Drawings; 129 Drawings from "Dessins." PDF Download

Author: Jean Cocteau
Publisher: Courier Dover Publications
ISBN:
Category : Art
Languages : en
Pages : 156

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Book Description
Portraits, scenes, literary figures, etc., all rendered with grace and wit. 129 drawings.

Author: Jean Cocteau
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 129

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Book Description

Author: Jean Cocteau
Publisher:
ISBN:
Category :
Languages : en
Pages : 129

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Book Description

Author: Nathan T. Whitman
Publisher: Springer
ISBN: 9401509417
Category : Art
Languages : en
Pages : 156

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Book Description
List of Illustrations xiii The Life I The Style 19 Contents The Drawings 40 Appraisal and Evaluation 64 Bibliography 79 Notes 82 Index 90 Illustrations vii The French seventeenth century remains at the present moment one of the few areas in the history of later western art which still needs intensive study. Even the work of Pous sin, its most outstanding painter and the object of a continu ous stream of encomiums stretching back to his own life time, has only recently begun to be explored with the full scholarly apparatus of contemporary art history, and a definitive monograph is probably still some years in the future. La Tour and the Le Nain brothers have been intro duced into the company of great artists only within the past Foreword quarter century, and with significant discoyeries still being made complete evaluations are as yet not even to be contem plated. After numerous casual encounters with the frequent ly handsome if astonishingly varied canvases of Bourdon, one becomes suspicious of the ever repeated dismissal of his work as merely eclectic and longs for a revealing analysis of his purposes and patronage. The harsh Latinity of Valentin, the sumptuous strangeness ofVignon, the audacious languor of Antoine Coypel, these are some of the many topics that still await careful investigation and evaluation.

Author: William A. Emboden
Publisher: International Archive of Art, Limited
ISBN:
Category : Art
Languages : en
Pages : 234

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Book Description
Displays and discusses Cocteau's visual art, including paintings, ceramics, tapestries, murals, and sculpture.

Author: Ashley E. Dunn
Publisher: Metropolitan Museum of Art
ISBN: 1588396800
Category : Art
Languages : en
Pages : 179

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Book Description
Known as the master of French Romanticism for his energetic paintings, Eugène Delacroix (1798–1863) was also a consummate draftsman. Yet his drawings remained largely unknown to the public during his lifetime. Beginning with a posthumous studio sale in 1864, however, these drawings have been sought after and widely appreciated for the incomparable insight they afford into the artist’s process. This handsome book, one of the few to explore the topic in depth, provides new insight into Delacroix’s drawing practice, paying particular attention to his methods and the ways in which he pushed the boundaries of the medium. It showcases a selection of more than one hundred drawings, many of which have been rarely seen, from Karen B. Cohen’s world-renowned collection. The works highlighted here range from finished watercolors to sketches, from copies after old masters and popular prints to drawings preparatory to many of Delacroix’s most important painting and print projects. Illustrated with a wealth of comparative images, the book examines the essential role of drawing in the artist’s formation and aesthetic practice, while two shorter texts trace the history of the collecting of Delacroix’s work at the Metropolitan Museum and present important new research on his materials and techniques. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}

Author: Rembrandt Harmenszoon van Rijn
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 72

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Book Description
Rembrandt as draftsman beggars description, yet he is the most accessible of the great artists. Rembrandt's personal interpretation of his favorite scenes and themes from the Bible form the largest single category among his 1400 extant sketches. This volume displays, in sharp, quality reproduction, 60 authentic designs chosen from the great facsimile publications of the drawings. The arrangement is by chronology with the Bible. -- From publisher's description.

Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1318

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Book Description

Author: Claude Arnaud
Publisher: Yale University Press
ISBN: 0300182163
Category : Biography & Autobiography
Languages : en
Pages : 1039

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Book Description
This passionate and monumental biography reassesses the life and legacy of one of the most significant cultural figures of the twentieth century Unevenly respected, easily hated, almost always suspected of being inferior to his reputation, Jean Cocteau has often been thought of as a jack-of-all-trades, master of none. In this landmark biography, Claude Arnaud thoroughly contests this characterization, as he celebrates Cocteau’s “fragile genius—a combination almost unlivable in art” but in his case so fertile. Arnaud narrates the life of this legendary French novelist, poet, playwright, director, filmmaker, and designer who, as a young man, pretended to be a sort of a god, but who died as a humble and exhausted craftsman. His moving and compassionate account examines the nature of Cocteau’s chameleon-like genius, his romantic attachments, his controversial politics, and his intimate involvement with many of the century’s leading artistic lights, including Picasso, Proust, Hemingway, Stravinsky, and Tennessee Williams. Already published to great critical acclaim in France, Arnaud’s penetrating and deeply researched work reveals a uniquely gifted artist while offering a magnificent cultural history of the twentieth century.

Author: Shana Cooperstein
Publisher: Taylor & Francis
ISBN: 1040093728
Category : Art
Languages : en
Pages : 249

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Book Description
This study uncovers the plethora of new, innovative drawing strategies that shaped French visual arts at the height of France’s imperial power. Horace Lecoq de Boisbaudran, Eugene Guillaume, and Félix Ravaisson, among others, designed new drawing procedures that responded to leading concerns of modern art and the exigencies of modern life: landscape painting and picturesque tourism, industrial design, and the use of drawing as vehicles of knowledge production and in social control. From graphic regimes that were “purement mathématique” and demanded the practice of orthographic projection, to those that privileged the articulation of proportions and the cultivation of an internal measuring system, fin de siècle educators in the fine and applied arts radically transformed drawing strategies and its history. The shifting parameters of drawing pedagogy and practice unfold onto a wider set of theoretical concerns central to humanistic inquiry and art-making today: the philosophy and cultural history of habit-based learning, the relation between industrialization and drawing, and the relation between art and mathematics. The book will be of interest to scholars working in art history, French studies, history of art education, history of philosophy, and history of science.