Author: Newman Wilson Powell
Publisher:
ISBN:
Category : Harpsichord
Languages : en
Pages : 712
Book Description
Early Keyboard Fingering and Its Effect on Articulation
Author: Newman Wilson Powell
Publisher:
ISBN:
Category : Harpsichord
Languages : en
Pages : 712
Book Description
Publisher:
ISBN:
Category : Harpsichord
Languages : en
Pages : 712
Book Description
English Pastime Music, 16301660
Author: Martha Maas
Publisher: A-R Editions, Inc.
ISBN: 0895790491
Category : Dance music
Languages : en
Pages : 170
Book Description
Publisher: A-R Editions, Inc.
ISBN: 0895790491
Category : Dance music
Languages : en
Pages : 170
Book Description
Principles of the Harpsichord by Monsieur de Saint Lambert
Author: St Lambert
Publisher: Cambridge University Press
ISBN: 9780521252768
Category : Music
Languages : en
Pages : 164
Book Description
Saint Lambert's Principles of the Harpsichord of 1702 was the first tutor for harpsichord to be published in France. It draws upon the dance-oriented harpsichord style developed during the reign of Louis XIV by such masters as Jacques Champion de Chambonnierès, Louis Couperin, and Jean Henry d'Anglebert. In subject matter it ranges from the fundamentals of music through questions of meter and tempo to particulars of harpsichord technique and ornamentation. Because of its broad scope it is an important source of information about both late seventeenth-century French performance practice and music theory. It provides a good complement to Francois Couperin's well-known book l'Art de toucher le clavecin of 1717 in that it deals with the musical style of the generation preceding Couperin and includes subjects not discussed by him. Although nothing is known about Saint Lambert himself, it is clear from this work that as a teacher he was thorough, sympathetic, and open-minded. His book is deserving of a place on the shelf of anyone, professional or amateur, who is interested in the music of the Grand Siècle. For this first English edition, Rebecca Harris-Warrick has added a substantial introduction and full annotation throughout the text [Publisher description]
Publisher: Cambridge University Press
ISBN: 9780521252768
Category : Music
Languages : en
Pages : 164
Book Description
Saint Lambert's Principles of the Harpsichord of 1702 was the first tutor for harpsichord to be published in France. It draws upon the dance-oriented harpsichord style developed during the reign of Louis XIV by such masters as Jacques Champion de Chambonnierès, Louis Couperin, and Jean Henry d'Anglebert. In subject matter it ranges from the fundamentals of music through questions of meter and tempo to particulars of harpsichord technique and ornamentation. Because of its broad scope it is an important source of information about both late seventeenth-century French performance practice and music theory. It provides a good complement to Francois Couperin's well-known book l'Art de toucher le clavecin of 1717 in that it deals with the musical style of the generation preceding Couperin and includes subjects not discussed by him. Although nothing is known about Saint Lambert himself, it is clear from this work that as a teacher he was thorough, sympathetic, and open-minded. His book is deserving of a place on the shelf of anyone, professional or amateur, who is interested in the music of the Grand Siècle. For this first English edition, Rebecca Harris-Warrick has added a substantial introduction and full annotation throughout the text [Publisher description]
Bach Performance Practice, 1945-1975
Author: Dorottya Fabian
Publisher: Routledge
ISBN: 1351574868
Category : Music
Languages : en
Pages : 584
Book Description
Analysing over 100 recordings from 1945-1975, this book examines twentieth-century baroque performance practice as evinced in all the commercially available recordings of J.S. Bach's Passions, Brandenburg Concertos and Goldberg Variations. Dorottya Fabian presents a qualitative, style-orientated history of the early music movement in its formative years through a comparison of the performance style heard in these recordings with the scholarly literature on Bach performance practice. Issues explored in the book include the availability of resources, balance, tempo, dynamics, ornamentation, rhythm and articulation. During the decades following the Second World War, the early music movement was more concerned with the revival of repertoire than with the revival of performance style which meant that its characteristics and achievements differed essentially from those of the later 1970s and 1980s. Period practice techniques were not practised even by ensembles using eighteenth-century instruments. Yet, as this survey reveals, several recordings of the period provide unexpectedly stylish interpretations using metre and pulse to punctuate the music. Such metric performance and appropriate articulation helped to clarify structure and texture and assisted in the creation of a musical discourse - the pre-eminent goal of baroque compositions.
Publisher: Routledge
ISBN: 1351574868
Category : Music
Languages : en
Pages : 584
Book Description
Analysing over 100 recordings from 1945-1975, this book examines twentieth-century baroque performance practice as evinced in all the commercially available recordings of J.S. Bach's Passions, Brandenburg Concertos and Goldberg Variations. Dorottya Fabian presents a qualitative, style-orientated history of the early music movement in its formative years through a comparison of the performance style heard in these recordings with the scholarly literature on Bach performance practice. Issues explored in the book include the availability of resources, balance, tempo, dynamics, ornamentation, rhythm and articulation. During the decades following the Second World War, the early music movement was more concerned with the revival of repertoire than with the revival of performance style which meant that its characteristics and achievements differed essentially from those of the later 1970s and 1980s. Period practice techniques were not practised even by ensembles using eighteenth-century instruments. Yet, as this survey reveals, several recordings of the period provide unexpectedly stylish interpretations using metre and pulse to punctuate the music. Such metric performance and appropriate articulation helped to clarify structure and texture and assisted in the creation of a musical discourse - the pre-eminent goal of baroque compositions.
Early Keyboard Instruments
Author: David Rowland
Publisher: Cambridge University Press
ISBN: 9780521643856
Category : Music
Languages : en
Pages : 172
Book Description
A select bibliography and extensive endnotes enable the reader to take all of the issues further."--Jacket.
Publisher: Cambridge University Press
ISBN: 9780521643856
Category : Music
Languages : en
Pages : 172
Book Description
A select bibliography and extensive endnotes enable the reader to take all of the issues further."--Jacket.
The Organ
Author: Douglas Bush
Publisher: Routledge
ISBN: 1135947961
Category : Art
Languages : en
Pages : 694
Book Description
The Encyclopedia of Organ includes articles on the organ family of instruments, including famous players, composers, instrument builders, the construction of the instruments, and related terminology. It is the first complete A-Z reference on this important family of keyboard instruments. The contributors include major scholars of music and musical instrument history from around the world.
Publisher: Routledge
ISBN: 1135947961
Category : Art
Languages : en
Pages : 694
Book Description
The Encyclopedia of Organ includes articles on the organ family of instruments, including famous players, composers, instrument builders, the construction of the instruments, and related terminology. It is the first complete A-Z reference on this important family of keyboard instruments. The contributors include major scholars of music and musical instrument history from around the world.
The Organ
Author: Douglas Earl Bush
Publisher: Psychology Press
ISBN: 0415941741
Category : Organ (Musical instrument)
Languages : en
Pages : 696
Book Description
Organ, Volume 3 of the Encyclopedia of Keyboard Instruments, includes articles on the organ family of instruments, including famous players, composers, instrument builders, the construction of the instruments and related terminology. It is the first complete reference on this important family of keyboard instruments that predated the piano. The contributors include major scholars of music and musical instruments from around the world.
Publisher: Psychology Press
ISBN: 0415941741
Category : Organ (Musical instrument)
Languages : en
Pages : 696
Book Description
Organ, Volume 3 of the Encyclopedia of Keyboard Instruments, includes articles on the organ family of instruments, including famous players, composers, instrument builders, the construction of the instruments and related terminology. It is the first complete reference on this important family of keyboard instruments that predated the piano. The contributors include major scholars of music and musical instruments from around the world.
The Performing Pianist's Guide to Fingering
Author: Joseph Banowetz
Publisher: Indiana University Press
ISBN: 0253053145
Category : Music
Languages : en
Pages : 244
Book Description
The Performing Pianist's Guide to Fingering, the much-anticipated companion to Joseph Banowetz's The Pianist's Guide to Pedaling, provides practical fingering solutions for technical musical passages. Banowetz contends that fingering choices require much thought and consideration and that too often these choices are influenced by historical traditions and ideas rather than by actual performance conditions. By returning to the unedited original compositions, he strives to help the advanced pianist think through the composer's musical intent and the actual performance tempo and dynamics when selecting the fingering. Banowetz also includes valuable contributions by Philip Fowke, who examines redistributions by Benno Moiseiwitsch in Rachmaninoff's compositions, and Nancy Lee Harper, who explores the often very different approaches to fingering found in keyboard music of the Baroque era. The Performing Pianist's Guide to Fingering will be useful to the advanced pianist and to instructors looking to guide students in improving this important art.
Publisher: Indiana University Press
ISBN: 0253053145
Category : Music
Languages : en
Pages : 244
Book Description
The Performing Pianist's Guide to Fingering, the much-anticipated companion to Joseph Banowetz's The Pianist's Guide to Pedaling, provides practical fingering solutions for technical musical passages. Banowetz contends that fingering choices require much thought and consideration and that too often these choices are influenced by historical traditions and ideas rather than by actual performance conditions. By returning to the unedited original compositions, he strives to help the advanced pianist think through the composer's musical intent and the actual performance tempo and dynamics when selecting the fingering. Banowetz also includes valuable contributions by Philip Fowke, who examines redistributions by Benno Moiseiwitsch in Rachmaninoff's compositions, and Nancy Lee Harper, who explores the often very different approaches to fingering found in keyboard music of the Baroque era. The Performing Pianist's Guide to Fingering will be useful to the advanced pianist and to instructors looking to guide students in improving this important art.
American Musicological Society
Author: Mark Germer
Publisher: The AMS
ISBN:
Category : Bulletin of the American Musicological Society
Languages : en
Pages : 162
Book Description
Publisher: The AMS
ISBN:
Category : Bulletin of the American Musicological Society
Languages : en
Pages : 162
Book Description
Author:
Publisher: Springer Nature
ISBN: 2384762931
Category :
Languages : en
Pages : 243
Book Description
Publisher: Springer Nature
ISBN: 2384762931
Category :
Languages : en
Pages : 243
Book Description