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Author: Arundhati Banerji Publisher: ISBN: Category : Art Languages : en Pages : 320
Book Description
Early Indian Terracotta Art Traces The Origin, Typology & Stylistic Evolution Of Backed Clay Figurines In Northern & Western India (C. 2000-300 B.C.). They Have Been Classified Into Three Main Stages Namely The Crude & Simple Post-Harappan & Chaleolithic Cultures With The Bull As The Prominent Figure, The Iron Age When A Variety Of Local Art Styles Emerged, And The Early Nbp Period Showing Qualitative & Quantitative Growth With The Prominence Of Ornamented Elephant & Nagi Figurines Along With Other Animal And Human Forms.
Author: Arundhati Banerji Publisher: ISBN: Category : Art Languages : en Pages : 320
Book Description
Early Indian Terracotta Art Traces The Origin, Typology & Stylistic Evolution Of Backed Clay Figurines In Northern & Western India (C. 2000-300 B.C.). They Have Been Classified Into Three Main Stages Namely The Crude & Simple Post-Harappan & Chaleolithic Cultures With The Bull As The Prominent Figure, The Iron Age When A Variety Of Local Art Styles Emerged, And The Early Nbp Period Showing Qualitative & Quantitative Growth With The Prominence Of Ornamented Elephant & Nagi Figurines Along With Other Animal And Human Forms.
Author: Qinghua Guo Publisher: Liverpool University Press ISBN: 1836241275 Category : History Languages : en Pages : 221
Book Description
An enormous number of burial objects have been unearthed from ancient tombs in archaeological excavations in China. These mingqi were made in all kinds of materials and in a broad range of forms, techniques and craftsmanship. In this book Quinghua Guo examines a particular type of mingqi -- pottery building. The striking realism of the pottery buildings suggests that they were modelled after actual buildings. They bring to life courtyard houses, manors, towers, granaries and pigsty-privies, as well as cooking ranges and well pavilions. These pottery buildings, previously little known, preserve knowledge of antiquity and demonstrate the architectural quality and structural variety of the period. The author identifies the typology of the pottery buildings they signify in terms of ontology and semiology, in order to provide a conceptual map for classification, and identifies building systems reflected by the mingqi to detect architectonic systems of the Han dynasty. Key features of this volume include: Cross-disciplinary research -- architectural study interlocking with archaeological study; architectural study interlocking with graphic study. The Han pottery buildings are important architectural models from the ancient world, and are contrasted with wooden houses of Middle-Kingdom Egypt and brick buildings of the Minor civilisation, Crete, allowing cross-cultural comparisons.
Author: Steven Kossak Publisher: Metropolitan Museum of Art ISBN: 0870999923 Category : Art, South Asian Languages : en Pages : 169
Book Description
Presents works of art selected from the South and Southeast Asian and Islamic collection of The Metropolitan Museum of Art, lessons plans, and classroom activities.
Author: D D Kosambi Publisher: Taylor & Francis ISBN: 1000653471 Category : History Languages : en Pages : 251
Book Description
First published in 1965, The Culture and Civilisation of Ancient India in Historical Outline is a strikingly original work, the first real cultural history of India. The main features of the Indian character are traced back into remote antiquity as the natural outgrowth of historical process. Did the change from food gathering and the pastoral life to agriculture make new religions necessary? Why did the Indian cities vanish with hardly a trace and leave no memory? Who were the Aryans – if any? Why should Buddhism, Jainism, and so many other sects of the same type come into being at one time and in the same region? How could Buddhism spread over so large a part of Asia while dying out completely in the land of its origin? What caused the rise and collapse of the Magadhan empire; was the Gupta empire fundamentally different from its great predecessor, or just one more ‘oriental despotism’? These are some of the many questions handled with great insight, yet in the simplest terms, in this stimulating work. This book will be of interest to students of history, sociology, archaeology, anthropology, cultural studies, South Asian studies and ethnic studies.
Author: Dallas Museum of Art Publisher: ISBN: 9780300149883 Category : Art Languages : en Pages : 0
Book Description
In recent years, the Dallas Museum of Art has expanded its collection of South Asian art from a small number of Indian temple sculptures to nearly 500 works, including Indian Hindu and Buddhist sculptures, Himalayan Buddhist bronze sculptures and ritual objects, artwork from Southeast Asia, and decorative arts from India's Mughal period. Artworks in the collection have origins from the former Ottoman empire to Java, and architectural pieces suggest the grandeur of buildings in the Indian tradition. This volume details the cultural and artistic significance of more than 140 featured works, which range from Tibetan thangkas and Indian miniature paintings to stone sculptures and bronzes. Relating these works to one another through interconnecting narratives and cross-references, scholars and curators provide a broad cultural history of the region. Distributed for the Dallas Museum of Art
Author: Arie Wallert Publisher: Getty Publications ISBN: 0892363223 Category : Art Languages : en Pages : 241
Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Author: Arundhati Banerji
Author: Arundhati Banerji
Author: Qinghua Guo
Author: New York Public Library. Art and Architecture Division
Author: 
Author: Pramod Chandra
Author: Steven Kossak
Author: Stella Kramrisch
Author: D D Kosambi
Author: Dallas Museum of Art
Author: Arie Wallert