Early Christian Ivories PDF Download

Author: Joseph Natanson
Publisher:
ISBN:
Category : Christian art and symbolism
Languages : en
Pages : 104

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Author: Józef Natanson
Publisher:
ISBN:
Category : Christian art and symbolism
Languages : en
Pages : 85

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Author: Earl Baldwin Smith
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 324

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Author: Charles Rufus Morey
Publisher:
ISBN:
Category : Art, Early Christian
Languages : en
Pages : 60

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Author: Robin M. Jensen
Publisher: Routledge
ISBN: 1317514173
Category : History
Languages : en
Pages : 398

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Book Description
The Routledge Handbook of Early Christian Art surveys a broad spectrum of Christian art produced from the late second to the sixth centuries. The first part of the book opens with a general survey of the subject and then presents fifteen essays that discuss specific media of visual art—catacomb paintings, sculpture, mosaics, gold glass, gems, reliquaries, ceramics, icons, ivories, textiles, silver, and illuminated manuscripts. Each is written by a noted expert in the field. The second part of the book takes up themes relevant to the study of early Christian art. These seven chapters consider the ritual practices in decorated spaces, the emergence of images of Christ’s Passion and miracles, the functions of Christian secular portraits, the exemplary mosaics of Ravenna, the early modern history of Christian art and archaeology studies, and further reflection on this field called “early Christian art.” Each of the volume’s chapters includes photographs of many of the objects discussed, plus bibliographic notes and recommendations for further reading. The result is an invaluable introduction to and appraisal of the art that developed out of the spread of Christianity through the late antique world. Undergraduate and graduate students of late classical, early Christian, and Byzantine culture, religion, or art will find it an accessible and insightful orientation to the field. Additionally, professional academics, archivists, and curators working in these areas will also find it valuable as a resource for their own research, as well as a textbook or reference work for their students.

Author: Paul Williamson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 364

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"The first volume of a new catalogue of the Victoria and Albert Museum's collection of medieval ivory carvings, covering the years 400-1200, appeared in 2010. The present two volumes complete the catalogue, taking in every piece carved between about 1200 and 1550; and it is satisfying to report that a further volume, on the post-medieval ivories, was published by my colleague Marjorie Trusted in 2013."--Preface, p. 9.

Author: Douglas B. Farrow
Publisher: Bloomsbury Publishing
ISBN: 0567651886
Category : Religion
Languages : en
Pages : 192

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Ascension Theology places the doctrine of the ascension in the context of the biblical narrative of descent and ascent, in order to shed light on 'the upward call of God in Christ Jesus' and on the eucharistic community that hears and answers that call. It is a book for the Church as well as the academy. Ascension Theology also offers a contemporary account of the Eucharist itself. It addresses the relation of the heavenly session of Christ to the conflicting currents of the present age, and the transformation to the life of the world to come. Specialist and non-specialist alike will find much to ponder in its traditional yet controversial claims.

Author: Catherine Brown Tkacz
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 288

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The elusive rationale for the Brescia Casket, an ivory reliquary carved in northern Italy ca. 390, has long tantalized scholars. In The Key to the Brescia Casket, Dr. Catherine Brown Tkacz reveals that the secret to its meaning lies in exegetical typology-the interpretation of Old Testament people and events as prefiguring the Messiah. Typology, Tkacz argues, underlies the sophisticated program of the ivory box, which features an unusually full depiction of the Passion. Among the fifty-nine carvings on the Brescia Casket, most of them depicting biblical events, are five scenes of the Passion, more than any other monument prior to this time period. These are arranged in historical order, which is also rare in fourth-century Christian art. Tkacz contends that the Casket is in effect a visual sermon on the unity of the Bible's two testaments, an important theological issue of the time. This wonderfully illustrated and rigorously interdisciplinary volume, funded by a grant from the Samuel H. Kress Foundation, grounds the typological program of the Brescia Casket in fourth-century thought. In so doing, it suggests the real possibility that typology is more important for the understanding of Early Christian art than has previously been appreciated.

Author: Earl Baldwin Smith
Publisher: Rarebooksclub.com
ISBN: 9781230158921
Category :
Languages : en
Pages : 96

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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1918 edition. Excerpt: ...of these two scenes, in both of which Christ, most oddly, sits upon a globe.4 As the Widow's Mite the scene on the Milan book covers5 is similar, save for the globe, to the rendering of the same scene in a mosaic of S. Apollinare Nuovo at Ravenna (Fig. 135). In this sixth century mosaic the widow stands at the left of the composition, her hand extended over a table, which resembles the table on the ivory, and faces Christ, who is accompanied by a single disciple.6 With the exception of the globe, both representations are noticeably alike and accurately illustrate the Gospel account.7 It is also interesting to note that about the middle of the fifth century Perpetuus recorded that among other Biblical scenes the Widow's Mite was figured on the walls of the church of St. Martin at Tours.8 Whatever the correct interpretation of the scene may be, we have 3 Examples of this scene occur at S. Apollinare Nuovo (Fleury, L'Evangilc, pi. LVIII/2), and in the Homilies of Gregory of Narianzus, gr. 510, Bibl. Nat., Paris (Fleury, op. cit., pi. LVIII/3). 4 Bertaux, L'art dans I'ltalie meridionale, fig. 99. 5 This interpretation is that of Westwood (Fictile Ivories, p. 41), Stuhlfauth, Elfenbeinplastik, and Dobbert, Jb. Preuss. Kunsts., 1894, p. 136. 9 Garr., op. cit., IV, pi. 248/5. 7 Mark xii, 42; Luke xxi, 1-4. 8 Kraus, Ceschichte der christlichen Kunst, I, p. 602 sq; Perpetuus, "Tituli der Basilica des Heil. Martin zu Tours" in Von Schlosser, Quellenbuch cur Kunstgeschichte (Neue Folge, 4), p. 32. Fig. 135. Ravenna: S. Apollinare Nuovo, Mosaic. The Widow's Mite. already indicated the Italian character of the globe as a seat for Christ.9 Although the only other examples of its use in miracle scenes in the eleventh century are the frescoes...

Author: Roald Dijkstra
Publisher: BRILL
ISBN: 9004309748
Category : Religion
Languages : en
Pages : 568

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The Apostles in Early Christian Art and Poetry presents the first in-depth analysis of the origins of the representation of the apostles (the twelve disciples and Paul) in verse and image in the late antique Greco-Roman world (250-400). Especially in the West, the apostles are omnipresent, in particular on sarcophagi and in Biblical and martyr poetry. They primarily function as witnesses of Christ’s stay on earth, but Peter and Paul are also popular saints of their own. Occasionally, the other apostles come to the fore as individual figures. Direct influence from art on poetry or vice versa appears to be difficult to trace, but principal developments of late antique society are reflected in the representation of the apostles in both media.