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Dramaturgy in Italian and French Renaissance tragedy

Dramaturgy in Italian and French Renaissance tragedy PDF Author: John A. Bertolini
Publisher:
ISBN:
Category :
Languages : en
Pages : 402

Book Description


Dramaturgy in Italian and French Renaissance tragedy

Dramaturgy in Italian and French Renaissance tragedy PDF Author: John A. Bertolini
Publisher:
ISBN:
Category :
Languages : en
Pages : 402

Book Description


Dramaturgy in Italian and French Renaissance Tragedy

Dramaturgy in Italian and French Renaissance Tragedy PDF Author: John Anthony Bertolini
Publisher:
ISBN:
Category :
Languages : en
Pages : 402

Book Description


Dramaturgy in Italian and French Renaissance Tragedy

Dramaturgy in Italian and French Renaissance Tragedy PDF Author: John Anthony Bertolini
Publisher:
ISBN:
Category :
Languages : en
Pages : 201

Book Description


Renaissance Drama

Renaissance Drama PDF Author:
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 304

Book Description


Handbook of French Renaissance Dramatic Theory

Handbook of French Renaissance Dramatic Theory PDF Author: Harold Walter Lawton
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 184

Book Description
Selection of texts from Latin and 16th century French writers. Latin texts appear with their translation into English.

Shakespeare's Italy

Shakespeare's Italy PDF Author: Michele Marrapodi
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 344

Book Description


The Dramaturgy of Senecan Tragedy

The Dramaturgy of Senecan Tragedy PDF Author: Thomas Kohn
Publisher: University of Michigan Press
ISBN: 0472118579
Category : Drama
Languages : en
Pages : 193

Book Description
Fresh insight into the dramaturgical practices of the Younger Seneca

Tragic Seneca

Tragic Seneca PDF Author: A. J. Boyle
Publisher: Routledge
ISBN: 1134802315
Category : History
Languages : en
Pages : 273

Book Description
Tragic Seneca undertakes a radical re-evaluation of Seneca's plays, their relationship to Roman imperial culture and their instrumental role in the evolution of the European theatrical tradition. Following an introduction on the history of the Roman theatre, the book provides a dramatic and cultural critique of the whole of Seneca's corpus, analysing the declamatory form of the plays, their rhetoric, interiority, stagecraft and spectacle, dramatic, ideological and moral structure and their overt theatricality. Each of Seneca's plays is examined in detail, locating the force of Senecan drama not only in the moral complexity of the texts and their representations of power, violence, history, suffering and the self, but the semiotic interplay of text, tradition and culture. The later chapters focus on Seneca's influence on Italian, English and French drama of the Renaissance. A.J. Boyle argues that tragedians such as Cinthio, Kyd, Marlowe, Shakespeare, Webster, Corneille, and Racine owe a debt to Seneca that goes beyond allusion, dramatic form and the treatment of tyranny and revenge to the development of the tragic sensibility and the metatheatrical mind. Tragic Seneca attempts to restore Seneca to a central position in the European literary tradition. It will provide readers and directors of Seneca's plays with the essential critical guide to their intellectual, cultural and dramatic complexity.

Drama of a Nation

Drama of a Nation PDF Author: Walter Cohen
Publisher: Cornell University Press
ISBN: 1501741667
Category : Literary Criticism
Languages : en
Pages : 420

Book Description
During the sixteenth and seventeenth centuries, in the midst of an international florescence of drama, the English and Spanish theaters displayed striking and unique similarities. Although these two national theaters developed in relative isolation from each other, in both countries the plays synthesized native popular traditions and neoclassical learned conventions, a synthesis found neither in the more elite Italian and French drama of the time nor in any other European drama before or since. In Drama of a Nation, Walter Cohen illuminates the causes of this significant parallel development. Working from a Marxist perspective, Cohen seeks to establish correlations among individual plays, dramatic genres, theatrical institutions, cultural milieus, and political and economic systems. He argues that the drama owed its distinctiveness to the public theaters, especially of London and Madrid, which opened in the 1570s and closed, under government order, seventy years later. Both drama and theater in turn depended on a relative cultural homogeneity perpetuated by a state that primarily served the aristocracy. Absolutism, he maintains, first fostered and then undermined the public theater.

Dissertation Abstracts International

Dissertation Abstracts International PDF Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 572

Book Description