Author: Denison Clift
Publisher:
ISBN:
Category : Motion picture authorship
Languages : en
Pages : 24
Book Description
Dramatic Suspense in the Photoplay
Author: Denison Clift
Publisher:
ISBN:
Category : Motion picture authorship
Languages : en
Pages : 24
Book Description
Publisher:
ISBN:
Category : Motion picture authorship
Languages : en
Pages : 24
Book Description
The Fox Plan of Photoplay Writing
Author: Charles Donald Fox
Publisher:
ISBN:
Category : Motion picture authorship
Languages : en
Pages : 270
Book Description
Publisher:
ISBN:
Category : Motion picture authorship
Languages : en
Pages : 270
Book Description
Photoplay Making
Author: Howard T. Dimick
Publisher:
ISBN:
Category : Motion picture plays
Languages : en
Pages : 112
Book Description
Publisher:
ISBN:
Category : Motion picture plays
Languages : en
Pages : 112
Book Description
The Dramatic Index for ...
Author: Frederick Winthrop Faxon
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 298
Book Description
Issues for 1912-16, 1919- accompanied by an appendix: The Dramatic books and plays (in English) (title varies slightly) This bibliography was incorporated into the main list in 1917-18.
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 298
Book Description
Issues for 1912-16, 1919- accompanied by an appendix: The Dramatic books and plays (in English) (title varies slightly) This bibliography was incorporated into the main list in 1917-18.
The Rebirth of Suspense
Author: Rick Warner
Publisher: Columbia University Press
ISBN: 0231559526
Category : Performing Arts
Languages : en
Pages : 231
Book Description
Typically, films are suspenseful when they keep us on the edge of our seats, when glimpses of a turning doorknob, a ticking clock, or a looming silhouette quicken our pulses. Exemplified by Alfred Hitchcock’s masterworks and the countless thrillers they influenced, such films captivate viewers with propulsive plots that spur emotional investment in the fates of protagonists. Suspense might therefore seem to be a curious concept to associate with art films featuring muted characters, serene landscapes, and unrushed rhythms, in which plot is secondary to mood and tone. This ambitious and wide-ranging book offers a redefinition of suspense by considering its unlikely incarnations in the contemporary films that have been called “slow cinema.” Rick Warner shows how slowness builds suspense through atmospheric immersion, narrative sparseness, and the withholding of information, causing viewers to oscillate among boredom, curiosity, and dread. He focuses on works in which suspense arises where the boundaries between art cinema and popular genres—such as horror, thriller, science fiction, and gothic melodrama—become indefinite, including Chantal Akerman’s La captive, Apichatpong Weerasethakul’s Memoria, Jonathan Glazer’s Under the Skin, Kelly Reichardt’s Night Moves, Lucrecia Martel’s Zama, Kiyoshi Kurosawa’s Creepy, and David Lynch’s Twin Peaks: The Return. Warner investigates the pivotal role of sound in generating suspense and traces how the experience of suspense has changed in the era of digital streaming. The Rebirth of Suspense develops a fresh theory, history, typology, and analysis of suspense that casts new light on the workings of films across global cinema.
Publisher: Columbia University Press
ISBN: 0231559526
Category : Performing Arts
Languages : en
Pages : 231
Book Description
Typically, films are suspenseful when they keep us on the edge of our seats, when glimpses of a turning doorknob, a ticking clock, or a looming silhouette quicken our pulses. Exemplified by Alfred Hitchcock’s masterworks and the countless thrillers they influenced, such films captivate viewers with propulsive plots that spur emotional investment in the fates of protagonists. Suspense might therefore seem to be a curious concept to associate with art films featuring muted characters, serene landscapes, and unrushed rhythms, in which plot is secondary to mood and tone. This ambitious and wide-ranging book offers a redefinition of suspense by considering its unlikely incarnations in the contemporary films that have been called “slow cinema.” Rick Warner shows how slowness builds suspense through atmospheric immersion, narrative sparseness, and the withholding of information, causing viewers to oscillate among boredom, curiosity, and dread. He focuses on works in which suspense arises where the boundaries between art cinema and popular genres—such as horror, thriller, science fiction, and gothic melodrama—become indefinite, including Chantal Akerman’s La captive, Apichatpong Weerasethakul’s Memoria, Jonathan Glazer’s Under the Skin, Kelly Reichardt’s Night Moves, Lucrecia Martel’s Zama, Kiyoshi Kurosawa’s Creepy, and David Lynch’s Twin Peaks: The Return. Warner investigates the pivotal role of sound in generating suspense and traces how the experience of suspense has changed in the era of digital streaming. The Rebirth of Suspense develops a fresh theory, history, typology, and analysis of suspense that casts new light on the workings of films across global cinema.
The Dramatic Index
Technique of the Photoplay
Author: Frederick Palmer
Publisher:
ISBN:
Category : Motion picture authorship
Languages : en
Pages : 352
Book Description
Publisher:
ISBN:
Category : Motion picture authorship
Languages : en
Pages : 352
Book Description