Early American Women Dramatists, 1775-1860 PDF Download

Author: Zoe Detsi-Diamanti
Publisher: Psychology Press
ISBN: 9780815333043
Category : Biography & Autobiography
Languages : en
Pages : 236

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Book Description
First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

Author: Zoe Desti-Demanti
Publisher: Routledge
ISBN: 1317776380
Category : History
Languages : en
Pages : 236

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Book Description
First published in 1999. Although contemporary feminist criticism has mainly focused upon American women playwrights of the twentieth century-women, there is evidence that a feminist tradition rooted deep in the nationalistic and democratic impulses of the American nation existed more than a hundred years before these women started writing. It may come as a surprise to some readers that a significant but overlooked number of women playwrights vitally contributed to the development of early American drama. This study covers the period between 1775 and 1860, a time when American men and women struggled to define themselves and their place in response to the radical economic and institutional transformations which characterized that period. Based on the assumption that women's experience of the world differs from men's, the author tries to show that the plays of my study are sites of gender inscriptions as well as collective evidence that late-eighteenth and nineteenth-century men and women were affected differently by the economic, political, and social changes that were taking place in America at that time.

Author: Manly, Inc.
Publisher: Infobase Learning
ISBN: 1438140770
Category : Literary Collections
Languages : en
Pages : 4512

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Susan Clair Imbarrato, Carol Berkin, Brett Barney, Lisa Paddock, Matthew J. Bruccoli, George Parker Anderson, Judith S.

Author: Ralph J. Poole
Publisher: Cambridge Scholars Publishing
ISBN: 1443809535
Category : History
Languages : en
Pages : 255

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Book Description
This new collection of essays on American stage and film melodrama assesses the multifarious and contradictory uses to which melodrama has been put in American culture from the late 18th century to the present. It focuses on the various ways in which the genre has periodically intervened in debates over race, class, gender and sexuality and, in this manner, has also persistently contributed to the formation and transformation of American nationhood: from the debates over who constitutes the newborn nation in the Early Republic, to the subsequent conflict over abolition and the discussion of gender roles at the turn of the 19th century, to the fervent class struggles of the 1930s and the critiques of domestic containment in the 1950s, as well as to ongoing debates of gender, race, and sexuality today. Addressing these issues from a variety of different angles, including historical, aesthetic, cultural, phenomenological, and psychological approaches, these essays present a complex picture of the cultural work and passionate politics accomplished by melodrama over the course of the past two centuries, particularly at times of profound social change.

Author: Harvey Young
Publisher: Cambridge University Press
ISBN: 1009359584
Category : Drama
Languages : en
Pages : 359

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Book Description
This new edition provides an expanded, comprehensive history of African American theatre, from the early nineteenth century to the present day. Including discussions of slave rebellions on the national stage, African Americans on Broadway, the Harlem Renaissance, African American women dramatists, and the New Negro and Black Arts movements, the Companion also features fresh chapters on significant contemporary developments, such as the influence of the Black Lives Matter movement, the mainstream successes of Black Queer Drama and the evolution of African American Dance Theatre. Leading scholars spotlight the producers, directors, playwrights, and actors who have fashioned a more accurate appearance of Black life on stage, revealing the impact of African American theatre both within the United States and around the world. Addressing recent theatre productions in the context of political and cultural change, it invites readers to reflect on where African American theatre is heading in the twenty-first century.

Author: Jaroslav Kušnír
Publisher: ibidem-Verlag / ibidem Press
ISBN: 3838255135
Category : Language Arts & Disciplines
Languages : en
Pages : 206

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Book Description
This book includes contributions by African, East and West European, Asian and North American scholars which deal with and compare ideological and non-ideological approaches to the analysis of literary, artistic as well as popular works (popular music) mostly by American authors. Most of the essays deal with a way various aspects of American identity are depicted, represented, treated, ideologized and aestheticized in different literary genres, forms of art and media. The contributions offer multidisciplinary, cross-cultural and comparative perspectives and represent a diversity of scholarly voices ranging from the general discussion on the relationship between ideology and art (Anton Pokrivčák), ideology and multiculturalism (Cristina Garrigós). They also give the analysis of poetry (Pokrivčák, Obododima Oha), postmodern fiction (Pi-Hua Ni, Cristina Garrigós), drama (Zoe Detsi-Diamanti, Csaba Csapó) as well as the comparative analysis of the depiction of the identity of North American Indians in such different media as literature and film (Michal Peprník). In addition to this, the book includes the analysis of Black rap music (Wojciech Kallas).

Author: Zoe Detsi-Diamanti
Publisher: Peter Lang
ISBN: 9780820463360
Category : Drama
Languages : en
Pages : 188

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Book Description
The essays in The Flesh Made Text Made Flesh explore the complexities of modern and postmodern embodiment by drawing attention to a marked tendency in contemporary theory and cultural practice to «return» to flesh and redefine its limits, meanings, and potentialities. Engaging with issues as diverse as technologized performance, cosmetic surgery, and lifestyle TV, the essays in this collection raise crucial questions and open up new horizons for further research in current debates surrounding enfleshment. The cross-disciplinarity of this book, which can be used in undergraduate and postgraduate teaching, will attract the attention of scholars from a diversity of fields, such as literature, sociology, popular culture, art, theater, and film.

Author: Nicholas M. Evans
Publisher: Routledge
ISBN: 113671295X
Category : History
Languages : en
Pages : 338

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Book Description
This study examines how early writers of jazz criticism (such as Gilbert Seldes and Carl Van Vechten) and literature (F. Scott Fitzgerald and Langston Hughes)--as well as jazz performers and composers (such as Al Jolson, Sophie Tucker, and George Gershwin)--associated the music directly with questions about identity (racial, ethnic, national, gendered, and sexual) and with historical developments like industrialization. Going beyond the study of melody, harmony, and rhythm, this book's interdisciplinary approach takes seriously the cultural beliefs about jazz that inspired interracial contact, moralistic panic, bohemian slumming, visions of American democracy, and much more. Detailed textual analysis of fiction, nonfiction, film, and musical performance illustrates the complexity of these cultural beliefs in the 1920s and also shows their survival to the present day. In part, jazz absorbed the U.S. cultural imagination due to the nineteenth-century artistic search for music that would define the national character. To the chagrin of Anglo-Saxon nativists, jazz ascended as an exemplar of cultural hybridity and pluralism. The writers and entertainers studied in this volume--most of whom were minorities of Jewish Irish or African heritage--hailed the new social possibilities that they heard and felt in jazz. Yet most of them also qualified their enthusiasm by remaining wary of both the seductions of jazz's commercialization and the loss of ethnic identity in the melting pot.

Author: Chloé Diepenbrock
Publisher: Taylor & Francis
ISBN: 9780815332220
Category : Gynecology
Languages : en
Pages : 198

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Book Description
First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

Author: Susan M. Doll
Publisher: Routledge
ISBN: 1317732979
Category : History
Languages : en
Pages : 232

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Book Description
Although the importance of Elvis Presley's Southern heritage has long been recognized, few have considered the complex connection between the performer's career and his Southern roots. This study investigates how that identity affected each stage of Presley's career. Elvis Presley's career can be divided into three phases, each of which is signified by a specific image. Each image is coded by a certain style of music, mode of dress, and arena of performance. The evolution from one career phase to another was instigated by a specific event and represented a deliberate calculation on the part of Presley's manager to attract a wider audience. The first stage spans the years 1956 through 1958, after the singer was introduced to a national audience and before he was drafted into the army. His image as a notorious rock 'n' roller created a national controversy and was spurred by negative depictions of Presley in the media-many attributing his controversial performing style and appearance to his Southern background. His music was a fusion of rhythm and blues and country-western; or, two types of music indigenous to the South and foreign to the mainstream entertainment industry based in New York City. The second phase of Elvis' career included his stint as a movie star, in which most aspects of his Southern identity were extracted from his leading man image to enhance his appeal to the mainstream. And, finally, the last stage of his career focused on his image as a Las Vegas performer. Despite the gaudy costumes, Elvis reconnected to his identity as a Southerner in the 1970s by returning to country music and songwriters as a source of inspiration.