Let's Hoop Dance!

Let's Hoop Dance! PDF Author: Violet Duncan
Publisher:
ISBN: 9780989296632
Category :
Languages : en
Pages :

Book Description
Let's Hoop Dance! is a delightful father and son story about sharing the gift of the Hoop Dance. This instant favorite offers a wonderful way to teach young readers about different Native American traditions!

Done into Dance

Done into Dance PDF Author: Ann Daly
Publisher: Wesleyan University Press
ISBN: 0819570966
Category : Performing Arts
Languages : en
Pages : 289

Book Description
This cultural study of modern dance icon Isadora Duncan is the first to place her within the thought, politics and art of her time. Duncan's dancing earned her international fame and influenced generations of American girls and women, yet the romantic myth that surrounds her has left some questions unanswered: What did her audiences see on stage, and how did they respond? What dreams and fears of theirs did she play out? Why, in short, was Duncan's dancing so compelling? First published in 1995 and now back in print, Done into Dance reveals Duncan enmeshed in social and cultural currents of her time — the moralism of the Progressive Era, the artistic radicalism of prewar Greenwich Village, the xenophobia of the 1920s, her association with feminism and her racial notion of "Americanness."

Nietzsche's Dancers

Nietzsche's Dancers PDF Author: K. LaMothe
Publisher: Springer
ISBN: 1403977267
Category : Performing Arts
Languages : en
Pages : 269

Book Description
This book investigates the role Nietzsche's dance images play in his project of "revaluing all values" alongside the religious rhetoric and subject matter evident in the work of Isadora Duncan and Martha Graham, who found justification and guidance in Nietzsche's texts for developing dance as a medium of religious expression.

Isadora Duncan in the 21st Century

Isadora Duncan in the 21st Century PDF Author: Andrea Mantell Seidel
Publisher: McFarland
ISBN: 0786477954
Category : Performing Arts
Languages : en
Pages : 271

Book Description
Part artistic study, part intimate memoir, this book illuminates the technique and repertory of American dancer Isadora Duncan (1877-1927) and her enduring legacy from the perspective of an artist and scholar who has reconstructed and performed her work for 35 years. Providing an overview of modern activities and trends in the teaching and performance of Duncan's dance, the author describes her own work directing The Isadora Duncan Dance Ensemble, the company that sought to implement Duncan's mission to create not a school of dance but "a school of life."

Dance and Costumes

Dance and Costumes PDF Author: Elna Matamoros
Publisher: Alexander Verlag Berlin
ISBN: 3895815578
Category : Art
Languages : en
Pages : 479

Book Description
The subTexte series of the IPF-Institute for the Performing Arts and Film, is dedicated to presenting original research within two fields of inquiry: Performative Practice and Film. The series offers a platform for the publication of texts, images, or digital media emerging from research on, for, or through the performative arts or film. The series contributes to promoting practice-based art research beyond the ephemeral event and the isolated monograph, to reporting intermediate research findings, and to opening up comparative perspectives. www.zhdk.ch/forschung/ipf

The Evolution of Aesthetic and Expressive Dance in Boston

The Evolution of Aesthetic and Expressive Dance in Boston PDF Author: Jody Marie Weber
Publisher: Cambria Press
ISBN: 1604976217
Category : Biography & Autobiography
Languages : en
Pages : 288

Book Description
The Evolution of Aesthetic and Expressive Dance in Boston provides a regional history of the physical education pioneers who established the groundwork for women to participate in movement and expression. Their schools and their writing offer insights into the powerful cultural changes that were reconfiguring women's perceptions of their bodies in motion. The book examines the history from the first successful school of ballroom dance run by Lorenzo Papanti to the establishment of the Braggiotti School by Berthe and Francesca Braggiotti (two wealthy Bostonian socialites who used their power and money to support dance in Boston). The Delsartean ideas about beauty and the expressive capacity of the body freed upper-class women to explore movement beyond social dance and to enjoy movement as artistic self expression. Their interest and pleasure in early "parlor forms" engaged them as sponsors and advocates of expressive dance. Although revolutionaries such as Isadora Duncan and Ruth St. Denis also garnered support from Boston and New York's social sets, in Boston the relationship of the city's elite and its native dancers was both intimate and ongoing. The Braggiotti sisters did not use this support to embark on international tours; instead they founded a school that educated the children of their sponsors and offered performances for their own community. Although later artists, Miriam Winslow and Hans Weiner, did tour nationally and internationally, the intimate relationships they maintained with the upper echelon of Boston society required that they remain sensitive to the needs of their students and their community. Through the study of these schools, the reader is offered a unique perspective on the evolution of expressive dance as it unfolded in Boston and its environs. The Evolution of Aesthetic and Expressive Dance in Boston is an important book for those interested in dance history, women's studies, and regional histories.

Preserving Dance Across Time and Space

Preserving Dance Across Time and Space PDF Author: Lynn Matluck Brooks
Publisher: Routledge
ISBN: 1134906455
Category : Performing Arts
Languages : en
Pages : 313

Book Description
Dance is the art least susceptible to preservation since its embodied, kinaesthetic nature has proven difficult to capture in notation and even in still or moving images. However, frameworks have been established and guidance made available for keeping dances, performances, and choreographers’ legacies alive so that the dancers of today and tomorrow can experience and learn from the dances and dancers of the past. In this volume, a range of voices address the issue of dance preservation through memory, artistic choice, interpretation, imagery and notation, as well as looking at relevant archives, legal structures, documentation and artefacts. The intertwining of dance preservation and creativity is a core theme discussed throughout this text, pointing to the essential continuity of dance history and dance innovation. The demands of preservation stretch across time, geographies, institutions and interpersonal connections, and this book focuses on the fascinating web that supports the fragile yet urgent effort to sustain our dancing heritage. The articles in this book were originally published in the journal Dance Chronicle: Studies in Dance and the Related Arts.

Poems of the Dance

Poems of the Dance PDF Author: Edward Robert Dickson
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 308

Book Description


Body Knowledge

Body Knowledge PDF Author: Mary Simonson
Publisher: Oxford University Press, USA
ISBN: 0199898030
Category : Art
Languages : en
Pages : 291

Book Description
This book traces the deployment of intermedial aesthetics in the works of early twentieth-century female performers. By destabilizing medial and genre boundaries, these women created compelling and meaningful performances that negotiated turn-of-the-century American social and cultural issues.

Women’s Dance Traditions of Uzbekistan

Women’s Dance Traditions of Uzbekistan PDF Author: Laurel Victoria Gray
Publisher: Bloomsbury Publishing
ISBN: 1350249491
Category : Performing Arts
Languages : en
Pages : 273

Book Description
The first comprehensive work in English on the three major regional styles of Uzbek women's dance – Ferghana, Khiva and Bukhara – and their broader Silk Road cultural connections, from folklore roots to contemporary stage dance. The book surveys the remarkable development from the earliest manifestations in ancient civilizations to a sequestered existence under Islam; from patronage under Soviet power to a place of pride for Uzbek nationhood. It considers the role that immigration had to play on the development of the dances; how women boldly challenged societal gender roles to perform in public; how both material culture and the natural world manifest in the dance; and it illuminates the innovations of pioneering choreographers who drew from Central Asian folk traditions, gestures and aesthetics – not Russian ballet – to first shape modern Uzbek stage dance. Written by the first American dancer invited to study in Uzbekistan, this book offers insight into the once-hidden world of Uzbek women's dance.