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Author: Nicholas E. Limansky Publisher: YBK Publishers ISBN: 9781936411436 Category : Biography & Autobiography Languages : en Pages : 298
Book Description
Historical recordings by opera singers have proven since 1900 to offer much reward to the singer, student, listener, and collector alike. In the first book of this kind to appear in decades, Nicholas Limansky explains why critical listening is important and describes the merits of analyzing and comparing the recordings of previous generations of singers with those of the present. He also recounts how markedly record collecting has changed through the decades-especially in large cities like New York-mainly due to technological advance. He not only treats collecting 78 rpm disks, but LPs and CDs as well. Expired copyright now enables many of these early recordings to easily be acquired and collected, enabling the broad-scale comparison of style, technique, and vocal quality among the famous performers of earlier eras. The author points out what to look for among these differences in style, technique, and ability-both good and bad. (On occasion, the most famous are not the best ) With emphasis on today's student and collector, Limansky provides information about where, how, and on what labels given recordings can be found. He discusses printed resources that offer the interested even more information. Beginners and veterans alike will find much of interest in this far-ranging book. Nicholas Limansky studied voice at Peabody Conservatory in Baltimore and has a performance degree from the University of West Virginia. He has sung with major professional choral groups in New York City that include The Bach Aria Group, Musica Sacra, New York Choral Artists (NY Philharmonic), Opera Orchestra of New York, The Netherlands Ballet, and Alvin Ailey (Revelations, Rainbow). He has written performance reviews for the Italian publication, "Rassegna Melodrammatic," and reviewed new vocal releases of historical singers for "Opera News, The Record Collector, Classical Singer, " and "Opera Quarterly." He lectures at the New York Vocal Record Collectors Society and is a member of its board of directors.
Author: Nicholas E. Limansky Publisher: YBK Publishers ISBN: 9781936411436 Category : Biography & Autobiography Languages : en Pages : 298
Book Description
Historical recordings by opera singers have proven since 1900 to offer much reward to the singer, student, listener, and collector alike. In the first book of this kind to appear in decades, Nicholas Limansky explains why critical listening is important and describes the merits of analyzing and comparing the recordings of previous generations of singers with those of the present. He also recounts how markedly record collecting has changed through the decades-especially in large cities like New York-mainly due to technological advance. He not only treats collecting 78 rpm disks, but LPs and CDs as well. Expired copyright now enables many of these early recordings to easily be acquired and collected, enabling the broad-scale comparison of style, technique, and vocal quality among the famous performers of earlier eras. The author points out what to look for among these differences in style, technique, and ability-both good and bad. (On occasion, the most famous are not the best ) With emphasis on today's student and collector, Limansky provides information about where, how, and on what labels given recordings can be found. He discusses printed resources that offer the interested even more information. Beginners and veterans alike will find much of interest in this far-ranging book. Nicholas Limansky studied voice at Peabody Conservatory in Baltimore and has a performance degree from the University of West Virginia. He has sung with major professional choral groups in New York City that include The Bach Aria Group, Musica Sacra, New York Choral Artists (NY Philharmonic), Opera Orchestra of New York, The Netherlands Ballet, and Alvin Ailey (Revelations, Rainbow). He has written performance reviews for the Italian publication, "Rassegna Melodrammatic," and reviewed new vocal releases of historical singers for "Opera News, The Record Collector, Classical Singer, " and "Opera Quarterly." He lectures at the New York Vocal Record Collectors Society and is a member of its board of directors.
Author: Donald S. Blair Publisher: ISBN: Category : Biography & Autobiography Languages : en Pages : 164
Book Description
This volume contains biographical sketches of 50 great opera singers of the 20th century, with photographs of each singer in a famous role.
Author: Peter G. Davis Publisher: Doubleday Books ISBN: Category : Biography & Autobiography Languages : en Pages : 688
Book Description
In America today, opera has never been more popular, and one reason for this is, no doubt, that American opera singers are fixtures on every leading opera stage throughout the world. In this lively and engrossing account, Peter G. Davis, music critic for New York magazine and a leading opera authority, tells the story of how these plucky, resilient and supremely talented American singers have transformed this venerable European-born art form and made it their own. Starting with opera's arrival in America in the early nineteenth century, Davis shows how American singers grew in sophistication and stature along with the country. From the nineteenth-century pioneers who crashed the gates of Europe's elite opera circles, to the glamorous singers of the early twentieth century who were also Hollywood stars and publicity magnets, to the highly professional singers since World War II who not only have gained European acceptance but now dominate the industry, this lively and highly readable account chronicles the extraordinary lives and adventures of these larger-than-life personalities. Included are Maria Callas, Beverly Sills, Richard Tucker, Leontyne Price, Marilyn Horne, Lawrence Tibbett, and a galaxy of others whose stories are as dramatic and compelling as the roles they sang on stage. Full of prima-donna antics, hilarious backstage anecdotes, and performance lore, "The American Opera Singer will delight anyone who has felt the magic of opera, and will provide a new canon of American singing sure to provoke spirited debate among aficionados. Trained as a musician and composer, Peter G. Davis has been writing about music for over thirty years in such publications as the "NewYork Times, The Times of London, High Fidelity, and "Opera News. He is currently music critic for "New York magazine and lives in New York City. Experience the artistry of America's supremely talented singers on RCA Victor Red Seal's "The American Opera Singer, a companion 2-CD set to this book, now available in record stores.
Author: John Rosselli Publisher: Cambridge University Press ISBN: 9780521426978 Category : Biography & Autobiography Languages : en Pages : 296
Book Description
Adelina Patti was the most highly regarded singer in history. She earned nearly $5,000 a night and had her own railway carriage. Yet a minor comic singer would perform for the cost of his food and a pair of shoes to wear on stage. John Rosselli's wide-ranging study introduces all those singers, members of the chorus as well as stars, who have sung Italian opera from 1600 to the twentieth century. Singers are shown slowly emancipating themselves from dependence on great patrons and entering the dangerous freedom of the market. Rosselli also examines the sexist prejudices against the castrati of the eighteenth century and against women singers. Securely rooted in painstaking scholarship and sprinkled with amusing anecdote, this is a book to fascinate and inform opera fans at all levels.
Author: Karen Henson Publisher: Cambridge University Press ISBN: 1107004268 Category : Music Languages : en Pages : 281
Book Description
Opera Acts explores a wealth of new historical material about singers in the late nineteenth century and challenges the idea that this was a period of decline for the opera singer. In detailed case studies of four figures - the late Verdi baritone Victor Maurel; Bizet's first Carmen, Célestine Galli-Marié; Massenet's muse of the 1880s and 1890s, Sibyl Sanderson; and the early Wagner star Jean de Reszke - Karen Henson argues that singers in the late nineteenth century continued to be important, but in ways that were not conventionally 'vocal'. Instead they enjoyed a freedom and creativity based on their ability to express text, act and communicate physically, and exploit the era's media. By these and other means, singers played a crucial role in the creation of opera up to the end of the nineteenth century.
Author: Armando Cesari Publisher: Baskerville Publishers, Inc. ISBN: 9781880909669 Category : Biography & Autobiography Languages : en Pages : 524
Book Description
Lanza's career and personal life are examined with great sensitivity and the authority of more than twenty years of research with the full cooperation of Lanza's family.
Author: Luisa Tetrazzini Publisher: Good Press ISBN: Category : Fiction Languages : en Pages : 59
Book Description
'Caruso and Tetrazzini on the Art of Singing' is a valuable resource for aspiring opera singers, featuring technical advice and health tips from two renowned stars of the genre. The authors provide a wealth of insight and advice for maintaining a healthy body and voice, as well as the discipline required to succeed on stage. While the language may be dated, the practical advice is timeless and helpful for those on the path to the opera stage.
Author: Nicholas E. Limansky
Author: Nicholas E. Limansky
Author: Donald S. Blair
Author: Peter G. Davis
Author: John Rosselli
Author: Gustav Kobbé
Author: Karen Henson
Author: Kathleen Howard
Author: Henry Charles Lahee
Author: Armando Cesari
Author: Luisa Tetrazzini