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Author: National Gallery (Great Britain) Publisher: ISBN: Category : Art Languages : en Pages : 216
Book Description
The National Gallery catalogues are among the essential reference works for an art-historical scholarship. Each picture is examined, with a discussion of subject matter, authorship, provenance and art-historical significance. This text examines the early Netherlandish school.
Author: National Gallery (Great Britain) Publisher: ISBN: Category : Art Languages : en Pages : 216
Book Description
The National Gallery catalogues are among the essential reference works for an art-historical scholarship. Each picture is examined, with a discussion of subject matter, authorship, provenance and art-historical significance. This text examines the early Netherlandish school.
Author: Martin Davies Publisher: National Gallery Publications Limited ISBN: 9780300061840 Category : History Languages : en Pages : 208
Book Description
The National Gallery catalogues are among the essential reference works for an art-historical scholarship. Each picture is examined, with a discussion of subject matter, authorship, provenance and art-historical significance. This text examines the early Netherlandish school.
Author: Otto Pächt Publisher: ISBN: 9781905375707 Category : Painting Languages : en Pages : 0
Book Description
"Otto Pacht examines the great Netherlandish painters of the 15th and early 16th century by putting emphasis on formal analysis and on direct contact with the works of art themselves, and by discussing every facet of the works including style, mood, iconography, symbolism and construction of space. Otto Pacht's studies of the Early Netherlandish painters are the fruit of a lifetime's research. Following his book on the brothers Van Eyck and their circle, this volume deals with the next generation of artists, the great figures of the 15th and early 16th century: Rogier van der Weyden, Petrus Christus, Aelbert van Ouwater, Dieric Bouts, Justus van Gent, Hugo van der Goes, Geertgen tot Sint Jans, Hans Memling and Gerard David. In the tradition of the Vienna School, Pacht's approach puts emphasis on formal analysis and on direct contact with the works of art themselves. Taking certain key works by each artist as examples, he discusses every facet of the work including style, mood, iconography, symbolism and construction of space. The chapters are linked by the theme of imitation and continuation: the author compares the same subject as treated by various artists and shows how artists adopted developed ideas and motifs first employed by their predecessors. Although his touchstone was the evidence of his eyes, Pacht was always responsive to the theories of other scholars, and this volume is a gateway to an influential period in the history of art."--Publisher description.
Author: Maryan W. Ainsworth Publisher: Metropolitan Museum of Art ISBN: 1588390101 Category : Art Languages : en Pages : 132
Book Description
The nine papers collected in this publication- which comprises the third and latest edition to the symposium volumes by the Metropolitan Museum of Art - were first presented in conjunction with the Museum's exhibition of Early Netherlandish painting culled from its own holdings in 1998. The essays, by an international roster of leading specialists, together uncover the circumstances underlying the creation of works of art and shed new light on their meaning, in the context of the growing interdisciplinary activity and burgeoning scholarship in the field. The importance of archival research into the socio-economic factors that existed in the late fifteenth and early sixteenth centuries is emphasized- especially, the impact of art markets on the production of paintings as well as sculpture. Much new material has surfaced as a result of advances in the technical investigation of works of art, underscoring the premise that the clues to the meaning of a work are often found not only in its method of manufacture but also in the specific audience for which it was intended and in the function that it originally served for that audience. -- Publisher description.
Author: National Gallery of Art (U.S.) Publisher: Cambridge University Press ISBN: 9780894680939 Category : Art Languages : en Pages : 296
Book Description
The volume contains entries for paintings in the National gallery that were produced in the fifteenth and sixteenth centuries by artists from the Netherlands. The entries are arranged alphabetically by artist; a short biography and bibliography for each artist is followed by individual entries on the paintings, each in order of acquisition. The authors address traditional questions of attributes and iconography; in addition, they examine the social, economic, and religious context in which the individual work of art functioned. The volume is also probable the first museum catalogue to include the results of examination by infrared reflectography and dendrochronological analysis.
Author: Colin T. Eisler Publisher: Philip Wilson Publishers, Limited ISBN: Category : Architecture Languages : en Pages : 284
Book Description
Early Netherlandish Painting will be equally welcome to the art lover , the museum and the reference library, giving access to the last major collection early Netherlandish painting to remain in private posession. It includes over forty masterpieces by Robert Campin, Petrus Chritus, Jacques Daret, Jan van Eyck, Hans Memling and Rogier van der Weyden. The collection is also rich in works by the painters of the new generation of the early 16th century. An extensive introduction to the period precedes the catalogue of 43 paintings by masters including Jan van Eyck, Rogier van der Weyden, Robert Campin and Hans Memling. A very substantial introduction by Colin Eisler illuminates the background to early Netherlandish art and traces its development through the paintings. The extensively illustrated catalogue was prepared with the collaboration of graduate students at the Intsitute of Fine Arts, New York. Dr Emil Bosshardt, Conservator at the Villa Favorita, and Elizabeth Ardrery contribute to the paintings' technical examination. Infra-red reflectography has been used to examine each work and the results are published alongside the finished painting.
Author: National Gallery (Great Britain)
Author: National Gallery (Great Britain)
Author: National Gallery (Storbritannia)
Author: 
Author: National Gallery (Great Britain)
Author: Martin Davies
Author: Otto Pächt
Author: Maryan W. Ainsworth
Author: Arthur Ewart Popham
Author: National Gallery of Art (U.S.)
Author: Colin T. Eisler