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Author: Dieter Mehl Publisher: Routledge ISBN: 1136832300 Category : Drama Languages : en Pages : 228
Book Description
First published in English in 1965, this book discusses the roots and development of the dumb show as a device in Elizabethan drama. The work provides not only a useful manual for those who wish to check the occurrence of dumb shows and the uses to which they are put; it also makes a real contribution to a better understanding of the progress of Elizabethan drama, and sheds new light on some of the lesser known plays of the period.
Author: Dieter Mehl Publisher: Routledge ISBN: 1136832300 Category : Drama Languages : en Pages : 228
Book Description
First published in English in 1965, this book discusses the roots and development of the dumb show as a device in Elizabethan drama. The work provides not only a useful manual for those who wish to check the occurrence of dumb shows and the uses to which they are put; it also makes a real contribution to a better understanding of the progress of Elizabethan drama, and sheds new light on some of the lesser known plays of the period.
Author: Henry S. Turner Publisher: Oxford University Press, USA ISBN: 0199641358 Category : Drama Languages : en Pages : 637
Book Description
Early Modern Theatricality brings together some of the most innovative critics in the field to examine the many conventions that characterized early modern theatricality. It generates fresh possibilities for criticism, combining historical, formal, and philosophical questions, in order to provoke our rediscovery of early modern drama.
Author: Fawn Parker Publisher: Arp Books ISBN: 9781927886564 Category : Fiction Languages : en Pages :
Book Description
A satirical campus novel, Dumb-Show shrewdly confronts the cultural politics of masculinity through a narrative that twists the structure of Henry IV. A controversial Canadian professor of political science at a Toronto university rises to power when his political views divide the student body. Two siblings, one a student at the university, develop isolated personal relationships with the professor, and find themselves spiralling to infamy alongside him. Parker?s second novel shadows the rise and fall of a corrupt king, observes a young and lazy boy?s attempt to make a name for himself, and, tearing a hole in the hyper-masculine power narrative, interrogates a woman?s internal search to power. Expanding from the brutal introspection first seen in Parker's Set-Point, Dumb-Show takes brilliant aim
Author: Martha W. Driver Publisher: McFarland ISBN: 0786491655 Category : Literary Criticism Languages : en Pages : 285
Book Description
Every generation reinvents Shakespeare for its own needs, imagining through its particular choices and emphases the Shakespeare that it values. The man himself was deeply involved in his own kind of historical reimagining. This collection of essays examines the playwright's medieval sources and inspiration, and how they shaped his works. With a foreword by Michael Almereyda (director of the Hamlet starring Ethan Hawke) and dramaturge Dakin Matthews, these thirteen essays analyze the ways in which our modern understanding of medieval life has been influenced by our appreciation of Shakespeare's plays.
Author: Marvin Rosenberg Publisher: University of Delaware Press ISBN: 9780874134803 Category : Drama Languages : en Pages : 1006
Book Description
Every reader is an actor according to Rosenberg. To prepare the actor-reader for insights, Rosenberg draws on major intepretations of the play worldwide, in theatre and in criticism, wherever possible from the first known performances to the present day. The book is rich and provocative on every question about the play.
Author: Linda Phyllis Austern Publisher: Taylor & Francis ISBN: 1040117457 Category : Literary Collections Languages : en Pages : 416
Book Description
Originally published in 1992, Music in English Children’s Drama of the Later Renaissance is the first book-length study to examine the Elizabethan and Jacobean children’s drama, not only from a musicological perspective, but also drawing on the histories of literature, culture, and the theater. It gives the children’s companies new historical significance, showing that they were an integral and ultimately influential part of the London theatrical world. These companies originated important features of later drama, such as music before and between acts, and the exploitation of different timbres for specific effects. Those interested in music history, English literature, theater history, and cultural history will find this a comprehensive and fascinating study. Of special note are the appendices, which offer a unique and important reference source by providing the only definitive list of the plays and songs used by the children.
Author: Dieter Mehl
Author: Dieter Mehl
Author: Henry S. Turner
Author: Dieter Mehl
Author: Fawn Parker
Author: Martha W. Driver
Author: Martin Wiggins
Author: Charles Cowden Clarke
Author: Marvin Rosenberg
Author: Linda Phyllis Austern
Author: William Shakespeare