Author: Roger Malbert
Publisher: Thames & Hudson
ISBN: 0500778221
Category : Art
Languages : en
Pages : 284
Book Description
This book explores the variety of ways in which contemporary artists from around the world have come to approach drawing as the primary, sometimes the sole, element of their practice, and one which is autonomous: an end in itself rather than a means to an end in another, more substantial medium. In an era of advanced technologies where image production has accelerated potentially beyond the capacity of human attention what values can be attributed to the slow, deliberate process of drawing by hand? The artworks featured in this volume are not confined to traditional tools one can also draw on a computer, tablet or smartphone, and examples of digital drawing are incorporated into the narrative not as a separate category but as one medium among many. Grouped thematically by specific approaches, including abstraction and figuration, nature and artifice, social observation and critique, with essays and feature spreads for each section, this selection of international artists of diverse backgrounds and experience includes not only recognizable names such as Michael Armitage, Camille Henrot, Robert Longo, Amy Sillman and Kara Walker, but also a host of emerging talents. Beautifully presented in a visually appealing and tactile format with the feel of an artists portfolio, this is an inspiring overview of the best drawing practice today.
Drawing in the Present Tense
Author: Roger Malbert
Publisher: Thames & Hudson
ISBN: 0500778221
Category : Art
Languages : en
Pages : 284
Book Description
This book explores the variety of ways in which contemporary artists from around the world have come to approach drawing as the primary, sometimes the sole, element of their practice, and one which is autonomous: an end in itself rather than a means to an end in another, more substantial medium. In an era of advanced technologies where image production has accelerated potentially beyond the capacity of human attention what values can be attributed to the slow, deliberate process of drawing by hand? The artworks featured in this volume are not confined to traditional tools one can also draw on a computer, tablet or smartphone, and examples of digital drawing are incorporated into the narrative not as a separate category but as one medium among many. Grouped thematically by specific approaches, including abstraction and figuration, nature and artifice, social observation and critique, with essays and feature spreads for each section, this selection of international artists of diverse backgrounds and experience includes not only recognizable names such as Michael Armitage, Camille Henrot, Robert Longo, Amy Sillman and Kara Walker, but also a host of emerging talents. Beautifully presented in a visually appealing and tactile format with the feel of an artists portfolio, this is an inspiring overview of the best drawing practice today.
Publisher: Thames & Hudson
ISBN: 0500778221
Category : Art
Languages : en
Pages : 284
Book Description
This book explores the variety of ways in which contemporary artists from around the world have come to approach drawing as the primary, sometimes the sole, element of their practice, and one which is autonomous: an end in itself rather than a means to an end in another, more substantial medium. In an era of advanced technologies where image production has accelerated potentially beyond the capacity of human attention what values can be attributed to the slow, deliberate process of drawing by hand? The artworks featured in this volume are not confined to traditional tools one can also draw on a computer, tablet or smartphone, and examples of digital drawing are incorporated into the narrative not as a separate category but as one medium among many. Grouped thematically by specific approaches, including abstraction and figuration, nature and artifice, social observation and critique, with essays and feature spreads for each section, this selection of international artists of diverse backgrounds and experience includes not only recognizable names such as Michael Armitage, Camille Henrot, Robert Longo, Amy Sillman and Kara Walker, but also a host of emerging talents. Beautifully presented in a visually appealing and tactile format with the feel of an artists portfolio, this is an inspiring overview of the best drawing practice today.
The Art and Science of Drawing
Author: Brent Eviston
Publisher: Rocky Nook, Inc.
ISBN: 1681987775
Category : Art
Languages : en
Pages : 479
Book Description
Drawing is not a talent, it's a skill anyone can learn. This is the philosophy of drawing instructor Brent Eviston based on his more than twenty years of teaching. He has tested numerous types of drawing instruction from centuries old classical techniques to contemporary practices and designed an approach that combines tried and true techniques with innovative methods of his own. Now, he shares his secrets with this book that provides the most accessible, streamlined, and effective methods for learning to draw. Taking the reader through the entire process, beginning with the most basic skills to more advanced such as volumetric drawing, shading, and figure sketching, this book contains numerous projects and guidance on what and how to practice. It also features instructional images and diagrams as well as finished drawings. With this book and a dedication to practice, anyone can learn to draw!
Publisher: Rocky Nook, Inc.
ISBN: 1681987775
Category : Art
Languages : en
Pages : 479
Book Description
Drawing is not a talent, it's a skill anyone can learn. This is the philosophy of drawing instructor Brent Eviston based on his more than twenty years of teaching. He has tested numerous types of drawing instruction from centuries old classical techniques to contemporary practices and designed an approach that combines tried and true techniques with innovative methods of his own. Now, he shares his secrets with this book that provides the most accessible, streamlined, and effective methods for learning to draw. Taking the reader through the entire process, beginning with the most basic skills to more advanced such as volumetric drawing, shading, and figure sketching, this book contains numerous projects and guidance on what and how to practice. It also features instructional images and diagrams as well as finished drawings. With this book and a dedication to practice, anyone can learn to draw!
Contemporary Drawing
Author: Margaret Davidson
Publisher: Watson-Guptill
ISBN: 082302718X
Category : Art
Languages : en
Pages : 192
Book Description
Drawing is experiencing an unparalleled surge in the art world. Passé notions that once defined drawing as being a preparatory stage for painting or sculpture have long since been cast aside. Drawing is now fully recognized as its own art form—in the biennials, art fairs, museum exhibitions, and beyond. Drawing has come of age. Contemporary artists are increasingly discovering that drawing is something unique and different from painting. It is an intense, sensitive, compelling, personal, and utterly direct art form, one with its own concepts, characteristics, and techniques. In addition, contemporary drawing is not governed by any particular imagery, but rather encompasses a variety of approaches, including realist, abstract, modernist, and post-modernist. Contemporary Drawing delves into the essential and far-reaching concepts of this medium, exploring surface, mark, space, composition, scale, materials, and intentionality in turn. Key techniques, such as using nature to induce marks and working with a checklist to determine a drawing’s problems, are introduced throughout. Plus, an in-depth chapter examines a number of artists, such as William Kentridge and Gego, who are breaking traditional boundaries that separate one artistic discipline from another. Lushly illustrated by a wide range of highly accomplished contemporary artists, Contemporary Drawing offers a broad perspective on this expansive and energized field of art.
Publisher: Watson-Guptill
ISBN: 082302718X
Category : Art
Languages : en
Pages : 192
Book Description
Drawing is experiencing an unparalleled surge in the art world. Passé notions that once defined drawing as being a preparatory stage for painting or sculpture have long since been cast aside. Drawing is now fully recognized as its own art form—in the biennials, art fairs, museum exhibitions, and beyond. Drawing has come of age. Contemporary artists are increasingly discovering that drawing is something unique and different from painting. It is an intense, sensitive, compelling, personal, and utterly direct art form, one with its own concepts, characteristics, and techniques. In addition, contemporary drawing is not governed by any particular imagery, but rather encompasses a variety of approaches, including realist, abstract, modernist, and post-modernist. Contemporary Drawing delves into the essential and far-reaching concepts of this medium, exploring surface, mark, space, composition, scale, materials, and intentionality in turn. Key techniques, such as using nature to induce marks and working with a checklist to determine a drawing’s problems, are introduced throughout. Plus, an in-depth chapter examines a number of artists, such as William Kentridge and Gego, who are breaking traditional boundaries that separate one artistic discipline from another. Lushly illustrated by a wide range of highly accomplished contemporary artists, Contemporary Drawing offers a broad perspective on this expansive and energized field of art.
Drawing in the Present Tense
The Pleasure in Drawing
Author: Jean-Luc Nancy
Publisher: Fordham Univ Press
ISBN: 0823250938
Category : Art
Languages : en
Pages : 133
Book Description
Originally written for an exhibition Nancy curated at the Museum of Fine Arts in Lyon in 2007, the text addresses the medium of drawing in light of form in its formation, of form as a formative force, opening drawing to questions of pleasure and desire.
Publisher: Fordham Univ Press
ISBN: 0823250938
Category : Art
Languages : en
Pages : 133
Book Description
Originally written for an exhibition Nancy curated at the Museum of Fine Arts in Lyon in 2007, the text addresses the medium of drawing in light of form in its formation, of form as a formative force, opening drawing to questions of pleasure and desire.
Playing with Sketches
Author: Whitney Sherman
Publisher: Rockport Publishers
ISBN: 1610589459
Category : Design
Languages : en
Pages : 192
Book Description
DIVDrawing is the backbone of art and design; with all of the tantalizing wonders of the digital world, the best designers, illustrators and artists know that it’s good to step back occasionally and hit the refresh button on your hand and mind. Playing with Sketches is a hands-on, fun approach to exploring drawing principles. Beginning with an introduction to the philosophy of learning through the process of play, this book brings you through a series of basic warm-up exercises that can be combined with later projects. Then you’ll move quickly on to more challenging and engaging exercises, including word games, dimensional shapes, and inventive sketchbooks and letterforms, eventually creating a “toolkit� of ideas and skills developed through the process of play. This book features creative, adaptable ideas, and numerous examples of designers and artists responses to each exercise, giving you a peek into their way of thinking and seeing. /divDIVWith over 25 contributors, from high-profile designers, illustrators and artists to talented graduate students, you see work that will walk you step-by-step through a process or inspire by example. The book provides meaningful outcomes for your practice, including building an image archive, being exposed to new ways to use media and tools, inspiring you to break the rules, to collaborate, and much more!/div
Publisher: Rockport Publishers
ISBN: 1610589459
Category : Design
Languages : en
Pages : 192
Book Description
DIVDrawing is the backbone of art and design; with all of the tantalizing wonders of the digital world, the best designers, illustrators and artists know that it’s good to step back occasionally and hit the refresh button on your hand and mind. Playing with Sketches is a hands-on, fun approach to exploring drawing principles. Beginning with an introduction to the philosophy of learning through the process of play, this book brings you through a series of basic warm-up exercises that can be combined with later projects. Then you’ll move quickly on to more challenging and engaging exercises, including word games, dimensional shapes, and inventive sketchbooks and letterforms, eventually creating a “toolkit� of ideas and skills developed through the process of play. This book features creative, adaptable ideas, and numerous examples of designers and artists responses to each exercise, giving you a peek into their way of thinking and seeing. /divDIVWith over 25 contributors, from high-profile designers, illustrators and artists to talented graduate students, you see work that will walk you step-by-step through a process or inspire by example. The book provides meaningful outcomes for your practice, including building an image archive, being exposed to new ways to use media and tools, inspiring you to break the rules, to collaborate, and much more!/div
Drawing the Ocean
Author: Carolyn MacCullough
Publisher: Macmillan
ISBN: 9781596430921
Category : Juvenile Fiction
Languages : en
Pages : 190
Book Description
A gifted artist, Sadie is determined to fit in at her new school, but her deceased twin brother Ollie keeps appearing to her.
Publisher: Macmillan
ISBN: 9781596430921
Category : Juvenile Fiction
Languages : en
Pages : 190
Book Description
A gifted artist, Sadie is determined to fit in at her new school, but her deceased twin brother Ollie keeps appearing to her.
Berger on Drawing
Author: John Berger
Publisher:
ISBN: 9780954897642
Category : Art criticism
Languages : en
Pages : 158
Book Description
Publisher:
ISBN: 9780954897642
Category : Art criticism
Languages : en
Pages : 158
Book Description
Compass in Hand
Author: Christian Rattemeyer
Publisher: The Museum of Modern Art
ISBN: 9780870707452
Category : Art
Languages : en
Pages : 328
Book Description
This collection of drawings was acquired by MOMA in 2005, and it as an extraordinary collection of over 2,500 works on paper. This exhibition presents over 300 of these works and includes a number of works that use collage, assemblage, appropriation and montage.
Publisher: The Museum of Modern Art
ISBN: 9780870707452
Category : Art
Languages : en
Pages : 328
Book Description
This collection of drawings was acquired by MOMA in 2005, and it as an extraordinary collection of over 2,500 works on paper. This exhibition presents over 300 of these works and includes a number of works that use collage, assemblage, appropriation and montage.
Permanent Present Tense
Author: Suzanne Corkin
Publisher: Basic Books
ISBN: 0465033490
Category : Biography & Autobiography
Languages : en
Pages : 402
Book Description
In 1953, 27-year-old Henry Gustave Molaison underwent an experimental "psychosurgical" procedure -- a targeted lobotomy -- in an effort to alleviate his debilitating epilepsy. The outcome was unexpected -- when Henry awoke, he could no longer form new memories, and for the rest of his life would be trapped in the moment. But Henry's tragedy would prove a gift to humanity. As renowned neuroscientist Suzanne Corkin explains in Permanent Present Tense, she and her colleagues brought to light the sharp contrast between Henry's crippling memory impairment and his preserved intellect. This new insight that the capacity for remembering is housed in a specific brain area revolutionized the science of memory. The case of Henry -- known only by his initials H. M. until his death in 2008 -- stands as one of the most consequential and widely referenced in the spiraling field of neuroscience. Corkin and her collaborators worked closely with Henry for nearly fifty years, and in Permanent Present Tense she tells the incredible story of the life and legacy of this intelligent, quiet, and remarkably good-humored man. Henry never remembered Corkin from one meeting to the next and had only a dim conception of the importance of the work they were doing together, yet he was consistently happy to see her and always willing to participate in her research. His case afforded untold advances in the study of memory, including the discovery that even profound amnesia spares some kinds of learning, and that different memory processes are localized to separate circuits in the human brain. Henry taught us that learning can occur without conscious awareness, that short-term and long-term memory are distinct capacities, and that the effects of aging-related disease are detectable in an already damaged brain. Undergirded by rich details about the functions of the human brain, Permanent Present Tense pulls back the curtain on the man whose misfortune propelled a half-century of exciting research. With great clarity, sensitivity, and grace, Corkin brings readers to the cutting edge of neuroscience in this deeply felt elegy for her patient and friend.
Publisher: Basic Books
ISBN: 0465033490
Category : Biography & Autobiography
Languages : en
Pages : 402
Book Description
In 1953, 27-year-old Henry Gustave Molaison underwent an experimental "psychosurgical" procedure -- a targeted lobotomy -- in an effort to alleviate his debilitating epilepsy. The outcome was unexpected -- when Henry awoke, he could no longer form new memories, and for the rest of his life would be trapped in the moment. But Henry's tragedy would prove a gift to humanity. As renowned neuroscientist Suzanne Corkin explains in Permanent Present Tense, she and her colleagues brought to light the sharp contrast between Henry's crippling memory impairment and his preserved intellect. This new insight that the capacity for remembering is housed in a specific brain area revolutionized the science of memory. The case of Henry -- known only by his initials H. M. until his death in 2008 -- stands as one of the most consequential and widely referenced in the spiraling field of neuroscience. Corkin and her collaborators worked closely with Henry for nearly fifty years, and in Permanent Present Tense she tells the incredible story of the life and legacy of this intelligent, quiet, and remarkably good-humored man. Henry never remembered Corkin from one meeting to the next and had only a dim conception of the importance of the work they were doing together, yet he was consistently happy to see her and always willing to participate in her research. His case afforded untold advances in the study of memory, including the discovery that even profound amnesia spares some kinds of learning, and that different memory processes are localized to separate circuits in the human brain. Henry taught us that learning can occur without conscious awareness, that short-term and long-term memory are distinct capacities, and that the effects of aging-related disease are detectable in an already damaged brain. Undergirded by rich details about the functions of the human brain, Permanent Present Tense pulls back the curtain on the man whose misfortune propelled a half-century of exciting research. With great clarity, sensitivity, and grace, Corkin brings readers to the cutting edge of neuroscience in this deeply felt elegy for her patient and friend.