot StoddardPublisher: Cambridge, Mass. : Houghton Library, Harvard University
ISBN:
Category : Design
Languages : en
Pages : 68
Book Description
In 1984, Roger Stoddard curated "an exhibition devoted to those mysterious traces left in books by printers, binders, booksellers, librarians, and collectors." The resulting catalogue, Marks in Books, Illustrated and Explained, is cherished by curators, collectors, and scholars for the insight it offers into the making and the use of books. With sumptuous illustrations and prose at once pithy and polemical, Stoddard describes the glosses, cancels, catchwords, and signature marks that shed light on both printer's craft and author's art.
Early Printers' Marks
Author: Victoria and Albert museum (Londres, Royaume-Uni).Publisher:
ISBN:
Category : Printers' marks
Languages : en
Pages : 0
Book Description