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Author: Giorgio Riello Publisher: Bloomsbury Publishing ISBN: 1350405639 Category : History Languages : en Pages : 281
Book Description
This major volume aims to re-colour the European world of dress, c.1300-1800. New dyes created one of the most important visual experiences of the period, yet their story has been side-lined by a focus on visual experiences shaped by the high arts. Meanwhile, theatrical productions and period films still abound with broad assumptions about the growing dominance of black clothing for elites during the period, while ordinary people are imagined having worn coarse greys and bleached garments. This volume presents clear evidence that even the clothing of the middle classes could be much more expensive than paintings, and that coloured clothing and accessories were ubiquitous across society. Contributors shed new light on the economic, environmental, and cultural dimensions of colour in dress. The range of dyes expanded considerably in the sixteenth and seventeenth centuries, drawing on Asian and Mediterranean knowledge, new collections of recipes, and the greater diversity of plants available through New World trade. Working creatively with organic plant, animal, and mineral materials to make colours involved considerable knowledge, pleasure and skill. The creation of colour through dyes thus reveals a whole range of global agricultural and craft technologies that can inspire future material worlds and transforms our understanding of Europe ́s cultural heritage.
Author: Giorgio Riello Publisher: Bloomsbury Publishing ISBN: 1350405639 Category : History Languages : en Pages : 281
Book Description
This major volume aims to re-colour the European world of dress, c.1300-1800. New dyes created one of the most important visual experiences of the period, yet their story has been side-lined by a focus on visual experiences shaped by the high arts. Meanwhile, theatrical productions and period films still abound with broad assumptions about the growing dominance of black clothing for elites during the period, while ordinary people are imagined having worn coarse greys and bleached garments. This volume presents clear evidence that even the clothing of the middle classes could be much more expensive than paintings, and that coloured clothing and accessories were ubiquitous across society. Contributors shed new light on the economic, environmental, and cultural dimensions of colour in dress. The range of dyes expanded considerably in the sixteenth and seventeenth centuries, drawing on Asian and Mediterranean knowledge, new collections of recipes, and the greater diversity of plants available through New World trade. Working creatively with organic plant, animal, and mineral materials to make colours involved considerable knowledge, pleasure and skill. The creation of colour through dyes thus reveals a whole range of global agricultural and craft technologies that can inspire future material worlds and transforms our understanding of Europe ́s cultural heritage.
Author: Jo Kirby Publisher: ISBN: 9781909492813 Category : Languages : en Pages : 138
Book Description
Sources of yellow natural dyes provide a leitmotif running through the papers contained in this volume. Sawwort is the source of a yellow dye that played an important part in textile dyeing in 15th-century Europe and was traded by the Florentine dye company of Francescodi Giuliano Salviati. It is less well known than weld, also traded by the Salviati company and used all over Europe as well as in Iran for dyeing Persian carpets. Some sources of yellow dye also have a pharmaceutical role: such as chamomile, present among the named boxes of 'simples' housed at the Spezieria di Santa Maria della Scala, Rome. Not every paper presented at the 35th and 36th meetings of Dyes in History and Archaeology held in Pisa (2016) and Hampton Court (2017) focused on yellow dyes, however. Other topics discussed and presented in this book include the fascinating story of Cornelis Drebbel, the scarlet cochineal dye he discovered and its subsequent history; a Victorian carpet manufacturer who used the lichen dye cudbear; and non-destructive methods of examination of Japanese textiles.
Author: Prof Maria Perla Colombini Publisher: John Wiley & Sons ISBN: 0470741929 Category : Science Languages : en Pages : 508
Book Description
Offers an overview of the analysis of art and archaeological materials using techniques based on mass spectrometry Illustrates basic principles, procedures and applications of mass spectrometric techniques. Fills a gap in the field of application on destructive methods in the analysis of museum objects Edited by a world-wide respected specialists with extensive experience of the GC/MS analysis of art objects Such a handbook has been long-awaited by scientists, restorers and other experts in the analysis of art objects
Author: Thomas Bechtold Publisher: John Wiley & Sons ISBN: 1119811716 Category : Science Languages : en Pages : 693
Book Description
Handbook of Natural Colorants Second Edition A detailed survey of a variety of natural colorants and their different applications including textiles, polymers, and cosmetics Colorants describe a wide range of materials such as dyes, pigments, inks, paint, or chemicals, which are used in small quantities but play an important role in many products such as textiles, polymers, food, and cosmetics. As the effects of climate change begin to be felt, there has been a shift in focus in the field to renewable resources and sustainability, and an interest in the replacement of oil-based products with greener substitutions. As the push to adopt natural resources grows, there have been significant developments in the research and application of natural colorants as a step in the transition to a bio-based economy. The second edition of Handbook of Natural Colorants provides a detailed introduction to natural colorants in a marriage of theory and practice, from seed of plant to consumer demand. Presenting a wide range of viewpoints, the book briefly discusses the history of coloration technology and the current position of natural colorants before highlighting detailed information on regional plant source availability, colorant production and properties, as well as analytical methods for isolation, identification, and toxicity aspects. It also presents key applications in technical use and consumer products, including the use of natural colorants in textiles, hair dyeing, printing, and packaging. Finally, the text considers environmental and economic aspects of natural colorants. Handbook of Natural Colorants is a useful reference for dyers, textile producers, and researchers in the evolving field of sustainable chemistry, environmental sciences, agricultural sciences, and polymer sciences. Revised and updated content throughout to reflect developments in research and applications over the past decade New content on biotechnology in natural colorant production, natural colorants for mass coloration polymers, natural colorants in printing/packaging, and plant-based pigments Discusses strategies for scale-up, including consideration of energy, waste, and effluents For more information on the Wiley Series in Renewable Resources, visit www.wiley.com/go/rrs
Author: John Mills Publisher: Routledge ISBN: 1136000011 Category : Antiques & Collectibles Languages : en Pages : 223
Book Description
'The Organic Chemistry of Museum Objects' makes available in a single volume, a survey of the chemical composition, properties and analysis of the whole range of organic materials incorporated into objects and artworks found in museum collections. The authors cover the fundamental chemistry of the bulk materials such as wood, paper, natural fibres and skin products, as well as that of the relatively minor components incorporated as paint, media, varnishes, adhesives and dyes. This expanded second edition, now in paperback, follows the structure of the first, though it has been extensively updated. In addition to chapters on basic organic chemistry, analytical methods, analytical findings and fundamental aspects of deterioration, the subject matter is grouped as far as possible by broad chemical class - oils and fats, waxes, bitumens, carbohydrates, proteins, natural resins, dyestuffs and synthetic polymers. This is an essential purchase for all practising and student conservators, restorers, museum scientists, curators and organic chemists.
Author: Agnes Timar-Balazsy Publisher: Routledge ISBN: 113600033X Category : Social Science Languages : en Pages : 466
Book Description
'Chemical Principles of Textile Conservation' provides must-have knowledge for conservators who do not always have a scientific background. This vital book brings together from many sources the material science necessary to understand the properties, deterioration and investigation of textile artefacts. It also aids understanding of the chemical processes during various treatments, such as: cleaning; humidification; drying; disinfestation; disinfection; and the use of adhesives and consolidants in conservation of historical textiles. Textile conservators will now have ready access to the necessary knowledge to understand the chemistry of the objects they are asked to treat and to make informed decisions about how to preserve textiles. The combination of a chemist and a conservator provides the perfect authorial team. It ensures a unique dual function of the text which provides textile conservators with vital chemical knowledge and gives scientists an understanding of textile conservation necessary to direct their research. The many practical examples and case studies illustrate the utility of the relatively large chemical introduction and the essential chemical information which is included. The case studies, many illustrated in colour, range from the treatment of the Ghandis' clothes, high-altitude flying suits and a Mary Quant raincoat, to the Hungarian Coronation Mantle.
Author: Diarmid A. Finnegan Publisher: University of Pittsburgh Press ISBN: 0822981777 Category : Science Languages : en Pages : 253
Book Description
The relationship between science and civil society is essential to our understanding of cultural change during the Victorian era. Science was frequently packaged as an appropriate form of civic culture, inculcating virtues necessary for civic progress. In turn, civic culture was presented as an appropriate context for enabling and supporting scientific progress. Finnegan's study looks at the shifting nature of this process during the nineteenth century, using Scotland as the focus for his argument. Considerations of class, religion and gender are explored, illuminating changing social identities as public interest in science was allowed—even encouraged—beyond the environs of universities and elite metropolitan societies.
Author: Anita Quye Publisher: National Museums of Scotland ISBN: Category : Antiques & Collectibles Languages : en Pages : 148
Book Description
Exceptional tapestries from several major European collections are brought together for this first time here. The authors discuss the history and craft of each remarkable piece and reveal how they will be preserved for generations to come. The authors of this have book collaborated on the interdisciplinary European Community-funded project 'Monitoring of Damage in Historical Tapestries' (MODHT).
Author: Mary Virginia Orna Publisher: Royal Society of Chemistry ISBN: 1839163267 Category : Science Languages : en Pages : 309
Book Description
Take a colorful walk through human ingenuity. Humans have been unpacking the earth to use pigments since cavemen times. Starting out from surface pigments for cave paintings, we’ve dug deep for minerals, mined oceans for colors and exploited the world of plants and animals. Our accidental fumbles have given birth to a whole family of brilliant blues that grace our museums, mansions and motorcars. We’ve turned waste materials into a whole rainbow of tints and hues to color our clothes, our food and ourselves. With the snip of a genetic scissor, we’ve harnessed bacteria to gift us with “greener” blue jeans and dazzling dashikis. As the pigments march on into the future, who knows what new and exciting inventions will emerge? Mary Virginia Orna, a world-recognized expert on color, will lead you through an illuminating journey exploring the science behind pigments. Pausing for reflections en route to share stories around pigment use and discoveries informed by history, religion, sociology and human endeavour, this book will have you absorbing science and regaling tales. Jam packed with nuggets of information, March of the Pigments will have the curiously minded and the expert scientist turning pages to discover more.
Author: Giorgio Riello
Author: Giorgio Riello
Author: Jo Kirby
Author: Prof Maria Perla Colombini
Author: Thomas Bechtold
Author: John Mills
Author: Agnes Timar-Balazsy
Author: Diarmid A. Finnegan
Author: Anita Quye
Author: Mary Virginia Orna
Author: Howell G. M. Edwards