Author: Richard RedgravePublisher:
ISBN:
Category : Art
Languages : en
Pages : 680
Book Description
A Century of Painters of the English School
Author: Richard RedgravePublisher:
ISBN:
Category : Art
Languages : en
Pages : 680
Book Description
Illustrated Catalogue of 300 Paintings by Old Masters of the Dutch, Flemish, Italian, French, and English Schools
Author: Charles SedelmeyerPublisher:
ISBN:
Category : Art
Languages : en
Pages : 378
Book Description
Van Dyck
Author: Stijn AlsteensPublisher: Yale University Press
ISBN: 0300212054
Category : Art
Languages : en
Pages : 321
Book Description
The first major examination of Anthony van Dyck's work as a portraitist and an essential resource on this aspect of his illustrious career This landmark volume is a comprehensive survey of the portrait drawings, paintings, and prints of Anthony van Dyck (1599-1641), one of the most celebrated portraitists of all time. His supremely elegant style and ability to convey a sense of a sitter's inner life made him a favored portraitist among high-ranking figures and royalty across Europe, as well as among his fellow artists and art enthusiasts. Showcasing the full range of Van Dyck's fascinating international career with more than 100 works, this catalogue celebrates the artist's versatility, inventiveness, and influential approach to portraiture. Works include preparatory drawings and oil sketches that shed light on Van Dyck's working process, prints that allowed his work to reach a wider audience, and grand painted portraits. Some of the masterpieces are drawn from the exceptional holdings of The Frick Collection, while other works are presented here for the first time. Also included are drawings by some of Van Dyck's contemporaries--including his teacher Peter Paul Rubens--that illuminate the lineage of his working method. With insightful contributions by a team of international scholars, this unparalleled study of Van Dyck offers a compelling case for the distinctiveness and importance of the artist's work.
The Illustrated Record and Descriptive Catalogue of the Dublin International Exhibition of 1865
Author: Henry ParkinsonPublisher:
ISBN:
Category : Arts, Modern
Languages : en
Pages : 646
Book Description
The Pictorial History of England
Author: George Lillie CraikPublisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 840
Book Description
The Athenaeum
Author: The Burlington Magazine for Connoisseurs
Author: Literary Gazette and Journal of Belles Lettres, Science, and Art
Author: Hogarth and his Place in European Art
Author: Frederick AntalPublisher: Taylor & Francis
ISBN: 1000738450
Category : Art
Languages : en
Pages : 776
Book Description
First published in 1962, Hogarth and his Place in European Art attempts to convey the historical relevance, both in its native and European context, of perhaps the most outstanding English painter of the eighteenth century. Dr. Antal applies his method of establishing the close relationship between the political and social history and the arts and letters of the period. Thus, the book goes far beyond the limits of art historical appreciation. It gives a panoramic picture of the first half of the eighteenth century in England with all its social, literary, and artistic connotations. He shows how England, which during those years became both politically and economically the most advanced country in Europe, could provide in Hogarth, in spite of the slender native tradition, the most progressive artistic personality of his time – whose work revealed the views and tastes of a broad cross-section of society. He traces Hogarth’s stylistic origins back to their European sources and analyses his impact on contemporary European and English art as well as the influence he exerted on generations to come. This book will be of interest to students of art, art history, literature, and European history.
British and Irish Paintings in Public Collections
Author: Christopher WrightPublisher: Yale University Press
ISBN: 9780300117301
Category : Art
Languages : en
Pages : 950
Book Description
This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.