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Author: James B. Twitchell Publisher: Oxford University Press, USA ISBN: Category : Art Languages : en Pages : 378
Book Description
Dreadful Pleasures offers a lively look at those stories that make our hair stand on end--their persistence in our culture, their manifestations in art, and our need for the frissons they provide. James Twitchell traces our fascination with horror from the cave paintings at Lascaux to the "slasher" movies today. Twitchell finds that three particular stories have had a special resonance in our culture: the bloodsucker (Dracula), the deformed creature (Frankenstein), and the transformation monster (The Wolfman, Dr. Jekyll and Mr. Hyde). Why have these stories persisted to the point of becoming mythic and to the exclusion of others? Whatever happened to the Phantom of the Opera or the Hunchback of Notre Dame or the Creature from the Black Lagoon? Using a psychoanalytic approach, Twitchell argues that the stories we seek out and preserve are th ones that carry certain information as well as horror. These myths, he contends, warn their adolescent audiences of the dangers of careless sexual behavior: they seem to say--subliminally--that sex itself is not horrible, but sex with certain people is. Whether discussing the engravings of William Hogarth or The Texas Chainsaw Massacre, Twitchell is consistently insightful, provocative, and entertaining. Film buffs and scholars literary critics and devotees of the Gothic novel will all welcome this study. About the Author: James B. Twitchell is Professor of English at the University of Florida, Gainesville. His previous books include GThe Living Dead: The Vampire in Romantic Literature and Romantic Horizons: Aspects of the Sublime in English Poetry and Painting.
Author: James B. Twitchell Publisher: Oxford University Press, USA ISBN: Category : Art Languages : en Pages : 378
Book Description
Dreadful Pleasures offers a lively look at those stories that make our hair stand on end--their persistence in our culture, their manifestations in art, and our need for the frissons they provide. James Twitchell traces our fascination with horror from the cave paintings at Lascaux to the "slasher" movies today. Twitchell finds that three particular stories have had a special resonance in our culture: the bloodsucker (Dracula), the deformed creature (Frankenstein), and the transformation monster (The Wolfman, Dr. Jekyll and Mr. Hyde). Why have these stories persisted to the point of becoming mythic and to the exclusion of others? Whatever happened to the Phantom of the Opera or the Hunchback of Notre Dame or the Creature from the Black Lagoon? Using a psychoanalytic approach, Twitchell argues that the stories we seek out and preserve are th ones that carry certain information as well as horror. These myths, he contends, warn their adolescent audiences of the dangers of careless sexual behavior: they seem to say--subliminally--that sex itself is not horrible, but sex with certain people is. Whether discussing the engravings of William Hogarth or The Texas Chainsaw Massacre, Twitchell is consistently insightful, provocative, and entertaining. Film buffs and scholars literary critics and devotees of the Gothic novel will all welcome this study. About the Author: James B. Twitchell is Professor of English at the University of Florida, Gainesville. His previous books include GThe Living Dead: The Vampire in Romantic Literature and Romantic Horizons: Aspects of the Sublime in English Poetry and Painting.
Author: Cynthia Freeland Publisher: Routledge ISBN: 0429975864 Category : Social Science Languages : en Pages : 290
Book Description
Horror is often dismissed as mass art or lowbrow entertainment that produces only short-term thrills. Horror films can be bloody, gory, and disturbing, so some people argue that they have bad moral effects, inciting viewers to imitate cinematic violence or desensitizing them to atrocities. In The Naked and the Undead: Evil and the Appeal of Horror, Cynthia A. Freeland seeks to counter both aesthetic disdain and moral condemnation by focusing on a select body of important and revealing films, demonstrating how the genre is capable of deep philosophical reflection about the existence and nature of evil?both human and cosmic. In exploring these films, the author argues against a purely psychoanalytic approach and opts for both feminist and philosophical understandings. She looks at what it is in these movies that serves to elicit specific reactions in viewers and why such responses as fear and disgust are ultimately pleasurable. The author is particularly interested in showing how gender figures into screen presentations of evil.The book is divided into three sections: Mad Scientists and Monstrous Mothers, which looks into the implications of male, rationalistic, scientific technology gone awry; The Vampire's Seduction, which explores the attraction of evil and the human ability (or inability) to distinguish active from passive, subject from object, and virtue from vice; and Sublime Spectacles of Disaster, which examines the human fascination with horror spectacle. This section concludes with a chapter on graphic horror films like The Texas Chainsaw Massacre. Written for both students and film enthusiasts, the book examines a wide array of films including: The Silence of the Lambs, Repulsion, Frankenstein, The Fly, Dead Ringers, Alien, Bram Stoker's Dracula, Interview with the Vampire, Frenzy, The Shining, Eraserhead, Hellraiser, and many others.
Author: Barry Keith Grant Publisher: University of Texas Press ISBN: 1477302425 Category : Performing Arts Languages : en Pages : 558
Book Description
“The Dread of Difference is a classic. Few film studies texts have been so widely read and so influential. It’s rarely on the shelf at my university library, so continuously does it circulate. Now this new edition expands the already comprehensive coverage of gender in the horror film with new essays on recent developments such as the Hostel series and torture porn. Informative and enlightening, this updated classic is an essential reference for fans and students of horror movies.”—Stephen Prince, editor of The Horror Film and author of Digital Visual Effects in Cinema: The Seduction of Reality “An impressive array of distinguished scholars . . . gazes deeply into the darkness and then forms a Dionysian chorus reaffirming that sexuality and the monstrous are indeed mated in many horror films.”—Choice “An extremely useful introduction to recent thinking about gender issues within this genre.”—Film Theory
Author: James B. Twitchell Publisher: Oxford University Press, USA ISBN: 9780195050677 Category : Language Arts & Disciplines Languages : en Pages : 353
Book Description
Analyzes horror fiction and movies from a psychoanalytical point of view and discusses the reasons for the popularity of horror stories
Author: Mark Jancovich Publisher: Routledge ISBN: 1134563752 Category : Performing Arts Languages : en Pages : 197
Book Description
Horror, The Film Reader brings together key articles to provide a comprehensive resource for students of horror cinema. Mark Jancovich's introduction traces the development of horror film from The Cabinet of Dr. Caligari to The Blair Witch Project, and outlines the main critical debates. Combining classic and recent articles, each section explores a central issue of horror film, and features an editor's introduction outlining the context of debates.
Author: Austin Fisher Publisher: Bloomsbury Publishing USA ISBN: 162892747X Category : Performing Arts Languages : en Pages : 281
Book Description
Examines, with historically informed nuance, the myriad routes of cultural influence that converged in the American ‘grindhouse’ phenomenon and its aftermath.
Author: Peter Laws Publisher: Simon and Schuster ISBN: 1510726772 Category : Social Science Languages : en Pages : 294
Book Description
The Frighteners is a bizarrely compelling, laugh-out-loud exploration of societies’ fascination with the dark, spooky, and downright terrifying side of life. The author--self proclaimed “sinister minister”--opens the book by reflecting on how he went from a horror-obsessed atheist to a God-fearing Christian and then reconciled his love of the macabre with his new faith. In the chapters that follow, Laws takes us on a worldwide romp to shine light on the dark corners of our own minds. An American hell house--controversial Christian “haunted houses” that act out the horrors of abortion, drug use, etc.—hosts his reflection on the use of horror in religion. A party in London with real life “vampires” exemplifies modern sexual fascination with the parasitic undead. He goes ghost hunting in an underground barbershop where a murderer used to cut hair. A professor in Denmark who is an expert on the recent Slenderman court case helps him explore the link between technology and the supernatural. In accessible and light-hearted prose, Peter Laws takes us from the dark corners of his mind to the underbelly of various macabre cultures to illuminate society’s preoccupation with death and horror. The Frighteners combines psychology, religious theory, and personal memoir to create a dynamic and fascinating read that is informative and entertaining.
Author: Alexandra Bracken Publisher: Disney Electronic Content ISBN: 1484798511 Category : Juvenile Fiction Languages : en Pages :
Book Description
Prosper Redding is the only unexceptional member of his very successful family, that is, until he discovers a demon living inside him. Turns out, Prosper's great-great-great-great-great-something grandfather made, and then broke - a contract with a malefactor, a demon who exchanges fortune for eternal servitude. Now Alastor, the malefactor, has reawakened and is intent on destroying the Redding fortune, unless they can kill him in the body he inhabits, which, oh, wait, that's Prosper, and why is his grandmother coming at him with a silver blade? In danger from both the demon trying to take over his soul and the family that would rather protect their fortune than their own kin, Prosper narrowly escapes with the help of his long lost Uncle Barnabas and Barnabas's daughter, Nell, a witch in training. According to Barnabas and Nell, they have only days to break the family curse and find a way to banish Alastor back to the demon realm. Until then, Prosper has to deal with Alastor's vengeful mutterings inside his head (not to mention his nasty habit of snacking on spiders). And, every night, Alastor's control over his body grows stronger. . . As the deadline to the curse draws nearer, Prosper and Nell realize there's more at stake than just the Redding family fortune. . . that there might be something else out there, something worse than Alastor, that could destroy the balance between the human and demon realms and change the world as they know it forever.
Author: S.A. Bradley Publisher: Coal Cracker Press ISBN: 0692193367 Category : Performing Arts Languages : en Pages : 288
Book Description
Horror has the gripping ability to captivate...and enthrall. It hooks you with unnerving stories of dread and evil, pushes your limits and pokes every phobia. Audiences love to be scared but behind every muffled scream is something deeper and even more fascinating. In Screaming for Pleasure, S.A. Bradley takes you on a wild journey exploring horror, where you'll discover what is so tantalizing about terror, including: Rare insights about some of the greatest fright directors of all time, like David Cronenberg, Guillermo Del Toro and John Carpenter, culled from hundreds of interviews.An in-depth look at 6 of the most impactful horror films by women directors, plus a list of over 15 women directors you should be watching now.Relive the most terrifying and shocking moments in horror film history with detailed breakdowns of over 100 films. Plus, you'll uncover how horror lets you peek in at what may be lurking within yourself. Screaming for Pleasure thrills you with the beauty and depth of the horror genre, dissecting films, literature and music, that reveals how horror constantly reinvents itself and reflects the anxieties of each generation. Whether you're frightened to watch scary movies alone or a horror obsessive, Screaming for Pleasure is the entertaining guide to help cinephiles of all types fall in love with horror again.
Author: James B. Twitchell
Author: James B. Twitchell
Author: 
Author: Cynthia Freeland
Author: Barry Keith Grant
Author: James B. Twitchell
Author: Mark Jancovich
Author: Austin Fisher
Author: Peter Laws
Author: Alexandra Bracken
Author: S.A. Bradley