Duetto Buffo Di Due Gatti PDF Download

Author: Gioacchino Rossini
Publisher:
ISBN:
Category : Vocal duets with piano
Languages : en
Pages : 7

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Author: Manja Siber
Publisher: tredition
ISBN: 3347124073
Category : Fiction
Languages : en
Pages : 524

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Garvanos Scimia has not wanted to go to Dresden and join the Royal court theatre. But he has been sent away from his home in Milan and now here he is, a new singer at the Royal Court Theatre. It won't be easy, he knows. His nerves and his tendency to break downs take care of that. Also he is a born Gypsy, which is just one more problem on the heap. But then Ivan takes him under his wing. Ivan who lives in secret underneath the theatre and who has the most lovely smile and the most wonderful voice. With his help Garvanos finds confidence in himself, in his voice, in his feelings and - and maybe he can make it? Maybe it will be alright?

Author: Mark Germer
Publisher: The AMS
ISBN:
Category : Bulletin of the American Musicological Society
Languages : en
Pages : 162

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Author: Freya Anduin
Publisher: BoD – Books on Demand
ISBN: 8743050573
Category : Fiction
Languages : en
Pages : 270

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A chance encounter between newly minted journalist Anna Lendorph and rookie detective sergeant Christian la Cour, leads to a tour de force chasing real criminals in Copenhagen anno 1910. Both draw on their rather unusual skill-sets in solving a crime that reaches across Europe, involving the aristocracy, a famous author, and a very long list of international suspects. Blending historical fiction with true crime this is just the beginning for the merits of Lendorph and la Cour.

Author: University of Michigan. School of Music, Theatre & Dance
Publisher: UM Libraries
ISBN:
Category :
Languages : en
Pages :

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Includes miscellaneous newsletters (Music at Michigan, Michigan Muse), bulletins, catalogs, programs, brochures, articles, calendars, histories, and posters.

Author: Deirdre Bair
Publisher: Nan A. Talese
ISBN: 0385534981
Category : Art
Languages : en
Pages : 689

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From National Book Award winner Deirdre Bair, the definitive biography of Saul Steinberg, one of The New Yorker's most iconic artists. The issue date was March 29, 1976. The New Yorker cost 75 cents. And on the cover unfolded Saul Steinberg's vision of the world: New York City, the Hudson River, and then...well, it's really just a bunch of stuff you needn't concern yourself with. Steinberg's brilliant depiction of the world according to self-satisfied New Yorkers placed him squarely in the pantheon of the magazine's—and the era's—most celebrated artists. But if you look beyond the searing wit and stunning artistry, you'll find one of the most fascinating lives of the twentieth century. Born in Romania, Steinberg was educated in Milan and was already famous for his satirical drawings when World War II forced him to immigrate to the United States. On a single day, Steinberg became a US citizen, a commissioned officer in the US Navy, and a member of the OSS, assigned to spy in China, North Africa, and Italy. After the war ended, he returned to America and to his art. He quickly gained entree into influential circles that included Saul Bellow, Vladimir Nabokov, Willem de Kooning, and Le Corbusier. His wife was the artist Hedda Sterne, from whom he separated in 1960 but never divorced and with whom he remained in daily contact for the rest of his life. This conveniently freed him up to amass a coterie of young mistresses and lovers. But his truly great love was the United States, where he traveled extensively by bus, train, and car, drawing, observing, and writing. His body of work is staggering and influential in ways we may not yet even be able to fully grasp, quite possibly because there has not been a full-scale biography of him until now. Deirdre Bair had access to 177 boxes of documents and more than 400 drawings. In addition, she conducted several hundred personal interviews. Steinberg's curious talent for creating myths about himself did not make her job an easy one, but the result is a stunning achievement to admire and enjoy. The electronic version of this title does not contain the 35 Saul Steinberg illustrations that are available in the print edition.

Author: Martine Hennard Dutheil de la Rochère
Publisher: Wayne State University Press
ISBN: 0814336353
Category : Literary Criticism
Languages : en
Pages : 386

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In translating Charles Perrault's seventeenth-century Histoires ou contes du temps passé, avec des Moralités into English, Angela Carter worked to modernize the language and message of the tales before rewriting many of them for her own famous collection of fairy tales for adults, The Bloody Chamber, published two years later. In Reading, Translating, Rewriting: Angela Carter's Translational Poetics, author Martine Hennard Dutheil de la Rochère delves into Carter's The Fairy Tales of Charles Perrault (1977) to illustrate that this translation project had a significant impact on Carter's own writing practice. Hennard combines close analyses of both texts with an attention to Carter's active role in the translation and composition process to explore this previously unstudied aspect of Carter's work. She further uncovers the role of female fairy-tale writers and folktales associated with the Grimms' Kinder- und Hausmärchen in the rewriting process, unlocking new doors to The Bloody Chamber. Hennard begins by considering the editorial evolution of The Fairy Tales of Charles Perrault from 1977 to the present day, as Perrault's tales have been rediscovered and repurposed. In the chapters that follow, she examines specific linkages between Carter's Perrault translation and The Bloody Chamber, including targeted analysis of the stories of Red Riding Hood, Bluebeard, Puss-in-Boots, Beauty and the Beast, Sleeping Beauty, and Cinderella. Hennard demonstrates how, even before The Bloody Chamber, Carter intervened in the fairy-tale debate of the late 1970s by reclaiming Perrault for feminist readers when she discovered that the morals of his worldly tales lent themselves to her own materialist and feminist goals. Hennard argues that The Bloody Chamber can therefore be seen as the continuation of and counterpoint to The Fairy Tales of Charles Perrault, as it explores the potential of the familiar stories for alternative retellings. While the critical consensus reads into Carter an imperative to subvert classic fairy tales, the book shows that Carter valued in Perrault a practical educator as well as a proto-folklorist and went on to respond to more hidden aspects of his texts in her rewritings.

Author: Richard Osborne
Publisher: Oxford University Press
ISBN: 0199884579
Category : Biography & Autobiography
Languages : en
Pages : 904

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Gioachino Rossini was one of the most influential, as well as one of the most industrious and emotionally complex of the great nineteenth-century composers. Between 1810 and 1829, he wrote 39 operas, a body of work, comic and serious, which transformed Italian opera and radically altered the course of opera in France. His retirement from operatic composition in 1829, at the age of 37, was widely assumed to be the act of a talented but lazy man. In reality, political events and a series of debilitating illnesses were the determining factors. After drafting the Stabat Mater in 1832, Rossini wrote no music of consequence for the best part of twenty-five years, before the clouds lifted and he began composing again in Paris in the late 1850s. During this glorious Indian summer of his career, he wrote 150 songs and solo piano pieces his 'Sins of Old Age' and his final masterpiece, the Petite Messe solennelle. The image of Rossini as a gifted but feckless amateur-the witty, high-spirited bon vivant who dashed off The Barber of Seville in a mere thirteen days-persisted down the years, until the centenary of his death in 1968 inaugurated a process of re-evaluation by scholars, performers, and writers. The original 1985 edition of Richard Osborne's pioneering and widely acclaimed Rossini redefined the life and provided detailed analyses of the complete Rossini oeuvre. Twenty years on, all Rossini's operas have been staged and recorded, a Critical Edition of his works is well advanced, and a scholarly edition of his correspondence, including 250 previously unknown letters from Rossini to his parents, is in progress. Drawing on these past two decades of scholarship and performance, this new edition of Rossini provides the most detailed portrait we have yet had of one of the worlds best-loved and most enigmatic composers.

Author: Oliver Condy
Publisher: Cassell
ISBN: 1788403193
Category : Music
Languages : en
Pages : 189

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*** With a foreword by James Naughtie Within the pages of this book lie musical prescriptions that offer comfort, solace and strength in the face of dark times. Whether you suffer from loneliness or laziness, from bereavement or betrayal, a heartbreak or a mere hangover, here you'll find the perfect piece of classical music to heal the heart, soothe the soul and cure the maladies of the modern world. Musician and writer Oliver Condy takes the role of musical physician, using his years of experience to prescribe remedies for all manner of ailments in the form of classical music. A beautifully-packaged gift book with more than 100 recommendations, Symphonies for the Soul is filled with fascinating stories behind the pieces and composers selected, and how in their own unique ways they can nourish the spirit in times of need.

Author: University of Michigan. School of Music
Publisher:
ISBN:
Category : Concert programs
Languages : en
Pages : 650

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