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Dynamic Range Compressor Ear Training

Dynamic Range Compressor Ear Training PDF Author: Denis Martin
Publisher:
ISBN:
Category :
Languages : en
Pages :

Book Description
"Traditionally, audio enthusiasts looking to enter the field of sound recording have been trained via a master/apprentice relationship. However, in recent decades a large number of institutions have started to offer training in audio engineering at the post-secondary level. Students are expected to develop their skills during two- to four-year programs that would have normally been acquired through five- to ten-year apprenticeships. As part of their training, students must learn to operate and audibly recognize the effects of a variety of audio signal processors. The following work involved creating, testing, and reporting on the efficacy of a training method and its associated tools for an important and often misunderstood processor: the dynamic range compressor (DRC).The focused development of the critical listening skills required to recognize these audible effects is called technical ear training (TET). Past research has resulted in training methodologies for a variety of common audio attributes: spectral content, spatial attributes, reverberation, distortion, noise, loudness, MP3 artifacts, and dynamic range. Research into the efficacy of these methodologies is limited but suggests participants improve with increasing training. Overall, continuous development and validation of methodologies for DRC TET have received little previous work.The DRC TET program created in this study was used to train a group of eight audio engineering technology students over a period of one year. Analysis of the training data revealed that the students improved over the training period at a rate similar to those reported by other researchers. A series of pre-/post-training listening tests were also administered to measure improvement on a set of nearly-related listening tasks including a control group and professional group for reference. The trained students successfully transferred the skills learned to a real-world mixing task, while the control group did not. The trained students also outperformed the professional group. Overall, it was determined that this DRC TET program was successful. Students improved in their understanding of DRC operation and their ability to detect and quantify audible DRC effects. The software and listening test results presented in this thesis should be useful for educators training audio engineers and a variety of other professionals: researchers training listening test participants, acoustic engineers, electrical engineers, musicians, producers, composers, and more"--

Dynamic Range Compressor Ear Training

Dynamic Range Compressor Ear Training PDF Author: Denis Martin
Publisher:
ISBN:
Category :
Languages : en
Pages :

Book Description
"Traditionally, audio enthusiasts looking to enter the field of sound recording have been trained via a master/apprentice relationship. However, in recent decades a large number of institutions have started to offer training in audio engineering at the post-secondary level. Students are expected to develop their skills during two- to four-year programs that would have normally been acquired through five- to ten-year apprenticeships. As part of their training, students must learn to operate and audibly recognize the effects of a variety of audio signal processors. The following work involved creating, testing, and reporting on the efficacy of a training method and its associated tools for an important and often misunderstood processor: the dynamic range compressor (DRC).The focused development of the critical listening skills required to recognize these audible effects is called technical ear training (TET). Past research has resulted in training methodologies for a variety of common audio attributes: spectral content, spatial attributes, reverberation, distortion, noise, loudness, MP3 artifacts, and dynamic range. Research into the efficacy of these methodologies is limited but suggests participants improve with increasing training. Overall, continuous development and validation of methodologies for DRC TET have received little previous work.The DRC TET program created in this study was used to train a group of eight audio engineering technology students over a period of one year. Analysis of the training data revealed that the students improved over the training period at a rate similar to those reported by other researchers. A series of pre-/post-training listening tests were also administered to measure improvement on a set of nearly-related listening tasks including a control group and professional group for reference. The trained students successfully transferred the skills learned to a real-world mixing task, while the control group did not. The trained students also outperformed the professional group. Overall, it was determined that this DRC TET program was successful. Students improved in their understanding of DRC operation and their ability to detect and quantify audible DRC effects. The software and listening test results presented in this thesis should be useful for educators training audio engineers and a variety of other professionals: researchers training listening test participants, acoustic engineers, electrical engineers, musicians, producers, composers, and more"--

Audio Production and Critical Listening

Audio Production and Critical Listening PDF Author: Jason Corey
Publisher: CRC Press
ISBN: 1317541049
Category : Technology & Engineering
Languages : en
Pages : 209

Book Description
Audio Production and Critical Listening: Technical Ear Training, Second Edition develops your critical and expert listening skills, enabling you to listen to audio like an award-winning engineer. Featuring an accessible writing style, this new edition includes information on objective measurements of sound, technical descriptions of signal processing, and their relationships to subjective impressions of sound. It also includes information on hearing conservation, ear plugs, and listening levels, as well as bias in the listening process. The interactive web browser-based "ear training" software practice modules provide experience identifying various types of signal processes and manipulations. Working alongside the clear and detailed explanations in the book, this software completes the learning package that will help you train you ears to listen and really "hear" your recordings. This all-new edition has been updated to include: Audio and psychoacoustic theories to inform and expand your critical listening practice. Access to integrated software that promotes listening skills development through audio examples found in actual recording and production work, listening exercises, and tests. Cutting-edge interactive practice modules created to increase your experience. More examples of sound recordings analysis. New outline for progressing through the EQ ear training software module with listening exercises and tips.

Audio Production and Critical Listening

Audio Production and Critical Listening PDF Author: Jason Corey
Publisher: Taylor & Francis
ISBN: 1317541057
Category : Technology & Engineering
Languages : en
Pages : 160

Book Description
Audio Production and Critical Listening: Technical Ear Training, Second Edition develops your critical and expert listening skills, enabling you to listen to audio like an award-winning engineer. Featuring an accessible writing style, this new edition includes information on objective measurements of sound, technical descriptions of signal processing, and their relationships to subjective impressions of sound. It also includes information on hearing conservation, ear plugs, and listening levels, as well as bias in the listening process. The interactive web browser-based "ear training" software practice modules provide experience identifying various types of signal processes and manipulations. Working alongside the clear and detailed explanations in the book, this software completes the learning package that will help you train you ears to listen and really "hear" your recordings. This all-new edition has been updated to include: Audio and psychoacoustic theories to inform and expand your critical listening practice. Access to integrated software that promotes listening skills development through audio examples found in actual recording and production work, listening exercises, and tests. Cutting-edge interactive practice modules created to increase your experience. More examples of sound recordings analysis. New outline for progressing through the EQ ear training software module with listening exercises and tips.

Audio Engineering - Dynamic Processing

Audio Engineering - Dynamic Processing PDF Author: Wick van den Belt
Publisher: Wick van den Belt
ISBN: 9081869701
Category : Computers
Languages : en
Pages : 74

Book Description
Audio engineers use dynamics processors on almost any mix they make. This book will provide you all the information you need to have to truly understand your dynamics processors making this book a very attractive way to understand your studio-gear! This is the first in a series of digital audio-engineering books written by Wick van den Belt, who used to be head-lecturer on various audio engineering courses.

Become a Competent Music Producer in 365 Days

Become a Competent Music Producer in 365 Days PDF Author: Sam George
Publisher: CRC Press
ISBN: 100088113X
Category : Music
Languages : en
Pages : 206

Book Description
Become a Competent Music Producer in 365 Days is a comprehensive, step-by-step guide to the fundamentals of music-production. Over the course of a year, this book takes the reader through ten chapters covering mixing, equalization, compression, reverb, delay and modulation, automation, vocals, synthesis, and mastering. To combat the patchy nature of ‘fast’ online content, this book provides an accessible and easily digestible course. Each chapter is broken down into daily readings and tasks, so that each topic can be fully explored, understood, and implemented before moving onto the next, with a range of online video tutorials that offer useful companion material to the book. Become a Competent Music Producer in 365 Days is an ideal introduction for beginners of all backgrounds, and students in further and higher education music-production classes, as well as aspiring professionals, hobbyists, and self-taught producers, who wish to have a thorough grasp on all the fundamental topics that any experienced music producer should know.

Essentials of Modern Hearing Aids

Essentials of Modern Hearing Aids PDF Author: Todd A. Ricketts
Publisher: Plural Publishing
ISBN: 1635500583
Category : Medical
Languages : en
Pages : 905

Book Description
Essentials of Modern Hearing Aids: Selection, Fitting, and Verification is a comprehensive textbook, ideal for graduate-level amplification courses in audiology programs. It also is the ultimate go-to reference for anyone fitting and dispensing hearing aids. This is truly an "A to Z" textbook, with topics including audiologic prefitting testing, needs assessment and treatment planning, hearing aid selection, verification, orientation and counseling, post-fitting follow-up, and real-world validation. Moreover, a substantial portion of the book reviews the underlying up-to-date design and function of digital hearing aid components, circuitry and processing, the wide assortment of hearing aid features, and the many algorithms that make these features work successfully. The world-renowned authors have included numerous prefitting and post-fitting tests that can be conducted along with step-by-step protocols for their administration and scoring. They also review the selection of hearing aid styles and fitting arrangements, explain the process of obtaining an ear impression, and making critical decisions regarding earmolds and hearing aid plumbing. Essentials of Modern Hearing Aidsprovides guidance for selecting prescriptive fitting approaches and detailed protocols for the use of behavioral measures and real-ear speech mapping to both verify the fitting and assess special hearing aid features. Follow-up care and validation options also are reviewed, with detailed guidelines for using a wide range of outcome measures. Key Features Included throughout the text are short paragraphs identified as "Technical Tips," "Key Concepts," "Things to Remember," "Points to Ponder," and "Soapbox" for quick reference.The text covers both foundation and direct clinical application.The veteran authors have over 100 years of combined experience in day-to-day patient care and clinical research.The book is infused with humor throughout! Written in an accessible and easy-to-read style, this text includes not only reference information, but also tools supported by research and clinical experience. The information is presented in a way that is both accessible to clinical students with little experience in the field and with enough depth for even the serious hearing aid researcher. The text is also appropriate as a handy companion for busy clinicians - a friendly resource where they can quickly find critical information needed for the next patient. *Disclaimer: Please note that ancillary content (such as documents, audio, and video, etc.) may not be included as published in the original print version of this book.

Sound FX

Sound FX PDF Author: Alex Case
Publisher: Taylor & Francis
ISBN: 1136123571
Category : Technology & Engineering
Languages : en
Pages : 434

Book Description
FX introduces today's up and coming musician to the fantastic creative potential of the most popular instrument today- the home studio. Explaining the basic and advanced signal processing techniques used in professional music production (EQ, compression, delay, reverb etc), using real world popular music examples and an emphasis on the perceptual results and musical value of these effects, FX teaches the Recording Musician how to achieve professional production standards and maximise their creative potential. The accompanying website www.soundfx-companion.com includes audio exaples of FX featured in the book. Features: A chapter dedicated to each key effect: Distortion Equalization Compression and Limiting Delay Expansion and Gating Pitch Shift Reverb Volume More than 100 line drawings and illustrations. Accompanying website featuring examples of all FX covered in the book. Discography of FX at the end of each relevant chapter. From the Sound FX Intro: The most important music of our time is recorded music. The recording studio is its principle musical instrument. The recording engineers and music producers who create the music we love know how to use signal processing equipment to capture the work of artists, preserving realism or altering things wildly, as appropriate. While the talented, persistent, self-taught engineer can create sound recordings of artistic merit, more productive use of the studio is achieved through study, experience and collaboration. This book defines the technical basis of the most important signal processing effects used in the modern recording studio, highlights the key drivers of sound quality associated with each, shares common production techniques used by recording engineers with significant experience in the field, references many of the touchstone recordings of our time, and equips the reader with the knowledge needed to comfortably use effects devices correctly, and, more importantly, to apply these tools creatively.

Recording on a Budget

Recording on a Budget PDF Author: Brent Edstrom
Publisher: Oxford University Press
ISBN: 0199792755
Category : Music
Languages : en
Pages : 266

Book Description
Audio recordings are the calling card with which musicians share and promote their work so a knowledge of recording techniques and technologies is essential to the 21st century musician. Recording On a Budget provides a comprehensive introduction to the recording arts from a budget-conscious perspective. Written by a professional musician and educator, this book is ideal for musicians, educators, music students, songwriters and hobbyists. A central theme of the book is that it is possible to make quality recordings with a modest selection of recording tools. Chapters cover the selection and use of all of the components of a project studio including microphones, mixer, computer, digital audio workstation software, and signal processors. Additional chapters provide a solid foundation in acoustics, audio recording, podcasting, mixing and mastering. The final chapter of the book features do-it-yourself projects that can be completed with a modest selection of tools. Most musicians have developed their ears to a high level so a special focus is placed on the development of recording technique through experimentation and the application of critical listening skills. The book is supported by an online resource of nearly 250 audio excerpts detailing all of the primary topics of the book. Recording on a Budget is ideal for: · Musicians who are interested in recording a quality CD or demo · Choir, orchestra, and band directors who want to record vocal or instrumental ensemble · Student performers and composers who wish to record a performance or produce their own music · Bands interested in recording live concerts or recording an album in a home studio · Videographers interested in recording location sound, voice-overs or music · Songwriters who wish to produce a quality demo · Podcasters and ALL who want to make quality recordings without spending fortunes on equipment. Readers will learn · to cut budget corners without sacrificing audio quality · to choose the right microphone for the job (and where to place it) · to assemble an equipment rack, mixing desk, and speakers stand · to avoid common mistakes · And to be creative and have fun with recording technology Visit the companion website at www.oup.com/us/recordingonabudget for free selection of sample recordings!

Mixing Audio

Mixing Audio PDF Author: Roey Izhaki
Publisher: Taylor & Francis
ISBN: 1136114211
Category : Technology & Engineering
Languages : en
Pages : 599

Book Description
Your mix can make or break a record, and mixing is an essential catalyst for a record deal. Professional engineers with exceptional mixing skills can earn vast amounts of money and find that they are in demand by the biggest acts. To develop such skills, you need to master both the art and science of mixing. The new edition of this bestselling book offers all you need to know and put into practice in order to improve your mixes. Covering the entire process --from fundamental concepts to advanced techniques -- and offering a multitude of audio samples, tips and tricks, this book has it all. Roey Izhaki teaches you the importance of a mixing vision, how to craft and evaluate your mix and then take it a step further. He describes the theory and the tools used and how these are put into practice while creating mixes. Packed full of photos, graphs, diagrams and audio samples, Mixing Audio is a vital read for anyone wanting to succeed in the field of mixing. New to this edition: * Multitracks provided to help practice mixing * Fully updated with current plug-in and software version and information * Companion website with a multitude of new samples including more macro-mixing samples * A new sample mix: Rock n' Roll

Alfred's Teach Yourself Mixing

Alfred's Teach Yourself Mixing PDF Author: David Terry
Publisher: Alfred Music
ISBN: 1457436841
Category : Music
Languages : en
Pages : 99

Book Description
This book explains multi-track mixing in simple terms and covers everything a beginner needs to know. Topics include signal processing, compressors and limiters, EQ, effects, and mix-down techniques for professional-sounding results. "Best in Show" Award at Winter NAMM 2012 presented by Music Inc. magazine.