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Du Droit des compositeurs de musique sur leurs oeuvres, thèse... par Philippe Dunant,...

Du Droit des compositeurs de musique sur leurs oeuvres, thèse... par Philippe Dunant,... PDF Author: Philippe Dunant
Publisher:
ISBN:
Category :
Languages : fr
Pages : 256

Book Description


Du Droit des compositeurs de musique sur leurs oeuvres, thèse... par Philippe Dunant,...

Du Droit des compositeurs de musique sur leurs oeuvres, thèse... par Philippe Dunant,... PDF Author: Philippe Dunant
Publisher:
ISBN:
Category :
Languages : fr
Pages : 256

Book Description


Du droit d'auteur sur les oeuvres musicales en Suisse

Du droit d'auteur sur les oeuvres musicales en Suisse PDF Author: Philippe Dunant
Publisher:
ISBN:
Category : Copyright
Languages : fr
Pages : 20

Book Description


Du droit des compositeurs de musique sur leurs oeuvres

Du droit des compositeurs de musique sur leurs oeuvres PDF Author: Philippe Dunant
Publisher:
ISBN:
Category :
Languages : fr
Pages : 276

Book Description


Du droit des compositeurs de musique sur leurs oeuvres

Du droit des compositeurs de musique sur leurs oeuvres PDF Author: Philippe Dunant
Publisher:
ISBN:
Category : Copyright
Languages : fr
Pages : 256

Book Description


Du droit des compositeurs de musique sur leurs œuvres

Du droit des compositeurs de musique sur leurs œuvres PDF Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 256

Book Description


Du droit des compositeurs de musique sur leurs oeuvres

Du droit des compositeurs de musique sur leurs oeuvres PDF Author: Ph Dunant
Publisher:
ISBN:
Category :
Languages : fr
Pages : 267

Book Description


Divine Names on the Spot

Divine Names on the Spot PDF Author: Fabio Porzia
Publisher:
ISBN: 9789042951617
Category : History
Languages : fr
Pages : 0

Book Description
'Ancient Greek and Semitic languages resorted to a large range of words to name the divine. Gods and goddesses were called by a variety of names and combinations of onomastic attributes. This broad lexicon of names is characterised by plurality and a tendency to build on different sequences of names; therefore, the Mapping Ancient Polytheisms project focuses on the process of naming the divine in order to better understand the ancient divine in terms of a plurality in the making. A fundamental rule for reading ancient divine names is to grasp them in their context - time and place, a ritual, the form of the discourse, a cultural milieu...: a deity is usually named according to a specific situation. From Artemis Eulochia to al-Lat, al-'Uzza and Manat, from Melqart to "my rock" in the biblical book of Psalms, this volume journeys between the sanctuary on Mount Gerizim and late antique magical practices, revisiting rituals, hymnic poetry, oaths of orators and philosophical prayers. While targeting different names in different contexts, the contributors draft theoretical propositions towards a dynamic approach of naming the divine in antiquity.'

Confronting Stravinsky

Confronting Stravinsky PDF Author: Jann Pasler
Publisher: Univ of California Press
ISBN: 9780520054035
Category : Biography & Autobiography
Languages : en
Pages : 412

Book Description
"This book grew out of the International Stravinsky Symposium and the papers commissioned for it. The participants' new insights fall into three broad categories. First, there are those of a general nature that shed light on some of the central aesthetic issues of our time, as reflected in Stravinsky's music. Second, there are those that lead to a more precise understanding of the different periods of Stravinsky's career and the forces operating within them. Third, there are those that reveal threads of continuity that permeate Stravinsky's entire oeuvre." -- P. ix-x.

Stravinsky

Stravinsky PDF Author: Stephen Walsh
Publisher: Knopf
ISBN: 0593319044
Category : Biography & Autobiography
Languages : en
Pages : 720

Book Description
Widely regarded the greatest composer of the twentieth century, Igor Stravinsky was central to the development of modernism in art. Deeply influential and wonderfully productive, he is remembered for dozens of masterworks, from The Firebird and The Rite of Spring to The Rake's Progress, but no dependable biography of him exists. Previous studies have relied too heavily on his own unreliable memoirs and conversations, and until now no biographer has possessed both the musical knowledge to evaluate his art and the linguistic proficiency needed to explore the documentary background of his life--a life whose span extended from tsarist Russia to Switzerland, France, and ultimately the United States. In this revealing volume, the first of two, Stephen Walsh follows Stravinsky from his birth in 1882 to 1934. He traces the composer's early Russian years in new and fascinating detail, laying bare the complicated relationships within his family and showing how he first displayed his extraordinary talents within the provincial musical circle around his teacher, Nikolay Rimsky-Korsakov. Stravinsky's brilliantly creative involvement with the Ballets Russes is illuminated by a sharp sense of the internal artistic politics that animated the group. Portraying Stravinsky's circumstances as an émigré in France trying to make his living as a conductor and pianist as well as a composer while beset by emotional and financial demands, Walsh reveals the true roots of his notorious obsession with money during the 1920s and describes with sympathy the nature of his long affair with Vera Sudeykina. While always respecting Stravinsky's own insistence that life and art be kept distinct, Stravinsky makes clear precisely how the development of his music was connected to his life and to the intellectual environment in which he found himself. But at the same time it demonstrates the composer's remarkably pragmatic psychology, which led him to consider the welfare of his art to be of paramount importance, before which everything else had to give way. Hence, for example, his questionable attitude toward Hitler and Mussolini, and his reputation as a touchy, unpredictable man as famous for his enmities as for his friendships. Stephen Walsh, long established as an expert on Stravinsky's music, has drawn upon a vast array of material, much of it unpublished or unavailable in English, to bring the man himself, in all his color and genius, to glowing life. Written with elegance and energy, comprehensive, balanced, and original, Stravinsky is essential reading for anyone interested in the adventure of art in our time. Praise from the British press for Stephen Walsh's The Music of Stravinsky "One of the finest general studies of the composer." --Wilfrid Mellers, composer, Times Literary Supplement "The beautiful prose of The Music of Stravinsky is itself a fund of arresting images. For those who already love Stravinsky's music, Walsh's essays on each work will bring a smile of recognition and joy at new kernels of insight. For those unfamiliar with many of the works he discusses, Walsh's commentaries are likely to whet appetites for performances of the works." --John Shepherd, Notes "This book sent me scurrying back to the scores and made me want to recommend it to other people. Above all, it is a good read." --Anthony Pople, Music and Letters

An Autobiography

An Autobiography PDF Author: Igor Stravinsky
Publisher: Library of Alexandria
ISBN: 1465513221
Category : Fiction
Languages : en
Pages : 207

Book Description