Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 1092
Book Description
Catalogue of Printed Books in the Library of the British Museum
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 1092
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 1092
Book Description
British Museum Catalogue of printed Books
Catalogue of the Printed Books in the Library of the British Museum
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 960
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 960
Book Description
Recueil dramatique
Author: Berquin (M., Arnaud)
Publisher:
ISBN:
Category :
Languages : fr
Pages : 344
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 344
Book Description
Catalogue of Printed Books
Author: British Museum. Dept. of Printed Books
Publisher: William Clowes & Sons, Limited
ISBN:
Category : Reference
Languages : en
Pages : 652
Book Description
Publisher: William Clowes & Sons, Limited
ISBN:
Category : Reference
Languages : en
Pages : 652
Book Description
General Catalogue of Printed Books
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 640
Book Description
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 640
Book Description
Novel Stages
Author: Pratima Prasad
Publisher: University of Delaware Press
ISBN: 9780874139778
Category : Literary Criticism
Languages : en
Pages : 250
Book Description
The essays in Novel Stages examine the myriad intersections between drama and the novel in nineteenth-century France, a period when the two genres were in constant engagement with one another. The collection is unified by common intellectual concerns: the inscription of theatrical esthetics within the novel; the common practice among nineteenth-century novelists of adapting their works for the stage; and the novel's engagement with popular forms of theater. The essays provide insight into a specific aspect of the relationship between the theater and the novel in the nineteenth century. Their distinct perspectives form an overview of the literary landscape of nineteenth-century France, and demonstrate many ways in which all major nineteenth-century French novelists, including Hugo, Flaubert, Sand, and Zola, participated in the theatrical culture of their century.
Publisher: University of Delaware Press
ISBN: 9780874139778
Category : Literary Criticism
Languages : en
Pages : 250
Book Description
The essays in Novel Stages examine the myriad intersections between drama and the novel in nineteenth-century France, a period when the two genres were in constant engagement with one another. The collection is unified by common intellectual concerns: the inscription of theatrical esthetics within the novel; the common practice among nineteenth-century novelists of adapting their works for the stage; and the novel's engagement with popular forms of theater. The essays provide insight into a specific aspect of the relationship between the theater and the novel in the nineteenth century. Their distinct perspectives form an overview of the literary landscape of nineteenth-century France, and demonstrate many ways in which all major nineteenth-century French novelists, including Hugo, Flaubert, Sand, and Zola, participated in the theatrical culture of their century.
Disruptive Acts
Author: Mary Louise Roberts
Publisher: University of Chicago Press
ISBN: 9780226721248
Category : Biography & Autobiography
Languages : en
Pages : 382
Book Description
All of them challenged traditional notions of womanhood by living unconventional lives and doing supposedly "masculine" work outside the home.".
Publisher: University of Chicago Press
ISBN: 9780226721248
Category : Biography & Autobiography
Languages : en
Pages : 382
Book Description
All of them challenged traditional notions of womanhood by living unconventional lives and doing supposedly "masculine" work outside the home.".
The Use of Asian Theatre for Modern Western Theatre
Author: Min Tian
Publisher: Springer
ISBN: 3319971786
Category : Performing Arts
Languages : en
Pages : 315
Book Description
This book is a historical study of the use of Asian theatre for modern Western theatre as practiced by its founding fathers, including Aurélien Lugné-Poe, Adolphe Appia, Gordon Craig, W. B. Yeats, Jacques Copeau, Charles Dullin, Antonin Artaud, V. E. Meyerhold, Sergei Eisenstein, and Bertolt Brecht. It investigates the theories and practices of these leading figures in their transnational and cross-cultural relationship with Asian theatrical traditions and their interpretations and appropriations of the Asian traditions in their reactional struggles against the dominance of commercialism and naturalism. From the historical and aesthetic perspectives of traditional Asian theatres, it approaches this intercultural phenomenon as a (Euro)centred process of displacement of the aesthetically and culturally differentiated Asian theatrical traditions and of their historical differences and identities. Looking into the displaced and distorted mirror of Asian theatre, the founding fathers of modern Western theatre saw, in their imagination of the 'ghostly' Other, nothing but a (self-)reflection or, more precisely, a (self-)projection and emplacement, of their competing ideas and theories preconceived for the construction, and the future development, of modern Western theatre.
Publisher: Springer
ISBN: 3319971786
Category : Performing Arts
Languages : en
Pages : 315
Book Description
This book is a historical study of the use of Asian theatre for modern Western theatre as practiced by its founding fathers, including Aurélien Lugné-Poe, Adolphe Appia, Gordon Craig, W. B. Yeats, Jacques Copeau, Charles Dullin, Antonin Artaud, V. E. Meyerhold, Sergei Eisenstein, and Bertolt Brecht. It investigates the theories and practices of these leading figures in their transnational and cross-cultural relationship with Asian theatrical traditions and their interpretations and appropriations of the Asian traditions in their reactional struggles against the dominance of commercialism and naturalism. From the historical and aesthetic perspectives of traditional Asian theatres, it approaches this intercultural phenomenon as a (Euro)centred process of displacement of the aesthetically and culturally differentiated Asian theatrical traditions and of their historical differences and identities. Looking into the displaced and distorted mirror of Asian theatre, the founding fathers of modern Western theatre saw, in their imagination of the 'ghostly' Other, nothing but a (self-)reflection or, more precisely, a (self-)projection and emplacement, of their competing ideas and theories preconceived for the construction, and the future development, of modern Western theatre.